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Larry King专访"媒体之王"-Howard Stern

时间:2021-03-16 06:03来源:互联网 提供网友:nan   字体: [ ]
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STERN: First day we are doing a revelation show. Each one of us. Each of the major cast members have agreed to reveal something about themselves that we've never revealed on the air and that has to be -- has to meet a certain standard.

KING: Which is?

STERN: Which is we put a guy in charge. We each had to go into a confessional booth and confess our sin or secret or something that humiliated1 us or embarrassed us. And if it didn't measure up, we had to go back and come up with something else.

KING: It had to be humiliating.

STERN: No, it doesn't have to be humiliating. It might be something that we didn't want to share. It could be a secret, it could be ...

KING: A disease. Might have a disease.

STERN: Could be a disease. Could be that dreaded2 disease that you have. I might get it too. You don't know.

But Larry -- so, this is dangerous radio for me. This is a high wire because I went into the confessional, I admitted what it is and the guy said, whoa. And that whoa is what I'm looking for. So we've got some good stuff.

I do have to address whether or not Beth and I got married. There is plenty on the table. We just left this huge radio experience. Probably the most successful radio show in the history of radio and walking away from that, I have to tell you that I had no emotional experience about it until the day after, when I woke up.

I woke up and I realized I'll never hit that button again and have that kind of access. Millions and millions and millions of fans.

KING: Now this is your first public appearance since then, since leaving.

STERN: Right.

KING: And you go on the new on Monday.

STERN: Right.

KING: Do you -- are you scared?

STERN: Well, I don't feel scared. Well, maybe a little bit because I don't want to disappoint people and I have to tell you, we've done two run-throughs this week and this is the great thing about having your own channel. All of the sudden, I said, when we're doing the run through, just pop on the run through.

So in essence we've been on twice already and whoever was driving in their car, all of the sudden we just popped on the radio and that's fun. And the run through was liberating3.

I had the most amazing radio experience New Year's Eve and I'll tell you why satellite is great and why every broadcaster should be involved in this. New Year's Eve they said it's the first time your voice can be heard on your own channel. I was out of my contract with Viacom. Would you call in? I said, I don't know, if I'm up.

Went out, had a bunch of drinks, fell asleep, but at midnight I heard fireworks coming out of the park and it woke me up and I said, ah, what the hell? I'll just call in. I started talking stream of consciousness into this telephone receiver, kind of drunk, a little bit hung over, and I've never had that kind of freedom before.

I didn't use any foul4 language. It wasn't about that. I didn't have to worry about the constraints5, what topics I could talk about. I didn't worry about the average quarter hour maintenance, crossing the quarter hour, how many listeners I had. Whoever was there, it was fine with me, and it was the most intimate radio I have ever done, just talking into that receiver.

KING: How did you become Howard stern? In other words, how did you develop this persona?

STERN: Well, you know, I have made no secret of the fact that I have always wanted to be on radio.

I can remember being 5 years old, and, you know, it goes back. My father was a recording6 engineer. I have told you this before. And my father used to look at Don Adams and Larry Storch and some of the great voice guys doing cartoons an commercials. And I would go down to my father's studio. Once in awhile, he would bring me.

And I would watch his eyes. And he would stare at these guys. And he would have such reference for the greats. You know, these guys were great. And I would watch these guys working. And I said, oh, my God. If my father looked at me like that, he would be so proud of me.

And I think, early on, when I saw that microphone, and I saw -- I remember to this day -- I was a kid. And Don Adams was recording "Tennessee Tuxedo," a commercial -- a cartoon. And he's standing7 there in a blazer and a turtleneck. And he looked so damn suave8 to me. You know, this was before Maxwell Smart.

KING: Yes.

STERN: And I just -- I saw my father looking at him. And I went, wow. I want to do something like this. And I didn't listen to a lot of radio growing up. I can only remember one guy, Brad Crandall, I used to listen to at night.

KING: Sure. Great voice.

