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(单词翻译:双击或拖选)
By Joseph Mok
Washington, DC
11 July 2006
watch Whitney Museum report
New York's Whitney Museum of American Art this summer celebrates its 75th anniversary - along with its every-other-year exhibit, called Biennial1 2006. The museum is a leading advocate of 20th and 21st century American Art. VOA's Joseph Mok reports on some of the provocative2 artworks on display and some great artists who contribute significantly to the collection. Elaine Lu narrates3.
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shards4 studded shoes
A pair of shards-studded shoes, a baby with a head covered by a toy frog, a cracked heel on a stiletto.
These are artworks on display at the Whitney Biennial 2006: Day for Night. The title is taken from the well-known 1973 Francois Truffaut film, Day for Night using a technique with photographic filters to make daylight resemble night.
Curators say the exhibition is more than a collection of fine artworks. It features important works that reveal certain artistic5 responses to a broad range of aesthetic6, social, political and cultural phenomena7.
The peace tower standing8 in the sculpture court outside the museum is an example. The tower was constructed in 1966 in Los Angeles by Mark Di Suvero as a statement against the Vietnam War. The tower re-emerged at the Whitney Museum as a protest of the Iraq War. Di Suvero and fellow artist Rirkrit Tiravanija invited some 200 artists to participate in the project, each contributing an artwork on a 60 by 60 centimeter panel for display on the tower and the wall in the court.
Digitally altered images splatters
In Black Star Press, artist Kelly Walker presents large-scale canvasses9 of racial unrest. The images of a white policeman and black youth set at 90-degree angles attempt to portray10 a world turned on end. The digitally-altered images splattered with abstracted patterns in symbolic11 red, white, and chocolate mimic12 violence and contrast, merging13 ethical14 corruption15 and graffiti pop.
This year's Bucksbaum Award and a $100,000 prize were given to Mark Bradford's untitled canvas. Layers of mixed-media literally16 presented the pop culture constructed from his collection of paper material in the streets of Los Angeles.
Painting, Gertrude Vanderbilt Whitney
The Whitney Museum of American Art was founded by Gertrude Vanderbilt Whitney in 1931 with 700 works from her estate. Every two years the museum hosts the Whitney Biennial, which showcases works of many lesser-known figures in the field of American contemporary art.
Michael Hayes is the architecture curator of the museum says there is a network of artists to tap. "We really try to have a kind of network, so that we understand there is a young artist that is emerging. Then, we have an older artist that said you should go and look at her work. And you should go look at his work. So we have a kind of network of artists and curators to help us to keep ahead."
Along with the Biennial Exhibition, this summer also marks the museum's 75th anniversary. It launched the Full House: Views of the Whitney's Collection at 75 this month, offering a new look at the museum's permanent collection.
The entire fifth floor is devoted17 to the works of Edward Hopper, the artist most closely identified with the museum. Hopper's family contributed 2,500 of his paintings, watercolors, prints, and illustrated18 journals to the museum's holdings.
Curtis Foster is the curator of drawings at the Whitney. "He was in his 40s when he really started to sell and make a living out of his art work. So, a painting like this is actually produced when he was fairly mature. But, it has this poetic19 quality of light. And a kind of strange timelessness in a sense of narration20, that is, you are not sure what is going on. If there is something that happened before and something that's about to happen after. This is the famous cinematic quality that Hopper is known for."
The museum boasts the world's largest collection of Alexander Calder, who pioneered the sculpture forms of mobile and stabile in the 1930s. Applying the principle of equilibrium21, Calder used wires and beams to construct free-moving or completely stationary22 artwork.
One of his most famous projects among the museum's permanent collection is the Calder Circus, a miniature reproduction of an actual circus made from wire, cork23, wood, cloth and other easily-found materials.
Calder, Fearless Lion Tamer
A fearless lion-tamer. Raised axes against the ringmaster's beautiful assistant. The hustle24 and bustle25 to care for a wounded acrobat26. A sword swallowed in front of everyone.
Between Hopper and Calder, the Whitney Museum of American Art will be a hot spot for art lovers wandering the streets of New York City this summer.
1 biennial | |
adj.两年一次的 | |
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2 provocative | |
adj.挑衅的,煽动的,刺激的,挑逗的 | |
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3 narrates | |
v.故事( narrate的第三人称单数 ) | |
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4 shards | |
n.(玻璃、金属或其他硬物的)尖利的碎片( shard的名词复数 ) | |
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5 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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6 aesthetic | |
adj.美学的,审美的,有美感 | |
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7 phenomena | |
n.现象 | |
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8 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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9 canvasses | |
n.检票员,游说者,推销员( canvass的名词复数 )v.(在政治方面)游说( canvass的第三人称单数 );调查(如选举前选民的)意见;为讨论而提出(意见等);详细检查 | |
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10 portray | |
v.描写,描述;画(人物、景象等) | |
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11 symbolic | |
adj.象征性的,符号的,象征主义的 | |
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12 mimic | |
v.模仿,戏弄;n.模仿他人言行的人 | |
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13 merging | |
合并(分类) | |
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14 ethical | |
adj.伦理的,道德的,合乎道德的 | |
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15 corruption | |
n.腐败,堕落,贪污 | |
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16 literally | |
adv.照字面意义,逐字地;确实 | |
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17 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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18 illustrated | |
adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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19 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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20 narration | |
n.讲述,叙述;故事;记叙体 | |
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21 equilibrium | |
n.平衡,均衡,相称,均势,平静 | |
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22 stationary | |
adj.固定的,静止不动的 | |
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23 cork | |
n.软木,软木塞 | |
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24 hustle | |
v.推搡;竭力兜售或获取;催促;n.奔忙(碌) | |
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25 bustle | |
v.喧扰地忙乱,匆忙,奔忙;n.忙碌;喧闹 | |
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26 acrobat | |
n.特技演员,杂技演员 | |
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