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(单词翻译:双击或拖选)
SCOTT SIMON, HOST:
Operas are often centered on tragic1 heroines who die or take their own lives at the end of the story. But "Thumbprint," a new chamber2 opera, takes that formula and turns it around. This opera is based on the true story of a young, illiterate3 Pakistani who was the victim of a terrible honor crime. Jeff Lunden reports she took on the system and ultimately triumphed.
JEFF LUNDEN, BYLINE4: Mukhtar Mai is from a small tribal5 village in Pakistan. In 2002, her brother was accused of sexually molesting6 a woman from a wealthy landowning clan7. What happened next was horrifying8, says Kamala Sankaram, who wrote the music and plays the lead role in "Thumbprint."
KAMALA SANKARAM: For retribution, the village council decided9 that Mukhtar should be gang-raped by four of the men of this clan. And what is supposed to happen for a woman after this has taken place is that not only has she shamed herself, she's brought dishonor to the rest of her family as well. She's shunned11 from her village, and the only course of action for her to take is to take her own life.
(SOUNDBITE OF MUSIC FROM THE OPERA, "THUMBPRINT")
LUNDEN: Far from being the end of Mukhtar Mai's story, in many ways it was just the beginning.
SANKARAM: Not only did she defy tradition by choosing not to kill herself, she actually, despite the fact that she's illiterate, despite the fact that she had no knowledge of the laws of her country, she took her case to court and she won.
(SOUNDBITE OF MUSIC FROM THE OPERA, "THUMBPRINT")
LUNDEN: Sankaram and her librettist12 Susan Yankowitz both came to Mukhtar Mai's story separately. Sankaram had written a song cycle based on Mai's autobiography13, while Yankowitz wrote a monologue14 about her for Seven, a theatrical15 evening sponsored by Vital Voices Global Partnership16, an NGO that works with women leaders around the world.
CINDY DYER: What she experienced is actually very common. Women are being violated and brutalized even today, and the problem is that many women do not have access to help and they are afraid to seek help. And so her courage in seeking help is so inspirational to others.
(SOUNDBITE OF MUSIC FROM THE OPERA, "THUMBPRINT")
LUNDEN: In telling Mukhtar Mai's story, Kamala Sankaram has taken elements of Hindustani music from Ragas to Qawwali devotional songs and fused them with Western operatic forms.
SANKARAM: So, there are flavors of India and Pakistan in there even though it's still written for Western opera singers.
(SOUNDBITE OF MUSIC FROM THE OPERA, "THUMBPRINT")
LUNDEN: The title, "Thumbprint," comes from a pivotal moment in Mukhtar Mai's story when she goes to the police to report the rape10, says librettist Susan Yankowitz.
SUSAN YANKOWITZ: When she's there, she realizes she does not know how to sign her name to the document. And it has never really occurred to her that this was a disadvantage in any way, that this was a problem. But in the context of the police and the judge and a court, she understands how important it is. She does sign the document with her thumbprint, and in doing so, she understands the power and importance of education.
(SOUNDBITE OF MUSIC FROM THE OPERA, "THUMBPRINT")
LUNDEN: With the money she won from the settlement, Mukhtar Mai set up schools and a foundation to serve the impoverished18 people in her community. But Cindy Dyer of Vital Voices says...
DYER: Different entities19 have use every tool in their arsenal20 to try to shut this organization down and try to silence Mukhtar Mai.
LUNDEN: And that's why librettist Susan Yankowitz says it's important to tell Mai's story.
YANKOWITZ: Because of the fact that she - one single person, one body, one voice, made this enormous change in Pakistan. She was really the first. She's the first woman to ever bring her rapists to court.
LUNDEN: After today's matinee performance of "Thumbprint," Mukhtar Mai will speak to the audience herself via Skype. For NPR News, I'm Jeff Lunden in New York.
(SOUNDBITE OF MUSIC FROM THE OPERA, "THUMBPRINT")
SIMON: You're listening to WEEKEND EDITION from NPR News.
点击收听单词发音
1 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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2 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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3 illiterate | |
adj.文盲的;无知的;n.文盲 | |
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4 byline | |
n.署名;v.署名 | |
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5 tribal | |
adj.部族的,种族的 | |
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6 molesting | |
v.骚扰( molest的现在分词 );干扰;调戏;猥亵 | |
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7 clan | |
n.氏族,部落,宗族,家族,宗派 | |
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8 horrifying | |
a.令人震惊的,使人毛骨悚然的 | |
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9 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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10 rape | |
n.抢夺,掠夺,强奸;vt.掠夺,抢夺,强奸 | |
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11 shunned | |
v.避开,回避,避免( shun的过去式和过去分词 ) | |
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12 librettist | |
n.(歌剧、音乐剧等的)歌词作者 | |
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13 autobiography | |
n.自传 | |
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14 monologue | |
n.长篇大论,(戏剧等中的)独白 | |
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15 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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16 partnership | |
n.合作关系,伙伴关系 | |
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17 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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18 impoverished | |
adj.穷困的,无力的,用尽了的v.使(某人)贫穷( impoverish的过去式和过去分词 );使(某物)贫瘠或恶化 | |
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19 entities | |
实体对像; 实体,独立存在体,实际存在物( entity的名词复数 ) | |
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20 arsenal | |
n.兵工厂,军械库 | |
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