STERN: Yes. He was this guy.

KING: But how did you carry it on to become what you have become, to take it to the fullest extent? In other words, you didn't draw any middle ground.

STERN: Well, it was a process.

I -- when I was in college radio, I did a show called the "King Schmaltz Bagel Hour." It was me and three guys. And it was very irreverent. And it has always been my fantasy to go on radio and not do a straight broadcast but to bring the audience into sort of my thought process.

I remember listening to the radio, and you would hear a guy close a door in the background at a news station or you would hear a cart or something drop on the floor. And you would go, what the hell is that? And they wouldn't tell you. They would act like it wasn't going on.

And I kind of had this fantasy where I would create a radio show where I would tell you everything, everything about me, everybody about -- whoever walked in, complete honesty. We strip away all barriers. And this was my -- my thing.

And I went in college radio. And I started this. And I got fired after the third show. We did a bit called "Godzilla Goes to Harlem." And no one ever heard anything like this. And it was a college station, carrier current. And we did this thing. And I got fired right on the air.

And that was sort of an omen9 of what was to come. And my father wrote me a letter. And he said to me, you know, it is great that you are on the air and all of that. But I listened to the tape. And you go, ah, ah, ah every minute. And you (INAUDIBLE) on the air. And you don't sound professional. And you're not enunciating.

And he said even a clown probably was a trained ballet dancer or something. And you need to go out and do a straight radio show and, in my opinion, learn how to, you know, do radio.

KING: Good advice.

STERN: It was really good advice.

And I went and I did a straight show for two years. And I was awful. It was chronicled in my movie. And I said, you know what, though? It was the best two years of my life. I had to do everything at that station. And I kept dreaming in my head of breaking sort of all the walls down, all of those straight walls down.

Someone asked me the other day, gee10, did you ever think about doing like a "LARRY KING" show? They said, you're a very good interviewer. Interviewing is a strength of yours. And I said, that's a career that wasn't for me.

I wanted to expose myself and expose every -- so, I didn't want to have any secrets from the audience.

KING: I like the guests. You like you.

STERN: Well...

(CROSSTALK)

KING: I mean, you want the show to be into you.

STERN: No, that's -- that's not it. That's not what I'm saying.

You know, the guy who replaced me in New York, David Lee Roth, I listened to his first show. And he said, hey, man, this ain't heavy lifting. This radio stuff is easy.

And I was thinking about that. And I thought, no, radio isn't easy. It's easy -- yes, sure, anyone can go on the air and talk. But to open yourself up and actually break down all the walls and think about all your insecurities, and put those on the air, I think it isn't easy lifting. There's a lot of emotional lifting you have to do.

But, having said that, when a guest comes in, I think the reason people might think I'm a good interviewer is that I'm genuinely curious about a person. I don't make judgments11. If somebody's a stripper, that's great. If someone's a prostitute, I -- Robin12, who works with me, she decided13 to work with me.

She heard a tape of me in Detroit. I was interviewing a prostitute. And she said to me, when I heard you do it, you asked her everything, what she ate for breakfast, why she went to the store, who were her parents, how did she get into this sort of miserable14 life.

And you didn't make judgments. And that's what the show's always been about. I myself don't really have outrageous15 behavior, I don't think. But I'm a voyeur16.

(LAUGHTER)

STERN: I like to watch outrageous behavior and I like to learn about outrageous behavior.

KING: Boy, do you(End).


