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(单词翻译:双击或拖选)
AMERICAN MOSAIC1 -April 19, 2002: Jazz Violinist Regina Carter / Question about the Washington
Monument / Museum Show on Wood Turning
Broadcast: HOST:
Welcome to AMERICAN MOSAIC
—
VOA’s radio magazine in Special English.
(THEME)
This is Doug Johnson. On our program today we:
Play some jazz violin music ...
Answer a question about the Washington Monument ...
And learn about something called “wood turning.
”
Wood Turning Show
HOST:
The Renwick Gallery in Washington, D -C, has a show called “Wood Turning Since Nineteen-Thirty.
”
It
contains one-hundred-thirty examples of the best turned wood pieces made in the past seventy years. Mary
Tillotson tells us more about wood turning.
ANNCR:
Wood turning first became popular in the United States about seventy years ago. At that time, turned wood
containers, candlesticks and other useful objects were made by students in school and by factory workers.
Through the years, wood turning became a complex art form. Turned wood objects are now collected by
museums and individuals.
Wood turners use sharp tools to cut a piece of wood as it turns quickly on a special
machine called a lathe2. The piece of wood is held firmly and evenly in place on the
lathe. The wood turner holds a sharp tool against the turning wood. In traditional
pieces, the inner3 part of the wood is removed, leaving thin outside walls.
Because the lathe is turning the wood around, the shape of the finished piece usually
is round. The natural outer bark of the tree usually is removed so the outside of the
piece is as smooth as the inside.
Objects of many different shapes are in the Renwick show. Even things with similar shapes such as bowls that
could be used for serving food look very different because of the color and grain of the kind of wood used.
For example, a bowl Bob Stocksdale created out of Macassar ebony wood is simple and very dark. A bowl Ron
Kent produced of Norfolk Pine has sides that are so thin and light you can see through them.
David Ellsworth produced containers out of the large growths on trees called burls.
He created a smooth inner space and left the natural, uneven4 shape on the outside.
Merryll Saylan used paints and chemicals to color the surfaces of some of the turned
pieces she produced.
Many of the objects in the Wood Turning show are not containers with empty inner
spaces. Some are pieces of useful furniture such as chairs and desks that combine
wood pieces that have been shaped on the lathe. Other turned wood pieces in the
Renwick Gallery show are complex sculptural pieces that are meant just to be
Chair leg in a lathe
A bowl by Ron Kent
(Picture -asu.edu)
enjoyed as art.
Washington Monunment
HOST:
Our VOA listener question this week comes from Cameroon. Pius Ngoeh asks about the Washington Monument
in Washington, D.C.
The Washington Monument is the tallest structure in the city. It stands almost one-
hundred-seventy meters tall. It is named for the first President of the United States,
George Washington. Millions of people from around the world visit the white stone
structure every year.
The monument is a structure called an obelisk5. Its four sides end in a point at the top.
Fifty American flags surround it. They represent the fifty states. Lights shine on the
Washington Monument at night. It can be seen from far away. Fireworks are launched6
from near the monument on American Independence Day
–
July fourth --and at other
special celebrations.
It took many years to build the Washington Monument. One group started raising money for a memorial in
Eighteen-Thirty-Three. Officials placed the first stone of the monument on July fourth, Eighteen-Forty-Eight.
Roman Catholic7 Church leader Pope8 Pius the Ninth gave a piece of marble from Rome for the monument. But
the stone was stolen in Eighteen-Fifty-Four. After that, the public almost stopped giving money for the structure.
Many people believed it would never be finished.
A group called the Know Nothings was suspected of trying to stop the monument from being built. Finally, in
Eighteen-Seventy-Six, Congress9 voted to pay for building the Washington Monument. It was finished in
Eighteen-Eighty-Four and opened to the public in Eighteen-Eighty -Eight.
The Washington Monument recently re-opened after being closed for more than a year. Officials used that time to
make improvements10. New security11 measures also were added. And a new elevator now carries visitors to the
observation area on top of the monument. From there, visitors can look out over the capital city.
To learn more about visiting the Washington Monument, listen to the Special English program THIS IS
AMERICA on Monday, April twenty-ninth.
Regina Carter
HOST:
The Smithsonian Institution in Washington, D-C, is celebrating Jazz Appreciation12 Month. Jazz Appreciation
Month is a national and international celebration that honors13 the history and music of jazz. Steve Ember tells us
about jazz violin player Regina Carter.
ANNCR:
For eighteen years, Regina Carter has entertained people with her unusual command of the violin. Her strong
music makes it sound as if she is playing with a full orchestra14.
Regina Carter says the violin is a perfect instrument for the demands of modern
jazz. She says the violin is designed to play energetic jazz rhythms15 in the same way
it is used to play classical music. Here is Regina Carter playing a song called, “Oh,
Lady, Be Good.
”
(“OH, LADY, BE GOOD!”)
Regina Carter began playing the violin when she was four years old. Her earlier goal
was to play with a major orchestra. Jazz was not a big part of her life until she heard
the music of jazz violinists Stephane Grapelli and Jean-Luc Ponty. She said there
was a freedom and a possibility in the violin she had not understood before. Here,
Regina Carter plays a song with a Latin16 sound, called “Mojito.
”
(“MOJITO”)
Regina Carter is one of a very few jazz violinists. At first, she faced opposition17 to
her jazz violin method. People told her there was no future for a jazz violinist. Mizz
Carter says she still has to prove herself in the jazz world because so many of the
musicians are men.
Regina Carter recently became the first jazz musician and the first African American ever to play the two hundred-
fifty-year-old violin once owned by Niccolo Paganini. He is considered to be one of the greatest
violinists of all time. Regina Carter said she never dreamed she would be given that chance. We leave you now
with Regina Carter playing “Chattanooga Choo Choo.
”
(“CHATTANOOGA CHOO CHOO”)
HOST:
This is Doug Johnson. I hope you enjoyed our program today. And I hope you will join us again next week for
AMERICAN MOSAIC
—
VOA’s radio magazine in Special English.
This AMERICAN MOSAIC program was written by Cynthia Kirk, Marilyn Christiano and Nancy Steinbach.
And our producer was Paul Thompson.
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1 mosaic | |
n./adj.镶嵌细工的,镶嵌工艺品的,嵌花式的 | |
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2 lathe | |
n.车床,陶器,镟床 | |
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3 inner | |
adj.内部的,里面的;内在的,内心的;精神的 | |
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4 uneven | |
adj.不平坦的,不规则的,不均匀的 | |
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5 obelisk | |
n.方尖塔 | |
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6 launched | |
v.发射( launch的过去式和过去分词 );[计算机]开始(应用程序);发动;开展(活动、计划等) | |
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7 catholic | |
adj.天主教的;n.天主教徒 | |
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8 pope | |
n.(罗马天主教的)教皇 | |
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9 Congress | |
n.(代表)大会;(C-:美国等国的)国会,议会 | |
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10 improvements | |
增加或修改( improvement的名词复数 ); 改进; 改善; 改良 | |
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11 security | |
n.安全,安全感;防护措施;保证(金),抵押(品);债券,证券 | |
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12 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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13 honors | |
n.礼仪;荣典;礼节; 大学荣誉学位;大学优等成绩;尊敬( honor的名词复数 );敬意;荣誉;光荣 | |
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14 orchestra | |
n.管弦乐队;vt.命令,定购 | |
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15 rhythms | |
节奏( rhythm的名词复数 ); 规则变化; 规律; 节律 | |
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16 Latin | |
adj.拉丁的,拉丁语的,拉丁人的;n.拉丁语 | |
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17 opposition | |
n.反对,敌对 | |
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