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This photography book puts Black actors in Hollywood's most iconic movie moments
In photographer Carell Augustus' new book Black Hollywood: Reimagining Iconic Movie Moments, he takes some of cinema's most memorable2 images — think Gene3 Kelly in Singin' in the Rain or Janet Leigh's fateful shower in Psycho — and casts them with black actors and actresses, placing them in spaces that have been longed denied to them.
Augustus saw the project as a chance to address an omission4 that persisted well into the 1980s, when he grew up watching mainstream5 hits like Back to the Future and Say Anything.
"We were left out of these stories," he said. "And oftentimes, when we saw ourselves in these stories, we were, you know, getting arrested or in a prison scene or in a gang scene. And I just wanted to do whatever I could to sort of change up the narrative6, visually and artistically7."
Augustus shot his first photograph for the book back in 2010, before Black Lives Matter and #OscarsSoWhite. He knew people might view his project as a reaction to those movements.
"At some points, I found myself in tandem8 with these movements, and I just embraced it," he said.
Surprisingly, you won't find too many A-listers in these pages. No Denzel or Halle Berry, not that Augustus didn't go for them.
"When I first started this book, my fantasy was to get all the Black A-listers in Hollywood, right? And then I realized if I did that, I would have probably 11 people," he said.
He expanded his net, finding performers who may not be household names but have built a healthy portfolio9 of credits. Instead of Gene Kelly hanging from that street lamp, it's Dulé Hill (The West Wing, Psych). Janet Leigh gets replaced by veteran actress Simbi Khali (3rd Rock from the Sun).
One of Augustus' favorites was Amber10 Stevens West taking on Audrey Hepburn's iconic role in Breakfast at Tiffany's. She graces the book's cover in that sultry black satin gown. A supporting player in entertainments like 22 Jump Street and New Girl, West said a centerstage movie role like Hepburn's eluded11 her when she first started her career.
"It's very much the story of a lot of Black people in Hollywood, where they're typecast as, like, the friend and they're kind of filling a role as, like, the diversity piece in the project," she said.
In some cases, Augustus even flips12 genders13. The first photograph he shot and also the first in the book sees Aisha Hinds14 ( True Blood, Shots Fired) as Gen. George S. Patton, saluting15 an unseen audience in front of a giant American flag. Here Hinds substitutes George C. Scott's withering16 gaze and granite17 stance for a knowing smile and curvy bend at the hips18. She brings some swagger and a little sexiness to the role. Hinds said this was no accident.
"I think the superpower of a Black woman is to occupy the space and the fullness of who she is. And, you know, we don't have to deny our sex appeal in order to also operate in strength," she said.
Hinds' Patton pairs well with arguably her best role to date as the great abolitionist Harriet Tubman in WGN's Underground. Hinds says both interpretations19 can remind people that Black women have always been leaders in the fight for this country.
"We're constantly at war with so many things, and we're constantly sort of taking the battle scars and the battle wounds, you know, and people are constantly looking to Black women to lead armies of change," she said.
Unlike movements like #OscarsSoWhite, Augustus doesn't see his book as a force for change, but he hopes that it subverts20 people's expectations. And by placing these actors in images central to Hollywood's idea of itself, it implies that these images belong to Black people, too.
"What I want from this book is for people to finally see and realize that we should be considered a standard, too."
The audio for this story was edited by Reena Advani.
1 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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2 memorable | |
adj.值得回忆的,难忘的,特别的,显著的 | |
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3 gene | |
n.遗传因子,基因 | |
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4 omission | |
n.省略,删节;遗漏或省略的事物,冗长 | |
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5 mainstream | |
n.(思想或行为的)主流;adj.主流的 | |
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6 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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7 artistically | |
adv.艺术性地 | |
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8 tandem | |
n.同时发生;配合;adv.一个跟着一个地;纵排地;adj.(两匹马)前后纵列的 | |
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9 portfolio | |
n.公事包;文件夹;大臣及部长职位 | |
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10 amber | |
n.琥珀;琥珀色;adj.琥珀制的 | |
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11 eluded | |
v.(尤指机敏地)避开( elude的过去式和过去分词 );逃避;躲避;使达不到 | |
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12 flips | |
轻弹( flip的第三人称单数 ); 按(开关); 快速翻转; 急挥 | |
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13 genders | |
n.性某些语言的(阳性、阴性和中性,不同的性有不同的词尾等)( gender的名词复数 );性别;某些语言的(名词、代词和形容词)性的区分 | |
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14 hinds | |
n.(常指动物腿)后面的( hind的名词复数 );在后的;(通常与can或could连用)唠叨不停;滔滔不绝 | |
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15 saluting | |
v.欢迎,致敬( salute的现在分词 );赞扬,赞颂 | |
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16 withering | |
使人畏缩的,使人害羞的,使人难堪的 | |
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17 granite | |
adj.花岗岩,花岗石 | |
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18 hips | |
abbr.high impact polystyrene 高冲击强度聚苯乙烯,耐冲性聚苯乙烯n.臀部( hip的名词复数 );[建筑学]屋脊;臀围(尺寸);臀部…的 | |
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19 interpretations | |
n.解释( interpretation的名词复数 );表演;演绎;理解 | |
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20 subverts | |
v.颠覆,破坏(政治制度、宗教信仰等)( subvert的第三人称单数 );使(某人)道德败坏或不忠 | |
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