新概念英语第四册Lesson 39 What every writer wants

I have known very few writers, but those I have known, and whom I respected,confess at once that they have little idea where they arc going when they first set pen to paper. They have a character, perhaps two, they are in that condition of eager discomfort¹ which passes for inspiration, all admit radical² changes of destination once the journey has begun; one, to my certain knowledge, spent nine months on a novel about Kashmir, then reset³ the whole thing in the Scottish Highlands. I never heard of anyone making a 'skeleton', as we were taught at school. In the breaking and remaking, in the timing⁴, interweaving, beginning afresh, the writer comes to discern things in his material which were not conseriously
in his mind when he began. This organic process, often leading to moments of extraordinary self-discovery, is of an indescribable fascination⁵. A
blurred⁶ image appears, he adds a brushstroke and another, and it is gone; but something was there, and he will not rest till he has captured it. Sometimes the yeast⁷ within a writer outlives a book he has written. I have heard of writers who read nothing but their own books, like adolescents they stand before the mirror,and still cannot fathom⁸ the exact outline of the vision before them. For the same reason, writers talk interminably about their own books, winkling out hidden meanings, super-imposing new ones, begging response from those around them. Of course a writer doing this is misunderstood: he might as well try to explain a crime or a love affair. He is also, incidentally, an unforgivable bore.This temptation to cover the distance between himself and the reader, to study his image in the sight of those who do not know him, can be his undoing⁹: he has begun to write to please. A young English writer made the pertinent¹⁰ observation a year or two back that the talent goes into the first draft, and the art into the drafts that follow. For this reason also the writer, like any other artist, has no resting place, no crowd or movement in which he may take comfort, no judgment¹¹ from outside which can replace the judgment from within. A writer makes order out of the anarchy¹² of his heart; he submits himself to a more ruthless discipline than any critic dreamed of, and when he flirts¹³ with fame, he is taking time off from living with himself, from the search for what his world contains at its inmost point.  

参考译文
牋?我的认识的作家寥寥无几，然而凡是我所认识和尊敬的作家，都立即承认在他们动笔时，不清楚要写什么，怎么写。他们心中只在一个或两个角色。他们处于急切不安的状态，而被当作是灵感。他们无不承认，一旦“旅程”开始，“目的地”常有急剧的变化。据我所知，有位作家花了9个月的时间写了一部关克什米尔的小说，后来却把整个故事背景换成了苏格兰高地。我从未听说过任何一位作家像我们在学校那样，动笔前先列什么提纲。作家在剪裁修改、构思时间、穿插情节、以至从头重写的过程中，会领悟到素材中很多东西是他刚动笔时所未意识到的。这种有机的加工过程往往达到不寻常自我发现的境界，具有难以言表的构思魅力。一个朦胧的形象出现在作家的脑海里，他左添一笔，右添一笔，形象反而消逝了；可是，好像还有什么东西存在着，不把它捕捉到，作家是不会罢休的。有时，一个作家一本书写完了，但兴奋仍不消散。我听说一些作家，除了自己的书外，别的书一概不读，犹如希腊神话中那位漂亮的少年，站在镜前，不能辨认自身的真面目。由于这个原因，作家喋喋不休地谈论自己的书，挖掘其隐晦的含义，询问周围人的反应。作家如此行事当然被人误解。他还不如给人讲一个犯罪案件或一个恋爱故事。顺便说一句，他也是个不可饶恕的令人厌烦的人。
牋?这种企图消除自己和读者之间距离的作法，企图用不了解自己的人的观点来研究自己塑造的形象的作法，会导致作家的毁灭，因为他已经开始为取悦他人而写作了。
牋?一两年前，一位年轻的英国作家发表了中肯的看法。他说，初稿是才华，以后各稿是艺术。也是由于这个原因，作家同任何艺术家一样，找不到可休息的场所，找不到伙伴和活动使自己得到安逸。任何局外人的判断也比不上他内心的正确判断。一旦作家从内心的紊乱中理出头绪，就应该按任何评论家想像不到的无情规范约束自己写作；当他沽名钓誉时，他就脱离了自我生活，脱离了对自己灵魂最深处世界的探索。

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1 discomfort   

n.不舒服，不安，难过，困难，不方便

参考例句：

• One has to bear a little discomfort while travelling.旅行中总要忍受一点不便。
• She turned red with discomfort when the teacher spoke.老师讲话时她不好意思地红着脸。

2 radical   

n.激进份子，原子团，根号；adj.根本的，激进的，彻底的

参考例句：

• The patient got a radical cure in the hospital.病人在医院得到了根治。
• She is radical in her demands.她的要求十分偏激。

3 reset   

v.重新安排，复位；n.重新放置；重放之物

参考例句：

• As soon as you arrive at your destination,step out of the aircraft and reset your wristwatch.你一到达目的地，就走出飞机并重新设置手表时间。
• He is recovering from an operation to reset his arm.他做了一个手臂复位手术，正在恢复。

4 timing   

n.时间安排，时间选择

参考例句：

• The timing of the meeting is not convenient.会议的时间安排不合适。
• The timing of our statement is very opportune.我们发表声明选择的时机很恰当。

5 fascination   

n.令人着迷的事物，魅力，迷恋

参考例句：

• He had a deep fascination with all forms of transport.他对所有的运输工具都很着迷。
• His letters have been a source of fascination to a wide audience.广大观众一直迷恋于他的来信。

6 blurred   

v.（使）变模糊( blur的过去式和过去分词 )；（使）难以区分；模模糊糊；迷离

参考例句：

• She suffered from dizziness and blurred vision. 她饱受头晕目眩之苦。
• Their lazy, blurred voices fell pleasantly on his ears. 他们那种慢吞吞、含糊不清的声音在他听起来却很悦耳。 来自《简明英汉词典》

7 yeast   

n.酵母；酵母片；泡沫；v.发酵；起泡沫

参考例句：

• Yeast can be used in making beer and bread.酵母可用于酿啤酒和发面包。
• The yeast began to work.酵母开始发酵。

8 fathom   

v.领悟，彻底了解

参考例句：

• I really couldn't fathom what he was talking about.我真搞不懂他在说些什么。
• What these people hoped to achieve is hard to fathom.这些人希望实现些什么目标难以揣测。

9 undoing   

n.毁灭的原因，祸根；破坏，毁灭

参考例句：

• That one mistake was his undoing. 他一失足即成千古恨。
• This hard attitude may have led to his undoing. 可能就是这种强硬的态度导致了他的垮台。

10 pertinent   

adj.恰当的；贴切的；中肯的；有关的；相干的

参考例句：

• The expert made some pertinent comments on the scheme.那专家对规划提出了一些中肯的意见。
• These should guide him to pertinent questions for further study.这些将有助于他进一步研究有关问题。

11 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

12 anarchy   

n.无政府状态；社会秩序混乱，无秩序

参考例句：

• There would be anarchy if we had no police.要是没有警察，社会就会无法无天。
• The country was thrown into a state of anarchy.这国家那时一下子陷入无政府状态。

13 flirts   

v.调情，打情骂俏( flirt的第三人称单数 )

参考例句：

• She flirts with every man she meets. 她同她遇到的每个男人调情。 来自《简明英汉词典》
• She flirts with every handsome man she meets. 她和所遇到的每个美男子调情。 来自《现代英汉综合大词典》