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(单词翻译:双击或拖选)
AILSA CHANG, HOST:
A hundred years ago, this country entered the first global war, World War I. That ugly, dirty, agonizing1 conflict cost millions of lives and changed the world. The Smithsonian's National Air and Space Museum is observing the centennial with an exhibit called "Artist Soldiers." NPR special correspondent Susan Stamberg reports.
(SOUNDBITE OF SONG, "OVER THERE")
BILLY MURRAY: (Singing) Over there, over there. Send the word, send the word, over there. That the Yanks are coming, the Yanks are coming.
SUSAN STAMBERG, BYLINE2: The Yanks didn't come until three years into the war and fought for less than a year. They joined French, Russian, British, other troops fighting Germany, Austria, Hungary and the Ottoman Empire. World War I was the first modern industrial war - large numbers of tanks, heavy artillery3, planes. And most tragically4, it was a war of trenches6.
PETER JAKAB: Hundreds of thousands of people died just to advance a few yards.
STAMBERG: Peter Jakab, chief curator at Air and Space, says troops dug those trenches along the western front, from Belgium through France to Switzerland, to dodge7 the constant shelling and machine-gun fire, and then waited in those trenches until orders came to move - with the troops, waiting, professional artists sent to war by the U.S. government.
JAKAB: These eight illustrators were the first true combat artists who were really capturing war in the moment, in a first-hand-experience sort of way.
STAMBERG: With pens, pencils, charcoal8, watercolors, even oil paints, men known for their magazine illustrations showed Yanks in the field, huddling9 against gunfire, entering enemy-held villages, standing10 guard. In Harvey Dunn's 1918 oil "The Sentry," a young soldier pops up from the trench5, exhaustion11 muddying his face, his eyes almost blank.
JAKAB: You see in his eyes what would later become known as the thousand-yard stare.
STAMBERG: Alone with his rifle, some grenades and his thoughts. Before World War I, war art was created long after the conflict itself and focused on generals, nobles, Napoleon. Here, you see the grunts12, the injured, the mud. The Air and Space exhibit also has objects from the war - a kitchen chair outfitted13 with bicycle wheels into a primitive14 French wheelchair. There's barbed wire, a shovel15, a periscope16.
JAKAB: You know, it was very dangerous to pop your head up above the trenches.
STAMBERG: "Artist Soldiers" is also about art made by soldiers themselves - trench art fashioned from spent casings. There's a miniature table set for guests.
JAKAB: The table top is the bottom of a large artillery shell. And then the legs and the cups and pitcher17 on the table are made from bullets.
(SOUNDBITE OF VIDEO)
UNIDENTIFIED MAN: All around you, you see objects of daily life...
STAMBERG: A monitor shows what may be the most dramatic part of the exhibit, recent pictures by National Geographic18 photographer Jeff Gusky, taken in near darkness in parts of a vast network of underground cities, carved by World War I troops inside ancient stone quarries19 that run deep within the French countryside. Gusky says the spaces go back centuries before the war.
JEFF GUSKY: They were created by quarrymen getting stone for castles, cathedrals, fortresses21.
STAMBERG: The World War I trenches had been dug just near the quarries. Armies on both sides turned the quarries into shelters.
GUSKY: They brought modern technology underground and created cities - rail, telecommunications, electricity, hospitals, food systems, theaters and amazing artwork. They're so big that you even see street signs.
STAMBERG: One of the spaces Gusky photographed is over 25 miles long. In addition to providing logistical support underground, soldiers made places for worship.
GUSKY: An underground chapel22 where soldiers would pray and then go up the stairs and fight.
STAMBERG: Into the quarry20 walls, soldiers from New England carved notes to their loved ones, scores of a Red Sox victory - they beat the Yankees 7 to 4. French soldiers chiseled23 images of their prime minister, George Clemenceau. Germans honored their military chief of staff, Paul Von Hindenburg. Fighting men also carved their dreams and desires.
GUSKY: You see the soldiers' inner lives - the things they value. This is a beautiful abstract nude24 that could be in an art museum.
STAMBERG: Could be by Matisse that someone has carved into that wall.
GUSKY: He's thinking about beauty in a time of mass destruction.
(SOUNDBITE OF MICK SOFTLEY'S "AFTER THE THIRD WORLD WAR IS OVER")
STAMBERG: Whether saluting25 their leaders or tapping their fantasies, on these ancient quarry walls burrowed26 beneath the French fields, a century ago, the troops of World War I left messages for the future.
GUSKY: They expressed their inner lives on the walls of the spaces when the world on the surface was turning to hell.
STAMBERG: "Artist Soldiers," at the Smithsonian Air and Space Museum until November, is filled with little-known artifacts of World War I. That war ended in 1918. In its day, it was called the war to end all wars.
1 agonizing | |
adj.痛苦难忍的;使人苦恼的v.使极度痛苦;折磨(agonize的ing形式) | |
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2 byline | |
n.署名;v.署名 | |
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3 artillery | |
n.(军)火炮,大炮;炮兵(部队) | |
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4 tragically | |
adv. 悲剧地,悲惨地 | |
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5 trench | |
n./v.(挖)沟,(挖)战壕 | |
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6 trenches | |
深沟,地沟( trench的名词复数 ); 战壕 | |
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7 dodge | |
v.闪开,躲开,避开;n.妙计,诡计 | |
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8 charcoal | |
n.炭,木炭,生物炭 | |
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9 huddling | |
n. 杂乱一团, 混乱, 拥挤 v. 推挤, 乱堆, 草率了事 | |
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10 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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11 exhaustion | |
n.耗尽枯竭,疲惫,筋疲力尽,竭尽,详尽无遗的论述 | |
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12 grunts | |
(猪等)作呼噜声( grunt的第三人称单数 ); (指人)发出类似的哼声; 咕哝着说; 石鲈 | |
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13 outfitted | |
v.装备,配置设备,供给服装( outfit的过去式和过去分词 ) | |
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14 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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15 shovel | |
n.铁锨,铲子,一铲之量;v.铲,铲出 | |
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16 periscope | |
n. 潜望镜 | |
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17 pitcher | |
n.(有嘴和柄的)大水罐;(棒球)投手 | |
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18 geographic | |
adj.地理学的,地理的 | |
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19 quarries | |
n.(采)石场( quarry的名词复数 );猎物(指鸟,兽等);方形石;(格窗等的)方形玻璃v.从采石场采得( quarry的第三人称单数 );从(书本等中)努力发掘(资料等);在采石场采石 | |
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20 quarry | |
n.采石场;v.采石;费力地找 | |
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21 fortresses | |
堡垒,要塞( fortress的名词复数 ) | |
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22 chapel | |
n.小教堂,殡仪馆 | |
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23 chiseled | |
adj.凿刻的,轮廓分明的v.凿,雕,镌( chisel的过去式 ) | |
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24 nude | |
adj.裸体的;n.裸体者,裸体艺术品 | |
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25 saluting | |
v.欢迎,致敬( salute的现在分词 );赞扬,赞颂 | |
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26 burrowed | |
v.挖掘(洞穴),挖洞( burrow的过去式和过去分词 );翻寻 | |
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