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(单词翻译:双击或拖选)
DAVID GREENE, HOST:
Fifty years ago today, one of the most performed songs of the 20th century was released. And did you know it almost never saw the light of day?
(SOUNDBITE OF SONG, "(SITTIN' ON) THE DOCK OF THE BAY")
OTIS REDDING: (Singing) Sittin' in the mornin' sun. I'll be sittin' when the evenin' comes.
GREENE: "(Sitting On) The Dock Of The Bay" - it was a departure for the R&B superstar Otis Redding, sort of an experiment. This is biographer Mark Ribowsky.
MARK RIBOWSKY: Otis had had a throat operation in the fall that year, and he was very worried about whether he would be able to sing again and sing like Otis. He needed to sort of make it quieter, make it more poetic1. And he came up with this song.
GREENE: A song that wasn't really R&B. It wasn't rock. It wasn't folk. An executive at Redding's label, Stax, he just didn't get it.
RIBOWSKY: Al Bell heard it being recorded that day and said, I don't know if we could ever release this song.
(SOUNDBITE OF SONG, "(SITTIN' ON) THE DOCK OF THE BAY")
REDDING: (Singing) Cause I've had nothing to live for and look like nothing's gonna come my way.
GREENE: That winter, they left the recording2 incomplete. And then there was a tragedy. Otis Redding died in a plane crash on December 10, 1967. The music world was in mourning. His recording label had a different reaction.
RIBOWSKY: You know, let's face it - when a rock 'n' roller dies, you need a song to come out immediately to cash in on this. That's just the way the business is. Steve Cropper, who wrote it with him and produced it - great guitar player - said, let's do this song.
(SOUNDBITE OF ARCHIVED BROADCAST)
STEVE CROPPER: I mean, I got this call on a Monday. And of course, Otis' plane went down on Sunday morning.
GREENE: NPR spoke3 to Steve Cropper back in 2000.
(SOUNDBITE OF ARCHIVED BROADCAST)
CROPPER: I don't think they found Otis' body until Friday. And they said, get that thing finished and get it to us. So I went to work on it. And probably the music is the only thing that kept me going.
GREENE: Cropper sent them a completed version within one week. Again, here's biographer Mark Ribowsky.
RIBOWSKY: Jerry Wexler up in New York at Atlantic - the overlords of Stax - said, no, we can't release it. His vocal4 is too recessed5. It needs to be remixed. Cropper said, OK, I'll change it. I'll overdub it. I'll do this. I'll do that - didn't change it whatsoever6. Sent it back to Wexler who said, oh, yeah, this sounds a lot better now.
(SOUNDBITE OF SONG, "(SITTIN' ON) THE DOCK OF THE BAY")
REDDING: (Singing) I can't do what 10 people tell me to do, so I guess I'll remain the same, yes.
GREENE: Well, we're all thankful they saved that song. "(Sittin' On) The Dock Of The Bay" was released 50 years ago today, less than a month after Otis Redding died at the age of 26. It became his biggest hit.
(SOUNDBITE OF SONG, "(SITTING ON) THE DOCK OF THE BAY")
REDDING: (Singing) Sittin' on the dock of the bay wastin' time.
1 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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2 recording | |
n.录音,记录 | |
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3 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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4 vocal | |
adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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5 recessed | |
v.把某物放在墙壁的凹处( recess的过去式和过去分词 );将(墙)做成凹形,在(墙)上做壁龛;休息,休会,休庭 | |
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6 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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