-
(单词翻译:双击或拖选)
Voice 1
Voice 2
And I’m Liz Waid. Spotlight uses a special English method of broadcasting. It is easier for people to understand, no matter where in the world they live.
Voice 1
It is a bright morning. The sun is shining and the sky is clear. A young girl sits under a large tree. A small red radio hangs on a rope around her neck. The girl stands up and walks toward3 a tree branch. She sees a small, green insect eating a leaf. She puts her hands around the insect. And, she closes her eyes. When the girl opens her hands, the insect has changed. It is now covered with a green, protective4 layer or cocoon5. The little girl closes her hands again. This time, she closes her eyes as hard as she can. She waits. Slowly, she opens her hands again. The insect is now a beautiful butterfly with colourful, orange wings.
Voice 2
This is how the story of Olive6 begins. Olive is a new film about a little girl who does not speak. Olive is very different than other films. However, what makes it different is not the story. Olive is the first full length film made completely with a mobile7 telephone. Today’s Spotlight is on how the film Olive was created.
Voice 1
Hooman Khalili is a radio producer. He lives in the city of San Francisco, in the United States. In January of 2010, he had an idea. He wondered if a person could make a whole film just using the camera of a mobile telephone. Khalili talked with friends about his idea. None of them had ever directed a film. But together, they decided8 to try.
Voice 2
Khalili knew his idea was not going to be easy. Most full length or feature films cost millions of dollars to produce. They also require hundreds of different pieces of camera and lighting9 equipment. Khalili did not have any money or special equipment. But what he did have was a story - the story of Olive.
Voice 1
Next, Khalili began looking for money to support the project. From the beginning, Khalili knew which mobile telephone he wanted to use to make the film – the Nokia N8. So, he decided to ask the mobile telephone maker10, Nokia, for money. Nokia was not sure the film would be a good investment12. They did not know how much money the film would make. So, they decided not to support it.
Voice 2
After many months, Khalili finally found two supporters. One was a San Francisco businessman named Bill O’Keefe. The other supporter was a former Facebook businessman and producer named Chris Kelly. Kelly did not want to invest11 in the film just because of how it would be made. He wanted to be sure the film told a good story. Kelly told the magazine The Wrap:
Voice 3
“So we looked through the story, and it looked amazing. We wanted people to say at the end, 'I completely forgot that film was made on a mobile telephone.'”
Voice 1
But a telephone was not the only thing Khalili needed. The filmmakers needed to be very creative. A normal film camera has many pieces of equipment and extra parts. These parts help the camera film better quality pictures. However, a mobile telephone does not have these parts. So, the filmmakers had to make many extra camera parts.
Voice 2
For example, the lens13 on the front of the telephone camera was not very large. It is important that the filmmaker can see the complete picture through the lens. So, making a larger lens was necessary. To do this, Khalili bought a very old camera. He removed the lens from the old camera and put it on the mobile telephone. Every day, he spent an hour attaching the lens to the telephone with little pieces of wood. Then, he attached this device14 to a stand. The stand made it possible for Khalili to carry and move the camera and lens.
Voice 1
But the lens was only Khalili’s first problem. The next problem was a shaky picture. When a camera moves, the picture can be blurry15 or unclear. In a normal film, the filmmaker uses what is called a Steadicam system. The Steadicam stops the camera from shaking. And it keeps the picture clear. Steadicam systems are very large because the cameras they hold are very large. The Nokia N8 did not have a Steadicam system. So, Khalili had to make his own version16 of the Steadicam base to hold the much smaller telephone.
Voice 2
Khalili and his friends had another problem - the camera’s power. The power for a telephone comes from a small device called a battery. The battery holds electricity. But a telephone battery does not last very long. So Khalili had to buy a larger battery that attached to the telephone. This battery kept the telephone from turning off during filming.
Voice 1
Khalili made many special devices17 for the telephone. However, the small, mobile telephone camera was getting big. And this caused a final problem - the camera was difficult to move quickly. Khalili and his friends wanted to record some fast moving parts of the film. They also wanted to record a few parts of the film from high in the air. So again, they had to be creative. To fix this problem, they removed the heavy lens and other devices they had attached to the telephone. And they attached just the telephone to a child’s, play helicopter. They used a control device to fly the helicopter high above the ground. This way they could film from the air. They could also film fast movements.
Voice 2
Khalili spoke18 with the Los Angeles Times news organization about the difficult filming process. He said,
Voice 4
“There were a lot of things that made filming near impossible for us.”
Voice 1
However, even with all these problems, they managed to finish the film. And Olive is the first film of its kind to play in a theater. Khalili is very proud of his project. He told the magazine Mother Jones:
Voice 4
“I was just trying to be groundbreaking - to do something no one had ever done before. We had two first-time directors...No large company supported the film. Only one theater in the whole country played it. But there is no better story than this - a story of how someone with very little surprises people and succeeds.”
Voice 2
The writer and producer of this program was Dianna Anderson. The voices you heard were from the United States and the United Kingdom. All quotes were adapted for this program and voiced by Spotlight. You can listen to this program again, and read it, on the internet at http://www.radioenglish.net This .program is called, “A Telephone Film.”
Voice 1
You can also leave your comments on our website. Or you can email us at radio at radioenglish.net. You can also find us on Facebook - just search for spotlightradio.
Voice 2
We hope you can join us again for the next Spotlight program. Goodbye.
- See more at: http://spotlightenglish.com/listen/telephone-film#sthash.mLfCOpNU.dpuf
点击
收听单词发音
收听单词发音 |
1
spotlight
|
|
| n.公众注意的中心，聚光灯，探照灯，视听，注意，醒目 | |
参考例句： |
|
|
|
|
2
robin
|
|
| n.知更鸟，红襟鸟 | |
参考例句： |
|
|
|
|
3
toward
|
|
| prep.对于，关于，接近，将近，向，朝 | |
参考例句： |
|
|
|
|
4
protective
|
|
| adj.防护的，保护的 | |
参考例句： |
|
|
|
|
5
cocoon
|
|
| n.茧 | |
参考例句： |
|
|
|
|
6
olive
|
|
| n.橄榄，橄榄树，橄榄色；adj.黄绿色的，黄褐色的，橄榄色的 | |
参考例句： |
|
|
|
|
7
mobile
|
|
| adj.可移动的，易变的，机动的；n.运动物体 | |
参考例句： |
|
|
|
|
8
decided
|
|
| adj.决定了的，坚决的；明显的，明确的 | |
参考例句： |
|
|
|
|
9
lighting
|
|
| n.照明，光线的明暗，舞台灯光 | |
参考例句： |
|
|
|
|
10
maker
|
|
| n.制造者，制造商 | |
参考例句： |
|
|
|
|
11
invest
|
|
| v.投资；投入(时间等)；授予，赋予 | |
参考例句： |
|
|
|
|
12
investment
|
|
| n.投资，投资额；(时间、精力等的)投入 | |
参考例句： |
|
|
|
|
13
lens
|
|
| n.透镜，镜片；镜头 | |
参考例句： |
|
|
|
|
14
device
|
|
| n.器械，装置；计划，策略，诡计 | |
参考例句： |
|
|
|
|
15
blurry
|
|
| adj.模糊的；污脏的，污斑的 | |
参考例句： |
|
|
|
|
16
version
|
|
| n.版本；型号；叙述，说法 | |
参考例句： |
|
|
|
|
17
devices
|
|
| n.设备；装置( device的名词复数 )；花招；（为实现某种目的的）计划；手段 | |
参考例句： |
|
|
|
|
18
spoke
|
|
| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
参考例句： |
|
|
|
购买
在百度中搜索