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(单词翻译:双击或拖选)
Broadcast: Jan 22 2003
The most comprehensive collection of drawings by Leonardo da Vinci ever assembled in the United States, is on exhibit at the 1)Metropolitan1 Museum of Art in New York. The exhibition is taken from major collections from around the world, and features many pieces not seen in public since the 1930s.
Even for seasoned art historian and 2)curator Carmen Bambach, who put together the exhibition of nearly 120 drawings, seeing so many works by Leonardo da Vinci in one place is a moving experience. "It is possibly the most emotional time in my entire life, that I am likely to have. To think about these works you will see on the walls, or that you have already seen on the walls, that normally live in dark, black boxes. To see them all together here, so many of them, is a very, very emotional thing," she said.
Leonardo da Vinci - Master Draftsman follows da Vinci's entire career, from his artistic2 3)apprenticeship in Florence, Italy in the 1470s, to his highly productive years as a scientist and an inventor in Milan, through to his return to Florence in the beginning of the 16th century, and death in France in 1519.
Ms. Bambach said the drawings in the exhibition provide a rare opportunity to confront the diverse talents that made Leonardo da Vinci, artist, scientist, engineer, theorist, teacher, the original "Renaissance3 Man."
"He very much believed in 4)revealing, and in the process of revealing, rationalizing. At the same time, he was deeply and humbly4 aware of the mysteries of the world, the mysteries of human life. He talks a great deal about that. The mysteries of life, the great depths of human emotion as a kind of shaper of physical gesture. That is why his figures are so deeply convincing."
Although Leonardo da Vinci is perhaps best known for paintings such as the Mona Lisa and The Last Supper, very few paintings by the master exist today - 15 at most, whereas there are 4,000 pages of his drawings and notes in various collections throughout the world.
The one painting in the exhibition, the unfinished St. Jerome Praying in the Wilderness5, has the imprint6 of the artist's fingers in the upper left corner. Metropolitan Museum Director Philipe de Montebello says tiny details like this are what make the Master Draftsman exhibition so compelling.
"You get that magical sense that you are looking over the shoulder of the artist as he draws and creates. It brings you in touch with one of the greatest personalities7 in the world on such a close basis that it is deeply moving," Mr. de Montebello said.
The exhibition includes studies for Leonardo's most famous paintings, Virgin8 and Child with St. Anne, The Last Supper, Adoration9 of the Magi, as well as a recently discovered, two-sided sketch10 of a Hercules statue, possibly meant to compete with Michaelangelo's David.
Interwoven in the exhibition are the results of copious11 new research into such subjects as Leonardo da Vinci's patrons, his teachers, and the work of his pupils.
Mr. Montebello said the new research helped convince some reluctant lenders to temporarily part with their da Vinci treasures. "There is no question that it took a lot of 5)reassuring and cajoling, in terms of security and insurance and the like, but I think ultimately what prevailed was the seriousness of the project. The new research, the scholarship, the fact that the exhibition will make not only a contribution to the general public, but a contribution to knowledge," he said.
Some art experts have questioned the wisdom of transporting and showing such valuable work because of its 6)fragility. The old work is particularly sensitive to light and temperature. But Francoise Viatte, chief curator of drawings at the Musee de Louvre in Paris, says it is a risk worth taking.
"If we never attempt this kind of thing, very few people will see the works of art in the world. I think part of the job of the museum is to make exhibitions between them in partnerships12. Especially for drawings. Because Drawings are difficult to see in a museum. Drawings are a special section in a museum. You have to make a special request and get authorization13 to see them. So it is very important to make a big exhibition like Leonardo," Ms. Viatte said.
Twenty-nine of the drawings in the exhibition come from the Louvre. Other major contributions come from museums and private collections in the Netherlands, Portugal, Hungary, Italy, Germany, Austria, and the United States. The Royal Library of Windsor Castle in England lent 31 drawings.
The exhibition will travel to the Louvre later this year.
For VOA, I'm James Donahower in New York.
1) Metropolitan Museum 首都博物馆
2) curator [kjuE5reitE]n.馆长, 监护人
3) apprenticeship[E5prentis7Fip]n. 学徒的身份, 学徒的年限
4) revealing[rI`vi:lIN]adj. 有启迪作用的
5) reassuring[9ri:E`FJErIN]adj. 安心的, 可靠的
6) fragility[frE5dViliti]n. 脆弱, 虚弱
1 metropolitan | |
adj.大城市的,大都会的 | |
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2 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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3 renaissance | |
n.复活,复兴,文艺复兴 | |
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4 humbly | |
adv. 恭顺地,谦卑地 | |
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5 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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6 imprint | |
n.印痕,痕迹;深刻的印象;vt.压印,牢记 | |
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7 personalities | |
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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8 virgin | |
n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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9 adoration | |
n.爱慕,崇拜 | |
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10 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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11 copious | |
adj.丰富的,大量的 | |
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12 partnerships | |
n.伙伴关系( partnership的名词复数 );合伙人身份;合作关系 | |
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13 authorization | |
n.授权,委任状 | |
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