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PEOPLE IN AMERICA - May 12, 2002: Dorothy West
By Doreen Baingana
VOICE ONE:
I'm Shirley Griffith.
VOICE TWO:
And I'm Steve Ember with the Special English Program, PEOPLE IN AMERICA. Every week, we tell about
a
person who played an important part in the history and culture of the United States. Today, we tell about the
writer Dorothy West.
((THEME)
)
VOICE ONE:
Dorothy West's first long book was published when she was more than forty years old. Her second book was
published when she was in her late eighties.
Yet African American poet Langston Hughes called her, "The Kid." This means a child.
Dorothy West had been one of the youngest members of the group of writers and artists of
the Harlem Renaissance1. This was a creative period for African Americans during the
Nineteen-Twenties and Nineteen-Thirties.
VOICE TWO:
During and after World War One, thousands of southern blacks moved to northern cities
in the United States. They were seeking jobs and better lives. Many settled in an area of
New York City known as Harlem. Many were musicians, writers, artists and performers.
Harlem became the largest African American community in the United States.
The mass movement from south to north led African Americans to examine their lives: Who were they? What
were their rights as Americans? The artistic2 expression of this collective3 examination4 became known as the
Harlem Renaissance. Renaissance means re-birth. The Harlem Renaissance represented a re-birth of black people
as an effective part of American life.
Dorothy West helped influence the direction and form of African American writing during this time.
((MUSIC BRIDGE))
VOICE ONE:
Dorothy West was born in Nineteen-Oh-Seven in the city of Boston, Massachusetts. Both her parents were born
in the southern United States, and moved north. Her father was a former slave. He became the first African
American to own a food -selling company in Boston.
The family became part of the black upper middle class social group of Boston. Dorothy West had private
teachers, dancing classes, and holidays on Martha's Vineyard -- an island off the coast of Massachusetts. She
studied at Boston University and the Columbia University School of Journalism5 in New York. Later, she would
use her own experiences and observations to write about social class in the black community.
VOICE TWO:
Dorothy West started writing stories at age seven. When she was fourteen, she published her first story in the
"Boston Post." After that, she wrote often for that newspaper. In Nineteen-Twenty-Six, she won second place in a
short story contest by "Opportunity" magazine. Her story was called "The Typewriter." It describes an African
American man who hates his real life. He creates a better life for himself -- in his imagination -- in order to help
his daughter improve her typing skills.
VOICE ONE:
Dorothy West won second place in the competition with Zora Neale Hurston. Hurston was another famous writer
of the Harlem Renaissance. West moved to Harlem, too. She was considered a little sister by Hurston and other
writers and poets such as Langston Hughes, Countee Cullen, and Wallace Thurman.
Members of the Harlem Renaissance group were very serious about their art. West once told a reporter that they
all thought they were going to be the greatest writers in the world.
VOICE TWO:
During this time, Dorothy West wrote a number of short stories. They were published in magazines in and around
New York. One story was called, "Funeral." Another was called, "The Black Dress."
She once said the writer whose work she liked most was the Russian Fyodor Dostoevsky. Experts say some of
her work is similar to his. Like Dostoevsky, she wrote about the idea of being saved by suffering. She wrote
about unsatisfied people who feel trapped by their environment, or by racism6, or because they are female7 or male.
VOICE ONE:
In Nineteen-Thirty-Two, Dorothy West went to Russia with a group of black intellectuals8 and artists. They went
to make a film about racism in the United States. The film, "Black and White," was never completed. West
remained in Russia for about a year. It appears she did not stay for political reasons, however. She said she went
to Russia with Langston Hughes and the others because she liked them. She returned to the United States when
her father died.
VOICE TWO:
By the middle of the Nineteen-Thirties, the Harlem Renaissance was dying9 out. Dorothy West wanted to recapture
the creativity of the period. So she created a magazine called, "Challenge."
She edited10 and published the works11 of new, young African American writers. The magazine lasted only three
years. West did not have enough money to continue producing it. She also said she did not receive enough
writing of a high quality.
The magazine was criticized12 by a group of black writers. They included Richard Wright, author of the book
Native Son, and Margaret Walker. They said the magazine was too concerned with artistic values. They felt it
should deal with political issues.
VOICE ONE:
In Nineteen-Thirty-Seven, Dorothy West created another magazine called, "New Challenge." She asked Richard
Wright to help her, even though he had criticized her earlier magazine.
