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(单词翻译:双击或拖选)
STACEY VANEK SMITH, HOST:
This weekend, the Lollapalooza music festival is taking over downtown Chicago. Hometown hero Chance the Rapper is the headliner tonight. He will be grabbing the spotlight1. But on the city's North Side, a theater is hosting a very different kind of music marathon. It features original musical adaptations of every poem from 19th century French writer Charles Baudelaire's book, "Les Fleurs du Mal." You could call it Malapalooza (ph). Dan Weismann has the story.
DAN WEISSMAN, BYLINE2: Charles Baudelaire, who died 150 years ago this month, is the original poet of extreme disappointment, what Baudelaire called spleen - all the awful feelings we usually keep to ourselves. Not necessarily the kind of guy you'd want to spend a whole weekend with. In the case of visual artist Dave Buchen, it's been more like eight years. His paintings accompany every one of the Baudelaire poems being performed in this festival. When the project started, he was a new father, desperate for something kid unfriendly.
DAVE BUCHEN: I was reading to my children every night "The Little Red Train." I read that about probably a thousand times. And so Baudelaire is, you know, bad sex, bad drugs, death - all of the things that I'm not going to talk about...
CHRIS SCHOEN: Failure, remorse3, ruining your life.
BUCHEN: Yeah.
WEISSMAN: That other voice is songwriter Chris Schoen, Buchen's main collaborator4. The project started small. Buchen illustrated5 5 Baudelaire poems about wine and scrolled7 his images across the front of a wooden wine box with a handheld crank while Schoen sang and played. Kind of a miniature 19th century music video.
(SOUNDBITE OF VIDEO)
SCHOEN: (Singing) One night, the soul of wine sang in the bottles to you, oh, my worthy8 guttersnipes.
WEISSMAN: Here's how Buchen says things got more ambitious.
BUCHEN: Some guy came up to us and he said, so are you going to do one for every poem? And we laughed at him, said, that's an insane idea.
WEISSMAN: But it became a series of shows called Baudelaire In A Box. Once a year or so, Buchen would produce a scroll6 illustrating9 another dozen or so poems. And Schoen would recruit songwriters, musicians and singers to collaborate10 on the music.
(SOUNDBITE OF VIDEO)
UNIDENTIFIED WOMAN: (Singing) If your heart is not a total fake, inside it sits a yellow snake saying, all you do is a mistake.
WEISSMAN: The songs all favored acoustic11 treatments until Schoen recruited veteran Chicago indie rocker Bobby Conn for a 2015 show.
BOBBY CONN: When I just started reading those Baudelaire lyrics12, I was like, this is so Goth and so metal and not - it's just not folk music at all.
(SOUNDBITE OF VIDEO)
CONN: (Singing) This irrespecter wears no clothes at all, a dreadful crown reeking13 of carnival14.
WEISSMAN: After producing more than a hundred songs, Buchen and Schoen decided15 to wrap up with the grand what-the-heck gesture of this weekend's festival - bringing together more than 50 artists, some of them flying in from places like Puerto Rico and Argentina. It's a big stretch for Theater Oobleck, the tiny company to which Buchen and Schoen belong. It's been presenting brainy, deeply eccentric original works for almost 30 years with a minimal16 budget. And as festival producer and Oobleck ensemble17 member Diana Slickman explains...
DIANA SLICKMAN: We work without a director, which makes a lot of people cock their head and look at you like puppies, like, what? How do you do that?
WEISSMAN: They also work without any full-time18 staff, a permanent location or a regular season. In addition to writing and performing, ensemble members do all the grunt19 work - costumes, lights, marketing20. And decisions get made by consensus21 or on the fly, which is how Slickman ended up agreeing to produce the festival.
SLICKMAN: I'll tell you what, I don't think I did agree to it (laughter). I remember having a conversation with somebody saying, well, who's going to produce this thing? I said, well, I might be interested in that.
WEISSMAN: Oobleck's unusual approach has won the company fans in high and low places. Half of the festival's $30,000 budget came from the National Endowment for the Arts. The other half was raised on Kickstarter. There is a 12-hour marathon going on today of everything that's been performed to date. Tomorrow, every poem that Oobleck hasn't adapted before - about 30 - will get a one-time only airing with all new music and then it's done. Everyone goes home. Buchen says he doesn't know what his next project will be, but this one has lasted long enough that Baudelaire is no longer a haven22 from his kids.
BUCHEN: We were walking in the park one day. And my kids and I were playing dare. Like, dare you to climb that tree. And I said, dare you to jump up on top of that fountain and sing a song. And my daughter jumped up on that fountain in the middle of the park and she started singing, Satan have pity on my...
(SOUNDBITE OF VIDEO)
UNIDENTIFIED WOMAN: (Singing) Satan have pity on my long misery23.
WEISSMAN: Buchen's own favorite Baudelaire tune24. For NPR News, I'm Dan Weissman in Chicago.
(SOUNDBITE OF VIDEO)
UNIDENTIFIED WOMAN: (Singing) The all-knowing lord of subterranean25 things, who will remedy all human sufferings. Oh, Satan, have pity on my long misery.
1 spotlight | |
n.公众注意的中心,聚光灯,探照灯,视听,注意,醒目 | |
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2 byline | |
n.署名;v.署名 | |
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3 remorse | |
n.痛恨,悔恨,自责 | |
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4 collaborator | |
n.合作者,协作者 | |
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5 illustrated | |
adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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6 scroll | |
n.卷轴,纸卷;(石刻上的)漩涡 | |
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7 scrolled | |
adj.具有涡卷装饰的v.(电脑屏幕上)从上到下移动(资料等),卷页( scroll的过去式和过去分词 );(似卷轴般)卷起;(像展开卷轴般地)将文字显示于屏幕 | |
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8 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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9 illustrating | |
给…加插图( illustrate的现在分词 ); 说明; 表明; (用示例、图画等)说明 | |
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10 collaborate | |
vi.协作,合作;协调 | |
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11 acoustic | |
adj.听觉的,声音的;(乐器)原声的 | |
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12 lyrics | |
n.歌词 | |
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13 reeking | |
v.发出浓烈的臭气( reek的现在分词 );散发臭气;发出难闻的气味 (of sth);明显带有(令人不快或生疑的跡象) | |
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14 carnival | |
n.嘉年华会,狂欢,狂欢节,巡回表演 | |
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15 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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16 minimal | |
adj.尽可能少的,最小的 | |
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17 ensemble | |
n.合奏(唱)组;全套服装;整体,总效果 | |
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18 full-time | |
adj.满工作日的或工作周的,全时间的 | |
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19 grunt | |
v.嘟哝;作呼噜声;n.呼噜声,嘟哝 | |
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20 marketing | |
n.行销,在市场的买卖,买东西 | |
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21 consensus | |
n.(意见等的)一致,一致同意,共识 | |
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22 haven | |
n.安全的地方,避难所,庇护所 | |
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23 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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24 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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25 subterranean | |
adj.地下的,地表下的 | |
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