-
(单词翻译:双击或拖选)
By Gini Sikes
New York
21 March 2006
Photogragh in exhibit by William Wegman
At an unusual art exhibit, a dog in a blonde wig1 lounges by a pool wearing a skimpy leopard-skin bikini. Another lies on a tabletop, covered in flowers and Christmas ornaments2 serving as the centerpiece of a table. Still another lurks3 in a tree. It is a dog's life, according to the renowned4 artist and photographer William Wegman. This month the Brooklyn Museum unleashes6 a Wegman retrospective entitled "Funney/Strange," featuring some 300 works of art, foremost among them his innovative7 photos of canines8.
-------------------------------------------------------
The poet Dante had his Beatrice. Picasso had his lover Dora Maar, whom he painted over and over. Leonardo found his inspiration in the mysterious smile of Mona Lisa. For 62-year-old artist and photographer William Wegman, his muse5 and model is a dog. Or dogs to be precise. Over 30 years, he has employed eight dogs, transforming their images into some of the most iconic artworks in the last half of the twentieth century. They have appeared not only in museums around the world but also on posters, coffee mugs and T-shirts.
"There was Man Ray, and then Fay Ray, no relation, and Fay had an off spring of eight but three that I used, Chundo, Batti and Crooky, and then Battie had Chip who is in a lot of pictures here because he is so damn handsome. Then Chip had Bobbin, and he had Penny so that is about where we are at now," he said.
William Wegman exhibition catalogue
In 1970 Wegman, a painter and respected conceptual artist, acquired a six-week old Weimaraner puppy, a shorthaired, silver-coated breed originally raised for hunting. Wegman named the dog Man Ray, after the surrealist photographer, and took his pet to the studio daily. Man Ray wandered onto sets or got entangled9 in equipment, clearly needing something to do. So Wegman let him pose for his camera. Thus was born one of the longest and most productive modeling careers in fashion history.
Man Ray became known for his comic, deadpan10 stare. In a photograph entitled "Dusted, the dog sits stoically in a black space as powder is dumped on top of him, turning him white. Wegman used flour, which becomes beautifully iridescent11 captured by the light.
Man Ray died in 1982. After mourning for five years, Wegman returned to his dog/man collaboration12. He used a 20 by 24 centimeter Polaroid camera to create large-format portraits of Faye Ray dressed as the evil stepmother in Cinderella for a children's book, and her off-spring Chundo as Prince Charming in a powdered wig. Despite the elaborate get-ups, Wegman insists he does not overtax his models.
"Most of what I do is not much different than putting a blanket over a horse. You know the clothes are not really on them, they're in front of them, the illusion that they're walking on their hind13 legs to look vertical14 is not true. They are sitting on stools and they are elevated. I found little tricks about how to make them look different. For instance, I needed to make a dog look evil. But he was a lovely, happy dog so I found that if I walked far, far away he would squint15 and the camera person would be up close to him and he would look kind of demonic," he said.
One wonders whether dogs were always William Wegman's best friends, and whether he had a dog as a child. As it turns out, his first dog was named Wags, a mutt who lived for 21 years. "I was a boy growing up in a rural area in western Massachusetts. So he was fishing with me and camping out, slept in the tents with me and the huts that I would build, but I never adorned16 him with dresses or hats or sunglasses or any of those things. In fact, I never did that with my first dog I had as an adult, Man Ray. I never dressed him up, until I did for some reason," he said.
Whatever the reason, no one seems to mind that Wegman has let fine art go to the dogs.
1 wig | |
n.假发 | |
参考例句: |
|
|
2 ornaments | |
n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 ) | |
参考例句: |
|
|
3 lurks | |
n.潜在,潜伏;(lurk的复数形式)vi.潜伏,埋伏(lurk的第三人称单数形式) | |
参考例句: |
|
|
4 renowned | |
adj.著名的,有名望的,声誉鹊起的 | |
参考例句: |
|
|
5 muse | |
n.缪斯(希腊神话中的女神),创作灵感 | |
参考例句: |
|
|
6 unleashes | |
v.把(感情、力量等)释放出来,发泄( unleash的第三人称单数 ) | |
参考例句: |
|
|
7 innovative | |
adj.革新的,新颖的,富有革新精神的 | |
参考例句: |
|
|
8 canines | |
n.犬齿( canine的名词复数 );犬牙;犬科动物 | |
参考例句: |
|
|
9 entangled | |
adj.卷入的;陷入的;被缠住的;缠在一起的v.使某人(某物/自己)缠绕,纠缠于(某物中),使某人(自己)陷入(困难或复杂的环境中)( entangle的过去式和过去分词 ) | |
参考例句: |
|
|
10 deadpan | |
n. 无表情的 | |
参考例句: |
|
|
11 iridescent | |
adj.彩虹色的,闪色的 | |
参考例句: |
|
|
12 collaboration | |
n.合作,协作;勾结 | |
参考例句: |
|
|
13 hind | |
adj.后面的,后部的 | |
参考例句: |
|
|
14 vertical | |
adj.垂直的,顶点的,纵向的;n.垂直物,垂直的位置 | |
参考例句: |
|
|
15 squint | |
v. 使变斜视眼, 斜视, 眯眼看, 偏移, 窥视; n. 斜视, 斜孔小窗; adj. 斜视的, 斜的 | |
参考例句: |
|
|
16 adorned | |
[计]被修饰的 | |
参考例句: |
|
|