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When a regional theater got millions to remake itself, it focused on racial healing
Recovering from the worst days of the pandemic has been daunting2 for America's 1,800 regional theaters. But some, thanks to philanthropic help, are using this moment as an opportunity for reinvention.
Take, for example, Penumbra3 Theatre in St. Paul, Minn., which is grounded in a historically African-American neighborhood with aesthetic4 roots in the Black Arts Movement. Since Penumbra started staging plays in the early 1970s, it's developed a national reputation for growing Black talent that's changed theater worldwide.
"I remember August Wilson telling me stories right here in the hall that turned out to be plays," said Lou Bellamy, the theater's founding artistic5 director. For years, Penumbra was Wilson's home theater; it was where the Pulitzer Prize-winning playwright6 developed works that are now considered masterpieces, including some set in his native Pittsburgh.
Yet the theater was constantly running short of money. "We've mortgaged our house many times to make payroll," Bellamy said.
But last year, Penumbra's fortunes changed. The scrappy company, first created with the assistance of federal funds from the 1973 federal Comprehensive Employment and Training Act, received an unexpected $5 million gift from MacKenzie Scott's foundation, on top of a $2.5 million grant from the Ford7 Foundation as part of its "cultural treasure" initiative.
"It was shocking," said Sarah Bellamy, who took over from her father as Penumbra's artistic director in 2017. "It was like a green light from the universe that we were on the right path."
The funds will allow them to hire more staff and commission more plays. But it also helps Sarah Bellamy move forward to achieve her dream; to transform Penumbra, which is located only a few miles from where George Floyd was killed by a police officer, into a center for racial healing; an organization that creates programming that promotes wellness, equity8 and the arts.
"You really need all three of those things in order for it to be fully9 realized," she said.
The first original play Penumbra developed in the wake of this philanthropic windfall was Weathering by Harrison David Rivers. Rivers has another play, the bandaged place, premiering off-Broadway this fall.
Weathering is a term used in public health to describe how discrimination and marginalization affect physical well-being10 and long-term mortality. It was coined as part of a University of Michigan study that looked at fertility issues and high-risk pregnancy11 rates for Black versus12 white women. Rivers first learned about it in a 2018 New York Times article.
"It made me incredibly sad, and I remember reading it and crying and thinking, if I'm having this kind of emotional response to these lived experiences, these terrors, there's probably a play here."
Rivers wasn't certain if a male-identified person was right to take on the topic. But Bellamy convinced him to do it. "Sarah . . . beautifully said to me, 'I know you and I know the kind of writer you are and if you have been struck by this material, if you feel a pull, than we will 100 percent explore this pull," he said. "She gave me her blessing13."
The dynamic, emotionally-fluid production has received strong reviews in local papers. The Minneapolis Star-Tribune called it "a buoyant blast of joy."
The play takes audiences — and the cast — from the grip of grief to the release of laughter. It's an emotional show. To counter that, Penumbra gave the entire artistic team for Weathering, including the actors, playwright and crew, a wellness stipend14 on the first day of rehearsal15. It could afford to do that, thanks to the grants it received.
"I wasn't expecting it," director Colette Robert told NPR. "There are institutions that retroactively do something like that if something comes up – but the forward thinking to be like, 'Hey, this is kind of a heavy show, treat yourself throughout the process' was just really extraordinary."
To be a well-resourced theater that lives by its politics also means that Penumbra paid a number of birthing professionals, people of color who are midwives and doulas, to lend their expertise16 to the production. Some were brought on before the play was even written.
"Not because we wanted the show to feel more authentic17, or for character development," said Sarah Bellamy. "We wanted the artists who are shepherding this piece into being to know the sacred work they were entering into, illuminating18 an issue that is killing19 people."
Communicating a visceral sense of the stakes of this play fell in part to certified20 nurse midwife Jennifer Almanza, who works at Regions Hospital in St. Paul.
