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RACHEL MARTIN, HOST:
The painter David Hockney once said, quote, "it is very good advice to believe only what an artist does, rather than what he says about his work."
A major retrospective opens in London tomorrow at the Tate Britain museum, giving visitors the chance to see 60 years' worth of the English artist's doings. Hockney is one of the best-known contemporary artists. His work sells for millions of dollars. NPR's special correspondent Susan Stamberg met him at his studio in Los Angeles.
SUSAN STAMBERG, BYLINE1: Up, up, up a winding2 canyon3 road in the Hollywood Hills, a neighborhood studded with stars' homes, Hockney's studio has five easels, some comfy armchairs, white walls brightened with his works.
What are these marks on your floor?
DAVID HOCKNEY: Cigarettes.
STAMBERG: Huh - you put them down on the floor?
HOCKNEY: Yeah, yeah.
STAMBERG: But you have some ashtrays4. Oop - there you go again.
HOCKNEY: Yeah, yeah. I always stub it out with my foot.
STAMBERG: Well, to make sure it's really out.
HOCKNEY: Yeah, yeah.
STAMBERG: The floor is carpeted with Davidoff cigarettes, chain-smoked three-quarters down, then stubbed into dark brown smears5. There are some splotches of blue paint, more paint on the almost-80-year-old artist's khaki pants. His cardigan is Nile green - under it, a blue I can't name, more muted than the vivid blues6, greens, oranges, fuchsias in his paintings, colors that look backlit.
HOCKNEY: That's "Mulholland Drive." This is the "Hawthorne Blossom."
STAMBERG: Hockney turns the pages of a brand new Taschen book. "A Bigger Book," it's called. Two feet long, a foot and a half wide - $2,500 with reproductions of 450 of his works. LA swimming pools...
HOCKNEY: The pool with rain.
STAMBERG: ...Palm trees, flowers, his dachshunds, portraits of rich and not-rich friends, landscapes, designs for opera sets.
HOCKNEY: That's "The Magic Flute7."
STAMBERG: He won't linger over any of them, doesn't answer questions, keeps turning, leafing through a life's worth of works - loving the book, the clarity of the reproductions. It's art he made from age 16 on. He paints every day. He probably can't not paint, not be making. We sit wreathed in cigarette smoke.
Tell me about the Tate show. Is that - will that be the largest retrospective you've had?
HOCKNEY: Well, I think so. Yes, yeah - I mean, larger than 20 years ago because there's 20 years' more...
STAMBERG: More work.
HOCKNEY: ...Work.
STAMBERG: Will there be a big party for them in London?
HOCKNEY: I'm not that keen on parties. I'm too deaf for them. I don't like all the fuss being made. I like doing the pictures. That's what I like.
STAMBERG: You find it's isolating8, losing your hearing?
HOCKNEY: Well, yes. Yes, it is really.
STAMBERG: He once was a lively fixture9 at gatherings10 - no more.
HOCKNEY: I just have to leave and go home, have a sit in a quiet bedroom. And that's what I do. And then I read. And - I mean, that's my life now. I mean, that's what it's going to be.
STAMBERG: A portrait of the artist as a not-so-young man, still with a twinkle in his eyes, making joyous11 pictures, so vibrant12 and alive. What creative person doesn't question whether he, she has anything left to say? David Hockney goes into his studio every day and has never-ending conversations on canvas, paper, iPads. And the world of art lovers keeps listening.
In Southern California, I'm Susan Stamberg, NPR News.
1 byline | |
n.署名;v.署名 | |
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2 winding | |
n.绕,缠,绕组,线圈 | |
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3 canyon | |
n.峡谷,溪谷 | |
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4 ashtrays | |
烟灰缸( ashtray的名词复数 ) | |
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5 smears | |
污迹( smear的名词复数 ); 污斑; (显微镜的)涂片; 诽谤 | |
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6 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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7 flute | |
n.长笛;v.吹笛 | |
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8 isolating | |
adj.孤立的,绝缘的v.使隔离( isolate的现在分词 );将…剔出(以便看清和单独处理);使(某物质、细胞等)分离;使离析 | |
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9 fixture | |
n.固定设备;预定日期;比赛时间;定期存款 | |
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10 gatherings | |
聚集( gathering的名词复数 ); 收集; 采集; 搜集 | |
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11 joyous | |
adj.充满快乐的;令人高兴的 | |
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12 vibrant | |
adj.震颤的,响亮的,充满活力的,精力充沛的,(色彩)鲜明的 | |
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