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In Hollywood Strike, AI’s Part Is Important
Labor1 unions for actors and writers are striking over pay, benefits and job protections. But Artificial intelligence technology has become a big issue in Hollywood's labor fight.
AI has introduced a new point of disagreement between artists and production companies. Here is a look at what both sides say they want.
Why is AI such an important issue?
With AI, star actors fear they will lose control of their likenesses. Unknown actors fear they will be replaced altogether. Writers fear they will have to share credit with or lose credit to machines.
The proposed contracts which the two sides have been attempting to negotiate is to last only three years. Even at the speed at which AI technology is developing, it is unlikely there would be a large displacement3 of writers or actors within that period of time. But unions and employers know that if they compromise on an issue, it will be harder to get what they want in the next set of negotiations4.
New technology is important to filmmaking. AI has been used to make actors look younger, like Harrison Ford5 in the recent film Indiana Jones and the Dial of Destiny.
All sides in the strike know that use of new technology will continue to increase. That is why both sides are looking to establish legal and creative control.
The actors' view
Actors in the labor discussions are represented by the Screen Actors Guild6–American Federation7 of Television and Radio Artists (SAG-AFTRA). The Alliance of Motion Picture and Television Producers (AMPTP) represents the production companies, which are the employers. The strike started on July 13.
SAG-AFTRA released an opinion of the studios' position on the use of AI and their images. The group said the production companies want "...to scan a background performer's image, pay them for a half a day's labor, and then use an individual's likeness2 for any purpose forever without their consent."
The union also said employers want "...to be able to make changes to...dialogue, and even create new scenes, without informed consent."
The AMPTP said in a statement that its offers included an "AI proposal which protects performers' digital likenesses, including a requirement for performers' consent for the creation...of a performance."
SAG-AFTRA said it wants to protect "human-created work" including changes to the "voice, likeness or performance" of an actor.
Observers say that "voice" comes first on that list for a reason. AI voice technology might be more developed than visual technology. For example, the voices of the late Anthony Bourdain and the late Andy Warhol have both been recreated for recent films.
Writers want credit
During the writers' contract talks, which broke down in early May, the Writers Guild of America (WGA) said it did not oppose the use of AI. But AI should only be used as a tool to use in a writer's own work.
The union said writers might be willing to shape stories with help from AI software. But they did not want it to affect the credits that influence their position and pay.
The WGA wants to prevent entirely8 AI-created stories or dialogue from being considered "literary material." This means they would not be competing with computers for credit.
The AMPTP said in a document explaining its position that writers "want to be able to use this technology as part of their creative process, without changing how credits are determined9, which is complicated given AI material can't be copyrighted."
"Only a ‘person' can be considered a writer," the AMPTP added. "AI-generated material would not be eligible10 for writing credit."
This position could calm writers' worries about sharing credit with AI. But it could also lead to no one getting credit when they use AI.
Modern movie writing contracts are very complex and hard to understand. So is the question of who receives credit for the work. Observers say adding AI makes the problem even more difficult.
Words in This Story
benefit — n. things received in addition to pay that employers offer to employees
likeness — n. a picture or image of any kind of a person
scan –v. to digitally capture the image of something
consent — n. permission that is given by a person old enough and able to give it
dialogue — n. speech that appears in performances like movies, plays and shows
scene –n. a division of a movie, play or performance
copyright — n. the legal right to be able to reproduce, publish and sell recordings11, books, movies and other performances
eligible — adj. able to do or receive something under an agreement
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labor
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| n.劳动，努力，工作，劳工；分娩；vi.劳动，努力，苦干；vt.详细分析；麻烦 | |
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likeness
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| n.相像，相似（之处） | |
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displacement
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| n.移置，取代，位移，排水量 | |
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negotiations
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| 协商( negotiation的名词复数 )； 谈判； 完成（难事）； 通过 | |
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Ford
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| n.浅滩，水浅可涉处；v.涉水，涉过 | |
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guild
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| n.行会，同业公会，协会 | |
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federation
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| n.同盟，联邦，联合，联盟，联合会 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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determined
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| adj.坚定的；有决心的 | |
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eligible
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| adj.有条件被选中的；(尤指婚姻等)合适(意)的 | |
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11
recordings
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| n.记录( recording的名词复数 )；录音；录像；唱片 | |
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