点击收听单词发音收听单词发音  

1 humiliated 97211aab9c3dcd4f7c74e1101d555362     
感到羞愧的
参考例句:
  • Parents are humiliated if their children behave badly when guests are present. 子女在客人面前举止失当,父母也失体面。
  • He was ashamed and bitterly humiliated. 他感到羞耻,丢尽了面子。
2 dreaded XuNzI3     
adj.令人畏惧的;害怕的v.害怕,恐惧,担心( dread的过去式和过去分词)
参考例句:
  • The dreaded moment had finally arrived. 可怕的时刻终于来到了。
  • He dreaded having to spend Christmas in hospital. 他害怕非得在医院过圣诞节不可。 来自《用法词典》
3 liberating f5d558ed9cd728539ee8f7d9a52a7668     
解放,释放( liberate的现在分词 )
参考例句:
  • Revolution means liberating the productive forces. 革命就是为了解放生产力。
  • They had already taken on their shoulders the burden of reforming society and liberating mankind. 甚至在这些集会聚谈中,他们就已经夸大地把改革社会、解放人群的责任放在自己的肩头了。 来自汉英文学 - 家(1-26) - 家(1-26)
4 foul Sfnzy     
adj.污秽的;邪恶的;v.弄脏;妨害;犯规;n.犯规
参考例句:
  • Take off those foul clothes and let me wash them.脱下那些脏衣服让我洗一洗。
  • What a foul day it is!多么恶劣的天气!
5 constraints d178923285d63e9968956a0a4758267e     
强制( constraint的名词复数 ); 限制; 约束
参考例句:
  • Data and constraints can easily be changed to test theories. 信息库中的数据和限制条件可以轻易地改变以检验假设。 来自英汉非文学 - 科学史
  • What are the constraints that each of these imply for any design? 这每种产品的要求和约束对于设计意味着什么? 来自About Face 3交互设计精髓
6 recording UktzJj     
n.录音,记录
参考例句:
  • How long will the recording of the song take?录下这首歌得花多少时间?
  • I want to play you a recording of the rehearsal.我想给你放一下彩排的录像。
7 standing 2hCzgo     
n.持续,地位;adj.永久的,不动的,直立的,不流动的
参考例句:
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
8 suave 3FXyH     
adj.温和的;柔和的;文雅的
参考例句:
  • He is a suave,cool and cultured man.他是个世故、冷静、有教养的人。
  • I had difficulty answering his suave questions.我难以回答他的一些彬彬有礼的提问。
9 omen N5jzY     
n.征兆,预兆;vt.预示
参考例句:
  • The superstitious regard it as a bad omen.迷信的人认为那是一种恶兆。
  • Could this at last be a good omen for peace?这是否终于可以视作和平的吉兆了?
10 gee ZsfzIu     
n.马;int.向右!前进!,惊讶时所发声音;v.向右转
参考例句:
  • Their success last week will gee the team up.上星期的胜利将激励这支队伍继续前进。
  • Gee,We're going to make a lot of money.哇!我们会赚好多钱啦!
11 judgments 2a483d435ecb48acb69a6f4c4dd1a836     
判断( judgment的名词复数 ); 鉴定; 评价; 审判
参考例句:
  • A peculiar austerity marked his judgments of modern life. 他对现代生活的批评带着一种特殊的苛刻。
  • He is swift with his judgments. 他判断迅速。
12 robin Oj7zme     
n.知更鸟,红襟鸟
参考例句:
  • The robin is the messenger of spring.知更鸟是报春的使者。
  • We knew spring was coming as we had seen a robin.我们看见了一只知更鸟,知道春天要到了。
13 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
14 miserable g18yk     
adj.悲惨的,痛苦的;可怜的,糟糕的
参考例句:
  • It was miserable of you to make fun of him.你取笑他,这是可耻的。
  • Her past life was miserable.她过去的生活很苦。
15 outrageous MvFyH     
adj.无理的,令人不能容忍的
参考例句:
  • Her outrageous behaviour at the party offended everyone.她在聚会上的无礼行为触怒了每一个人。
  • Charges for local telephone calls are particularly outrageous.本地电话资费贵得出奇。
16 voyeur IMSzz     
n.窥淫狂者,窥隐私者
参考例句:
  • The media has made unfeeling voyeurs of all of us.媒体把我们所有人都变成了无情刺探他人隐私的人。
  • A voyeur was seen lurking around the girl's dormitory.有人看到一位偷窥狂躲藏在女生宿舍附近。
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