2006年NPR美国国家公共电台一月-An Athlete of God

Steve Inskeep: This I Believe. Critics have called Martha Graham the undisputed star of our modern dance world. Surprisingly enough, this pioneer in the dance did not begin her training until she was sixteen. Born in Pittsburgh, the daughter of a physician, she grew up in California. She made her New York debut¹ in 1926, then won a Guggenheim Fellowship, the first ever given to a dancer. She made and continues to make dance history. Egnis Delmel wrote, "Dancers for untold² generations will dance differently because of her labours." Here now is Martha Graham.

Martha Graham: I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each, it is the performance of a dedicated³ precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes, in some area, an athlete of God.

Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting⁴ the perfection desired.

I think the reason dance has held such an ageless magic for the world is that it has been the symbol of the performance of living. Many times I hear the phrase "the dance of life." It is close to me for a very simple and understandable reason. The instrument through which the dance speaks is also the instrument through which life is lived: the human body. It is the instrument by which all the primaries of experience are made manifest. It holds in its memory all matters of life and death and love.

Dancing appears glamorous⁵, easy, delightful⁶. But the path to the paradise of that achievement is not easier than any other. There is fatigue⁷ so great that the body cries, even in its sleep. There are times of complete frustration⁸; there are daily small deaths. Then I need all the comfort that practice has stored in my memory and a tenacity⁹ of faith. But it must be the kind of faith that Abraham had, wherein he "staggered not at the promise of God through unbelief."

It takes about 10 years to make a mature dancer. The training is twofold. There is the study and practice of the craft in order to strengthen the muscular structure of the body. The body is shaped, disciplined, honored and in time, trusted. The movement becomes clean, precise, eloquent¹⁰, truthful¹¹. Movement never lies. It is a barometer¹² telling the state of the soul's weather to all who can read it. This might be called the law of the dancer's life -- the law which governs its outer aspects.

Then there is the cultivation¹³ of the being. It is through this that the legends of the soul's journey are re-told with all their gaiety and their tragedy and the bitterness and sweetness of living. It is at this point that the sweep of life catches up the mere¹⁴ personality of the performer and while the individual (the undivided one), becomes greater, the personal becomes less personal. And there is grace. I mean the grace resulting from faith: faith in life, in love, in people and in the act of dancing. All this is necessary to any performance in life which is magnetic, powerful, rich in meaning.

In a dancer, there is a reverence¹⁵ for such forgotten things as the miracle of the small beautiful bones and their delicate strength. In a thinker there is a reverence for the beauty of the alert and directed and lucid¹⁶ mind. In all of us who perform there is an awareness¹⁷ of the smile which is part of the equipment, or gift, of the acrobat¹⁸. We have all walked the high wire of circumstance at times. We recognize the gravity pull of the earth as he does. The smile is there because he is practicing living at that instant of danger. He does not choose to fall.

Steve Inskeep: That was Martha Graham, a dancer, whose originality¹⁹ and creativity have lifted her to a place high among the arts. Her studio is in New York...

Note------------
Guggenheim Fellowship: Guggenheim Fellowships are awarded "to men and women who have already demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts."
gaiety: when someone or something is cheerful and fun

1 debut   

n.首次演出，初次露面

参考例句：

• That same year he made his Broadway debut, playing a suave radio journalist.在那同一年里，他初次在百老汇登台，扮演一个温文而雅的电台记者。
• The actress made her debut in the new comedy.这位演员在那出新喜剧中首次登台演出。

2 untold   

adj.数不清的，无数的

参考例句：

• She has done untold damage to our chances.她给我们的机遇造成了不可估量的损害。
• They suffered untold terrors in the dark and huddled together for comfort.他们遭受着黑暗中的难以言传的种种恐怖，因而只好挤在一堆互相壮胆。

3 dedicated   

adj.一心一意的；献身的；热诚的

参考例句：

• He dedicated his life to the cause of education.他献身于教育事业。
• His whole energies are dedicated to improve the design.他的全部精力都放在改进这项设计上了。

4 inviting   

adj.诱人的，引人注目的

参考例句：

• An inviting smell of coffee wafted into the room.一股诱人的咖啡香味飘进了房间。
• The kitchen smelled warm and inviting and blessedly familiar.这间厨房的味道温暖诱人，使人感到亲切温馨。

5 glamorous   

adj.富有魅力的；美丽动人的；令人向往的

参考例句：

• The south coast is less glamorous but full of clean and attractive hotels.南海岸魅力稍逊，但却有很多干净漂亮的宾馆。
• It is hard work and not a glamorous job as portrayed by the media.这是份苦差，并非像媒体描绘的那般令人向往。

6 delightful   

adj.令人高兴的，使人快乐的

参考例句：

• We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
• Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。

7 fatigue   

n.疲劳，劳累

参考例句：

• The old lady can't bear the fatigue of a long journey.这位老妇人不能忍受长途旅行的疲劳。
• I have got over my weakness and fatigue.我已从虚弱和疲劳中恢复过来了。

8 frustration   

n.挫折，失败，失效，落空

参考例句：

• He had to fight back tears of frustration.他不得不强忍住失意的泪水。
• He beat his hands on the steering wheel in frustration.他沮丧地用手打了几下方向盘。

9 tenacity   

n.坚韧

参考例句：

• Tenacity is the bridge to success.坚韧是通向成功的桥。
• The athletes displayed great tenacity throughout the contest.运动员在比赛中表现出坚韧的斗志。

10 eloquent   

adj.雄辩的，口才流利的；明白显示出的

参考例句：

• He was so eloquent that he cut down the finest orator.他能言善辩，胜过最好的演说家。
• These ruins are an eloquent reminder of the horrors of war.这些废墟形象地提醒人们不要忘记战争的恐怖。

11 truthful   

adj.真实的，说实话的，诚实的

参考例句：

• You can count on him for a truthful report of the accident.你放心，他会对事故作出如实的报告的。
• I don't think you are being entirely truthful.我认为你并没全讲真话。

12 barometer   

n.气压表，睛雨表，反应指标

参考例句：

• The barometer marked a continuing fall in atmospheric pressure.气压表表明气压在继续下降。
• The arrow on the barometer was pointing to"stormy".气压计上的箭头指向“有暴风雨”。

13 cultivation   

n.耕作，培养，栽培（法），养成

参考例句：

• The cultivation in good taste is our main objective.培养高雅情趣是我们的主要目标。
• The land is not fertile enough to repay cultivation.这块土地不够肥沃，不值得耕种。

14 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

15 reverence   

n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬

参考例句：

• He was a bishop who was held in reverence by all.他是一位被大家都尊敬的主教。
• We reverence tradition but will not be fettered by it.我们尊重传统，但不被传统所束缚。

16 lucid   

adj.明白易懂的，清晰的，头脑清楚的

参考例句：

• His explanation was lucid and to the point.他的解释扼要易懂。
• He wasn't very lucid,he didn't quite know where he was.他神志不是很清醒，不太知道自己在哪里。

17 awareness   

n.意识，觉悟，懂事，明智

参考例句：

• There is a general awareness that smoking is harmful.人们普遍认识到吸烟有害健康。
• Environmental awareness has increased over the years.这些年来人们的环境意识增强了。

18 acrobat   

n.特技演员，杂技演员

参考例句：

• The acrobat balanced a long pole on his left shoulder.杂技演员让一根长杆在他的左肩上保持平衡。
• The acrobat could bend himself into a hoop.这个杂技演员可以把身体蜷曲成圆形。

19 originality   

n.创造力，独创性；新颖

参考例句：

• The name of the game in pop music is originality.流行音乐的本质是独创性。
• He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。