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New biography, 'The Hag,' examines the life of country music icon1 Merle Haggard
NPR's Steve Inskeep talks to Haggard's biographer Marc Eliot about his book: The Hag. Haggard spent his early years going from family tragedy to odd jobs to broken marriages to petty crime to prison.
(SOUNDBITE OF SONG, "SING A SAD SONG")
MERLE HAGGARD: (Singing) Sing me a song of sadness, and sing it...
STEVE INSKEEP, HOST:
The late Merle Haggard sang about breakups, working, loving, fighting, American flags, getting drunk and working some more.
(SOUNDBITE OF SONG, "WORKIN' MAN BLUES3")
HAGGARD: (Singing) Well, hey, hey, the working man, the working man like me. I ain't never been on welfare, and that's one place I won't be.
INSKEEP: He sang all the country music stereotypes5, but is it really a stereotype4 if you helped to write the stereotype and before that, it was your life? A new biography examines the story of Merle Haggard, who spent his early years going from family tragedy to odd jobs to broken marriages to petty crime to prison. Before his death in 2016, Merle Haggard came on this program and talked of his youthful love for jumping onto freight trains, including one that went over the mountains.
(SOUNDBITE OF ARCHIVED NPR BROADCAST)
HAGGARD: And it was in the wintertime. And there was snow, and there was ice. And two other hobos and me crammed6 down in the ice compartment7 of an old refrigerator car.
INSKEEP: What did you learn from that?
HAGGARD: Oh, take enough money to ride a bus.
INSKEEP: (Laughter).
That sort of life left an imprint8 on Merle Haggard. His biographer, Marc Eliot, met Haggard when he was a country music star showing both talent and charm. But also...
MARC ELIOT: I could feel a sense of turmoil9. I always think about writing biography as a mystery, like a Raymond Chandler mystery.
INSKEEP: Eliot set out to find the source of that turmoil, and the story took him back to Haggard's birth in the 1930s.
ELIOT: Well, his father was an Okie from Oklahoma. You know, Okie was a pejorative10 term, something that Californians called what they considered immigrants. They were just not welcomed.
INSKEEP: These are economic refugees, so to speak, in the Great Depression, fleeing the Dust Bowl. Is that right?
ELIOT: That's correct. Merle's father decided11 to move to California and start a new life. And "Okie From Muskogee," which is a song that's about pride - it was about his father's pride and being from Oklahoma.
(SOUNDBITE OF SONG, "OKIE FROM MUSKOGEE")
HAGGARD: (Singing) And I'm proud to be an Okie from Muskogee, a place where even squares can have a ball. We still wave Old Glory down at the courthouse, and white lightning's still the biggest thrill of all.
ELIOT: Merle loved his father so much. They were practically inseparable. And every night after dinner, they would listen to country music on the radio. And that's when Merle first heard Jimmie Rodgers, Hank Williams, all these legends. They had a profound influence on him.
And then, at the age of 9, Merle's father suddenly died. And like a lot of children, Merle blamed himself for that. And his life suddenly became one of acting12 out rage with a lot of robberies, car theft, put into reform schools, local prisons. The only thing he had going for him was playing the guitar.
(SOUNDBITE OF SONG, "MAMA TRIED")
HAGGARD: (Singing) I turned 21 in prison doing life without parole. No one could steer13 me right, but Mama tried. Mama tried. Mama tried to raise me better, but her pleading, I denied. That leaves only me to blame 'cause Mama tried.
INSKEEP: What was the crime that finally put him in San Quentin, the big prison in Northern California?
ELIOT: Well, he and his friend decided to rob a restaurant. They had a lot to drink. And as they were breaking in, the owner of the restaurant came by and said - he heard some noise back there - and said, why don't you fellows use the front? We're open.
INSKEEP: (Laughter).
ELIOT: And both of the boys were arrested. Merle went before the same judge every time that he was arrested. And finally, this judge was fed up with him. And to teach Merle a lesson, he sentenced him to an indeterminate term of 15 years. He was only 19 years old when this happened. And that really burned even deeper into this sense of aloneness and not really trusting anybody.
(SOUNDBITE OF SONG, "BRANDED MAN")
HAGGARD: (Singing) I paid the debt I owed them, but they're still not satisfied. Now I'm a branded man out in the cold.
INSKEEP: Haggard emerged after three years and sang his way to fame, but never lost that inner turmoil. He sang openly about past failures, yet apparently14 made up parts of his memoirs15. His lyrics16 reflected classic country music politics - pro-flag, anti-protest - yet he celebrated17 the election of the first Black president. His biographer says this white singer related to people of color. Life as an Okie and in prison made him feel for the underdog.
ELIOT: He idealized his own pain. You know, he turned it into something that he could express. And what's great about his writing is there are virtually no metaphors18. It's almost journalistic. "Tonight The Bottle Let Me Down" (ph), for an example. It's a song where you don't need an image. You see what it is.
(SOUNDBITE OF SONG, "THE BOTTLE LET ME DOWN")
HAGGARD: (Singing) I've always had a bottle I could turn to, and lately I've been turning every day. And I'm hurting in an old, familiar way.
ELIOT: When you listen to Merle Haggard, it is not country music in the way that, say, Willie Nelson's music is country music - you know, bright, sparkly, fun. It's a little bit darker. But his music - because of his playing, which got better and better and better - his writing and his incredible vocals19 made him unique. I think if he were played on the same radio stations that, say, play Frank Sinatra or that era, he'd be just as accepted. I think he was that good.
INSKEEP: Marc Eliot is the author of "The Hag: The Life, Times And Music Of Merle Haggard." Thank you so much.
ELIOT: Thank you.
(SOUNDBITE OF SONG, "WORKIN' MAN BLUES")
HAGGARD: (Singing) I'll drink my beer in a tavern20. Sing a little bit of these working man blues.
1 icon | |
n.偶像,崇拜的对象,画像 | |
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2 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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3 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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4 stereotype | |
n.固定的形象,陈规,老套,旧框框 | |
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5 stereotypes | |
n.老套,模式化的见解,有老一套固定想法的人( stereotype的名词复数 )v.把…模式化,使成陈规( stereotype的第三人称单数 ) | |
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6 crammed | |
adj.塞满的,挤满的;大口地吃;快速贪婪地吃v.把…塞满;填入;临时抱佛脚( cram的过去式) | |
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7 compartment | |
n.卧车包房,隔间;分隔的空间 | |
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8 imprint | |
n.印痕,痕迹;深刻的印象;vt.压印,牢记 | |
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9 turmoil | |
n.骚乱,混乱,动乱 | |
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10 pejorative | |
adj.贬低的,轻蔑的 | |
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11 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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12 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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13 steer | |
vt.驾驶,为…操舵;引导;vi.驾驶 | |
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14 apparently | |
adv.显然地;表面上,似乎 | |
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15 memoirs | |
n.回忆录;回忆录传( mem,自oir的名词复数) | |
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16 lyrics | |
n.歌词 | |
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17 celebrated | |
adj.有名的,声誉卓著的 | |
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18 metaphors | |
隐喻( metaphor的名词复数 ) | |
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19 vocals | |
(乐曲中的)歌唱部份,声乐部份( vocal的名词复数 ) | |
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20 tavern | |
n.小旅馆,客栈;小酒店 | |
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