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(单词翻译:双击或拖选)
SCOTT SIMON, HOST:
You can forget what you thought you knew about taxidermy. Oregon artist Christopher Marley transforms poisonous snakes, tropical fish and exotic insects into works of art. Now 400 of his creatures are on display in a major exhibition outside Miami. Aaron Scott of Oregon Public Broadcasting takes us into Marley's studio.
AARON SCOTT, BYLINE1: Christopher Marley is packing up the last few creatures for his big exhibition...
CHRISTOPHER MARLEY: I think we're good.
SCOTT: ...When he realizes that he forgot to frame a foot-long isopod that's still in the freezer.
MARLEY: It's like a giant pill bug2 or potato bug or roly-poly, depending on where you're from.
SCOTT: Calling it a giant pill bug is a gross understatement. It looks right out of "Starship Troopers" or some other movie starring monster bugs3 that eat people.
MARLEY: Exactly. Yeah, they do. And they are able to do some damage. There have been fish caught that were, you know, living. And they've found giant isopods in their throats or in their guts4, eating them from the inside out. So they're the stuff of nightmares. That's for sure.
SCOTT: In Marley's hands, they are also the stuff of beauty. He preserves all sorts of beasts, imposes them in frames against white backgrounds. Chromatic5 beetles7 cluster like mandalas. Snakes coil like intricate pendant necklaces. Macaws spread their rainbow wings. And octopuses8 twist and curl so voluptuous9, they seem to be alive.
KENNETH FILCHAK: I don't see anybody doing those sorts of things.
SCOTT: Kenneth Filchak is a biology professor at Notre Dame10. And he uses Marley's work to inspire students.
FILCHAK: He might just be sort of the Michelangelo of this sort of presentation and preservation11.
SCOTT: Marley grew up wanting to be an artist. But gifted with a square jaw12 and biceps like boa constrictors, he became a model. As he hopscotched the globe for photo shoots, he collected insects and arranged them into iridescent13 kaleidoscopes. When Marley's fiance convinced him to show them to several stores in LA, the orders came flying in. So he quit modeling and started backtracking through the countries he'd visited, sourcing sustainable insect collectors. But his interest goes much deeper than that.
MARLEY: Throughout my whole life, we'd always had dead birds in our freezers all the time.
SCOTT: Marley's dad just so happens to be a breeder of rare color mutations of Australian parrots.
MARLEY: My dad just could not bear to throw these beautiful birds away. That's when I realized, you know, if my dad does this with birds, I'll bet you (laughter) that most people that deal with any type of organism that they're in love with - that they probably do the same thing.
SCOTT: So Marley built a network of breeders, zoos, aquariums14 and importers that sent him their dead. He's very clear that he only uses reclaimed15 specimens16 that have died from natural causes or been caught as fishing bycatch. He doesn't buy from hunters.
MARLEY: This is a green mamba.
SCOTT: The specimens end up crowded in freezers in his warehouse17 in Salem, Ore., in various stages of decay.
MARLEY: This is all pythons and venomous reptiles18 and baby alligators19, apparently20.
SCOTT: To preserve them, Marley has pioneered a way to freeze-dry animals that scientists generally keep in liquid, which is how they seem so alive in the frames. He sells the creations in high-end stores and has shown them in natural history and art museums alike. His work has also appeared on the covers of biology textbooks and in Marley's own best-selling art books.
MARK PARKER: "Pheromone" and Chris's next book, "Biophilia," are both tremendous references for design.
SCOTT: Mark Parker is the CEO of Nike and a collector of Marley's art.
PARKER: Chris's subject matter and imagery have inspired Nike's design work on color and texture21, on high-performance track spikes22 for Olympic athletes and even new interpretations23 of classic styles like the Nike Air Max.
SCOTT: That's right. U.S. athletes at the 2016 Summer Olympics wore shoes inspired by Marley's image of a Sagra buqueti beetle6. By isolating24 these organisms from their natural environments, Marley hopes you'll see them anew.
MARLEY: I think that kind of the greatest power of the work itself is helping25 people to open their eyes to the varieties that exist in the natural world. Kind of once you get this sense of, oh, my gosh, there's so much more I didn't know about - I've never been able to experience in this fashion - it just feeds this desire to see more and more and more.
SCOTT: As for Christopher Marley's next project, he's heading deep into a Malaysian jungle to hunt for a never-before-preserved species of corpse26 flower. For NPR News, I'm Aaron Scott.
1 byline | |
n.署名;v.署名 | |
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2 bug | |
n.虫子;故障;窃听器;vt.纠缠;装窃听器 | |
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3 bugs | |
adj.疯狂的,发疯的n.窃听器( bug的名词复数 );病菌;虫子;[计算机](制作软件程序所产生的意料不到的)错误 | |
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4 guts | |
v.狼吞虎咽,贪婪地吃,飞碟游戏(比赛双方每组5人,相距15码,互相掷接飞碟);毁坏(建筑物等)的内部( gut的第三人称单数 );取出…的内脏n.勇气( gut的名词复数 );内脏;消化道的下段;肠 | |
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5 chromatic | |
adj.色彩的,颜色的 | |
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6 beetle | |
n.甲虫,近视眼的人 | |
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7 beetles | |
n.甲虫( beetle的名词复数 ) | |
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8 octopuses | |
章鱼( octopus的名词复数 ) | |
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9 voluptuous | |
adj.肉欲的,骄奢淫逸的 | |
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10 dame | |
n.女士 | |
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11 preservation | |
n.保护,维护,保存,保留,保持 | |
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12 jaw | |
n.颚,颌,说教,流言蜚语;v.喋喋不休,教训 | |
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13 iridescent | |
adj.彩虹色的,闪色的 | |
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14 aquariums | |
n.养鱼缸,水族馆( aquarium的名词复数 ) | |
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15 reclaimed | |
adj.再生的;翻造的;收复的;回收的v.开拓( reclaim的过去式和过去分词 );要求收回;从废料中回收(有用的材料);挽救 | |
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16 specimens | |
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
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17 warehouse | |
n.仓库;vt.存入仓库 | |
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18 reptiles | |
n.爬行动物,爬虫( reptile的名词复数 ) | |
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19 alligators | |
n.短吻鳄( alligator的名词复数 ) | |
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20 apparently | |
adv.显然地;表面上,似乎 | |
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21 texture | |
n.(织物)质地;(材料)构造;结构;肌理 | |
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22 spikes | |
n.穗( spike的名词复数 );跑鞋;(防滑)鞋钉;尖状物v.加烈酒于( spike的第三人称单数 );偷偷地给某人的饮料加入(更多)酒精( 或药物);把尖状物钉入;打乱某人的计划 | |
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23 interpretations | |
n.解释( interpretation的名词复数 );表演;演绎;理解 | |
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24 isolating | |
adj.孤立的,绝缘的v.使隔离( isolate的现在分词 );将…剔出(以便看清和单独处理);使(某物质、细胞等)分离;使离析 | |
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25 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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26 corpse | |
n.尸体,死尸 | |
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