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(单词翻译:双击或拖选)
Fashion journalist and ex-'Vogue1' creative director André Leon Talley dies at 73
Talley, who worked at Women's Wear Daily and Vogue, was a regular in the front row of fashion shows in New York and Europe. At 6-feet-6 inches tall, he cut an imposing3 figure wherever he went.
DEBBIE ELLIOTT, HOST:
We learned overnight of the death of Andre Leon Talley, longtime editor at Vogue and, for many years, the most influential4 Black person in American fashion. Over his career, Talley worked for a number of fashion publications but most prominently Vogue. Karen Grigsby Bates from our Code Switch podcast is here to talk about Talley's life and career. Good morning, Karen.
KAREN GRIGSBY BATES, BYLINE5: Morning, Debbie.
ELLIOTT: So some people may have never seen Andre Leon Talley. You interviewed him a couple of years ago. What was he like? What did he look like, sound like? I understand he made quite an impression when he walked into a room.
GRIGSBY BATES: (Laughter) He did. Andre was hard to ignore. He was 6'6". And for the past few decades, he'd been in a constant battle with his weight. So he was tall and large with a big voice. And most, if not all, of his clothes were bespoke6. He loved beautiful, well-made things, and he did even as a child.
ELLIOTT: He grew up in the South. Tell us how his early experiences there shaped his sense of style.
GRIGSBY BATES: Well, he grew up in a small house in segregated8 Durham, N.C. His grandmother, Mrs. Binnie Francis Davis, raised him. And Mrs. Davis did domestic work at Duke. She kept an immaculate house, and she insisted that Andre, whom she doted on, be immaculate, too. He says his first understanding of style came from his family and his church. Everyone dressed beautifully. He remembers one aunt in particular.
(SOUNDBITE OF ARCHIVED RECORDING)
ANDRE LEON TALLEY: She would come for Easter Sunday services, and I remember she had on a lavender swing coat, and she had a lavender handbag and lavender high stiletto court shoes. And this is how I first saw style at its best.
ELLIOTT: He has some happy memories of his childhood but also unhappy ones that would end up haunting him throughout his adulthood9, right?
GRIGSBY BATES: He did, Debbie. From about age 9, for several years, Andre was abused by a man in his neighborhood, someone he knew. And like many children, he was afraid to tell anyone, so he pushed that knowledge deep down for decades. And he told me he finally talked about it when he was 70.
ELLIOTT: Despite that, Talley did find great success in his chosen career - fashion - and really became a true icon10.
GRIGSBY BATES: He spoke7 fluent French, and that got him an assignment from women's wear daily to cover important shows in France. He also worked at Harper's Bazaar11, where the legendary12 fashion editor Diana Vreeland mentored13 him. And he spent many years at Vogue with another legendary editor, Anna Wintour, who eventually made him creative director of the entire magazine.
ELLIOTT: Now, as a Black man in the upper echelons14 of the fashion world, did he talk about race at all and how it affected15 him?
GRIGSBY BATES: He said there were certainly slings16 and arrows from some who thought he didn't belong there. But he said he was always twice as prepared as his peers because he knew he had to be. Other than that, he said he just kept working hard.
ELLIOTT: How do you measure his influence in fashion, Karen?
GRIGSBY BATES: Well, because he was a first, his presence opened the door for others, and he was proud of the success of other Black people who came after. It's probably fair to say that, in some ways, he paved the way for Black men like Virgil Abloh, who died just a few months ago, at Louis Vuitton, or Edward Enninful, the very powerful editor in chief of British Vogue. He encouraged Anna Wintour to put people like Beyonce and Rihanna on the cover of Vogue, and he was very proud of writing Vogue's first profile of Michelle Obama. But, Debbie, he told me he wanted to be remembered for more than fashion.
(SOUNDBITE OF ARCHIVED RECORDING)
TALLEY: What I hope that I can impart - something beyond the dress or the belt, something beyond the label, something that has more long-lasting value.
ELLIOTT: Andre Leon Talley died Tuesday. He was 73 years old. Karen Grigsby Bates from our Code Switch podcast, thank you so much for helping17 us remember him.
GRIGSBY BATES: You're welcome.
(SOUNDBITE OF SEB WILDBLOOD'S "MUSCLE MEMORY")
1 Vogue | |
n.时髦,时尚;adj.流行的 | |
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2 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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3 imposing | |
adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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4 influential | |
adj.有影响的,有权势的 | |
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5 byline | |
n.署名;v.署名 | |
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6 bespoke | |
adj.(产品)订做的;专做订货的v.预定( bespeak的过去式 );订(货);证明;预先请求 | |
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7 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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8 segregated | |
分开的; 被隔离的 | |
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9 adulthood | |
n.成年,成人期 | |
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10 icon | |
n.偶像,崇拜的对象,画像 | |
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11 bazaar | |
n.集市,商店集中区 | |
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12 legendary | |
adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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13 mentored | |
v.(无经验之人的)有经验可信赖的顾问( mentor的过去式和过去分词 ) | |
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14 echelons | |
n.(机构中的)等级,阶层( echelon的名词复数 );(军舰、士兵、飞机等的)梯形编队 | |
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15 affected | |
adj.不自然的,假装的 | |
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16 slings | |
抛( sling的第三人称单数 ); 吊挂; 遣送; 押往 | |
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17 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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