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Beethoven's music was controversial; it could be interpreted in two quite extreme ways as, as very bad or very good, therefore perhaps much more so than other music, it was in need of framing, it needed a kind of protective envelope, that could introduce it to new comers. So that they would hear it in sympathetic ways. And this is something that Beethoven's patrons were actively2 involved. They’re in..
They would stage improvisation3 contests. Shootouts, I'd like to call them, where each nobleman, aristocrat4 would sponsor a piano virtuoso5 and they would set them against each other, one would improvise6 then the other would have to imitate the tune7, improvise on it, then the second one would set a new tune and the first would have to improvise on it. And Beethoven, arrived from Bonn, ill-kempt with this funny Rhineland accent, hair all over the place and he would take on these bewigged befrogged virtuosos8 and just ram1 them out of town.
Without the support of his patrons, without the kind of material and public relations, tasks that they carried out on his behalf, he would not have been able to compose as he did, ah he could well have composed, but it's questionable9 whether he'd have been able to find venues10 for performances, whether he’d been able to enlist11 musicians, whether he would have been heard, whether he would have been published, and therefore whether his music would survive today.
With his Opus. 18 set of String Quartets, Beethoven now 28, began to organize his musical ideas more systematically12.
Right from the early stage, he used to make rough draft to his works. And he jotted13 these down on various scraps14 of paper, and then he found these scraps of paper getting so muddily and disorganized, that he really needed to start using a proper manuscript book for jotting15 these ideas down. And so he started using what are known as sketch16 books, which have lots of musical fragments all over the place. He used to wander around the countryside, with a little bit of manuscript paper in his hand, and the pencil and if he got an odd idea, he promptly17 jotted it down. People very often think that Beethoven was very slow at composing. It took a long time, whilst Mozart could dash off a piece very quickly. Obviously improvisation has demonstrated, he could invent music extraordinary rapidly. His music was more complex than Mozart's. And it gets more complex as he goes on and this is partly through the sketching18 process.
点击收听单词发音
1 ram | |
(random access memory)随机存取存储器 | |
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2 actively | |
adv.积极地,勤奋地 | |
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3 improvisation | |
n.即席演奏(或演唱);即兴创作 | |
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4 aristocrat | |
n.贵族,有贵族气派的人,上层人物 | |
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5 virtuoso | |
n.精于某种艺术或乐器的专家,行家里手 | |
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6 improvise | |
v.即兴创作;临时准备,临时凑成 | |
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7 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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8 virtuosos | |
n.艺术大师( virtuoso的名词复数 );名家;艺术爱好者;古董收藏家 | |
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9 questionable | |
adj.可疑的,有问题的 | |
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10 venues | |
n.聚集地点( venue的名词复数 );会场;(尤指)体育比赛场所;犯罪地点 | |
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11 enlist | |
vt.谋取(支持等),赢得;征募;vi.入伍 | |
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12 systematically | |
adv.有系统地 | |
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13 jotted | |
v.匆忙记下( jot的过去式和过去分词 );草草记下,匆匆记下 | |
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14 scraps | |
油渣 | |
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15 jotting | |
n.简短的笔记,略记v.匆忙记下( jot的现在分词 );草草记下,匆匆记下 | |
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16 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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17 promptly | |
adv.及时地,敏捷地 | |
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18 sketching | |
n.草图 | |
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