"These connections between community theaters and institutions like Regions Hospital, they're new," she said. "I'd say they wouldn't have been possible even three years ago. That in and of itself is bringing about racial healing."
In this together
Surviving as a theater isn't just about money. One of the things that helped keep Penumbra alive during its lean years was the Twin Cities' vibrant21 and diverse arts ecosystem22, Sarah Bellamy said. "There's a lot of sense of scarcity23 in regional theater," she said. "And that competitive mentality24 will kill everything."
But theaters in the Twin Cities share talent and resources, which allows everyone to grow, Bellamy said. She credits the famous Children's Theatre Company of Minneapolis for nourishing a robust25 audience that benefits the entire community.
The Children's Theare Company "is so many kids in Minnesota's first introduction to theater," she said. "If that didn't exist, would we have the audiences that we do here, generation after generation? If the Guthrie [Theater] hadn't been founded here, would these other organizations have the ability to thrive?"
Looking back to move forward
When Penumbra first started, it offered free childcare — a still-radical idea that more theaters are beginning to experiment with today. Now it's using new resources to develop programming for kids that will complement26 what their grownups see on stage. Back in the day, Penumbra also allowed anyone in the community to walk into rehearsals27. Theater artist Daniel Alexander Jones loved that aspect when he developed new plays with Penumbra in the 1990s.
"Some of the best dramaturgical advice I've ever gotten was from 7, 8, 9-year-old girls who were like, 'She shouldn't do that,'" he said, laughing, during a Zoom28 interview. It's that kind of investment and trust in a community that is so important in the theater world, he said.
"What does it mean to value your own?" he asked. "It means you're not going to have that major brand label. Somebody didn't give it a five star review. Someone didn't vet29 it and produce it six times. It may be messy. It may be bloody30. It may not yet have found its full footing. And for me, when I look back at the most vivid, exciting and life-changing art, it is invariably the art that is wild and alive like that."
Wild and alive art will survive, Jones said. It will outlive TikTok. We just have to find it. And each other.
1 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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2 daunting | |
adj.使人畏缩的 | |
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3 penumbra | |
n.(日蚀)半影部 | |
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4 aesthetic | |
adj.美学的,审美的,有美感 | |
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5 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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6 playwright | |
n.剧作家,编写剧本的人 | |
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7 Ford | |
n.浅滩,水浅可涉处;v.涉水,涉过 | |
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8 equity | |
n.公正,公平,(无固定利息的)股票 | |
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9 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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10 well-being | |
n.安康,安乐,幸福 | |
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11 pregnancy | |
n.怀孕,怀孕期 | |
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12 versus | |
prep.以…为对手,对;与…相比之下 | |
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13 blessing | |
n.祈神赐福;祷告;祝福,祝愿 | |
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14 stipend | |
n.薪贴;奖学金;养老金 | |
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15 rehearsal | |
n.排练,排演;练习 | |
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16 expertise | |
n.专门知识(或技能等),专长 | |
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17 authentic | |
a.真的,真正的;可靠的,可信的,有根据的 | |
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18 illuminating | |
a.富于启发性的,有助阐明的 | |
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19 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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20 certified | |
a.经证明合格的;具有证明文件的 | |
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21 vibrant | |
adj.震颤的,响亮的,充满活力的,精力充沛的,(色彩)鲜明的 | |
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22 ecosystem | |
n.生态系统 | |
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23 scarcity | |
n.缺乏,不足,萧条 | |
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24 mentality | |
n.心理,思想,脑力 | |
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25 robust | |
adj.强壮的,强健的,粗野的,需要体力的,浓的 | |
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26 complement | |
n.补足物,船上的定员;补语;vt.补充,补足 | |
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27 rehearsals | |
n.练习( rehearsal的名词复数 );排练;复述;重复 | |
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28 zoom | |
n.急速上升;v.突然扩大,急速上升 | |
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29 vet | |
n.兽医,退役军人;vt.检查 | |
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30 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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