The two writers disagreed on a number of issues, however. Also, West again had financial difficulties producing
the magazine. So "New Challenge" was published only once. Yet that one publication13 was very important. It
included a document by Wright called "Blueprint14 for Negro15 Writing." That was a statement about what he
believed African Americans should write about. "New Challenge" was the first publication to bring together
black art and politics. Other magazines would follow its example.
((MUSIC BRIDGE))
VOICE TWO:
In the late Nineteen-Forties, Dorothy West left New York. She moved to her family's holiday house on Martha's
Vineyard island. She lived there for the rest of her life.
In Nineteen-Forty-Eight, she published her first book, The Living Is Easy. It is partly based on her life and on her
mother. It is about a light-skinned black woman named Cleo Johnson. She wishes that her dark-skinned daughter
were more like her. She treats her husband badly because he is from a lower social class. The book describes
black middle class values in Boston. Many critics liked the book and its message about racism against blacks and
within the black community.
VOICE ONE:
The Living is Easy was published again by the Feminist16 Press in Nineteen-Eighty -Two. Critics at that time
described the book as important because it showed the position of women in the family and in life. The book also
is valued for its description of the complex relationship between a mother and a daughter. The Living Is Easy is
now recognized as having an important influence on the writing tradition of African American women.
VOICE TWO:
After her first novel, Dorothy West continued writing stories and short pieces containing her
ideas on different subjects. Her second novel was published forty-seven years later, in
Nineteen-Ninety-Five. It is called, "The Wedding."
The story takes place in the black community of Martha's Vineyard during the Nineteen-
Fifties. It is about a rich young black woman who is to marry a white jazz musician. It deals
with class and color issues between blacks, and racial issues between blacks and whites. West
believed that different races should not be separated from each other. She also believed in
love.
VOICE ONE:
She began the book in the Nineteen -Sixties. But she stopped writing it when the Black Power political movement
grew strong. She thought members of the group would denounce17 it. She was not active in the civil rights
movement to guarantee fair treatment for black Americans.
In Nineteen-Ninety-Two, Jacqueline Kennedy Onassis began to visit Dorothy West to help her finish The
Wedding. Missus Onassis was married to American President John Kennedy when he was killed in Nineteen-
Sixty-Three. Later, she worked for a publishing company. She died just before The Wedding was published.
Dorothy West noted18 that the two women looked very different but had worked together perfectly19.
The book was so popular that its publishers produced another one by Dorothy West. "The
Richer, The Poorer" is a collection of stories and other writings she made throughout her life.
VOICE TWO:
Dorothy West was the last living member of the Harlem Renaissance. She died in August
Nineteen-Ninety-Eight. She was ninety-one years old. Not long before she died, she was
honored20 at a special ceremony. Many different people praised her work. They described her
influence on American culture over so many years. One said, simply, that Dorothy West was a
"national gift."
(THEME)
VOICE ONE:
This Special English program was written by Doreen Baingana. I'm Shirley Griffith.
VOICE TWO:
And I'm Steve Ember. Join us again next week for another PEOPLE IN AMERICA program on the Voice of
America.
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1 renaissance | |
n.复活,复兴,文艺复兴 | |
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2 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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3 collective | |
adj.集体的,共同的;n.团体,集体 | |
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4 examination | |
n.考试,考查,试题;检查,调查 | |
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5 journalism | |
n.新闻工作,报业 | |
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6 racism | |
n.民族主义;种族歧视(意识) | |
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7 female | |
adj.雌的,女(性)的;n.雌性的动物,女子 | |
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8 intellectuals | |
n.知识分子( intellectual的名词复数 );脑力劳动者;有极高智力的人;凭理智(而非感情)办事的人 | |
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9 dying | |
adj.垂死的,临终的 | |
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10 edited | |
编辑( edit的过去式和过去分词 ); 剪辑(电影、录音磁带、无线电或电视节目、书等); 主编(报纸、杂志等) | |
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11 works | |
n.作品,著作;工厂,活动部件,机件 | |
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12 criticized | |
vt.批评(criticize的过去式)v.评论,批评( criticize的过去式和过去分词 ) | |
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13 publication | |
n.出版,发行;出版;公布,发表 | |
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14 blueprint | |
n.蓝图,设计图,计划;vt.制成蓝图,计划 | |
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15 Negro | |
n./adj.黑人;黑人的 | |
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16 feminist | |
adj.主张男女平等的,女权主义的 | |
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17 denounce | |
vt.谴责,声讨,告发 | |
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18 noted | |
adj.著名的,知名的 | |
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19 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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20 honored | |
adj.光荣的:荣幸的v.尊敬,给以荣誉( honor的过去式和过去分词 ) | |
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