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(单词翻译:双击或拖选)
By Alan Silverman
Hollywood
06 January 2007
In a world without babies, a newborn child could be the key to humanity's future in a dark and compelling thriller1 co-written and directed by Mexican-born filmmaker Alfonso Cuaron. Alan Silverman has this look at "Children of Men:"
Clive Owen and Claire-Hope Ashitey in "Children of Men" |
In the England of this near-future, martial4 law keeps chaos5 from overwhelming the country. As heavily-armed troops patrol street corners, announcements remind the public that 'England soldiers on.' Meanwhile, the government distributes suicide pills for those who can no longer cope. In the midst of this is a sad bureaucrat6 named Theo who becomes reluctant guardian7 of the future embodied8 by a young African 'fugee named Kee.
Kee opens her tattered9 dress to reveal her swollen10 belly11.
Theo is recruited by an underground group to escort Kee safely to the 'Humanity Project,' which no one is sure exists, but everyone hopes will figure out what has gone wrong to fix it in time.
The premise12 for "Children of Men" comes from the 1992 novel by English writer P.D. James; but director and screenwriter Alfonso Cuaron says the film adaptation reflects today's world. "From the beginning, the whole thing of infertility13, for me, was more than anything a metaphor14. What I wanted to do was make a movie in which you take a journey through the state of things outside of our 'green zones' ...outside the comfort of our 'green zones.' So, for me, the important thing was the observation about these themes that are crafting our present. Then, at the end, while you are going through the state of things, audiences make a decision of whether there is the possibility of hope after witnessing the world that we're living in now," he says.
"If you really strip it all away, the film is about the loss of hope. It is about hope ceasing to be real thing within people and my character, Theo, embodies15 that," says Clive Owen, who stars as Theo and he sees the journey of the reluctant hero, not as some futuristic fable16, but a relevant ...even urgent ... commentary on today. "The human spirit is in a sense of hopelessness. Theo has given up. There is no point to anything and in the movie hope is re-awakened. Theo does become engaged again as a human being and there is something to fight for. That's why I would argue with anybody that says it's a very bleak17, dark outlook of the future because you can relate to it. This film feels, to me, more relevant than a lot of films that are set right now in the present day."
Young newcomer Claire-Hope Ashitey co-stars as pregnant Kee and says that the parallels with contemporary events keep "Children of Men" from becoming another dystopian science fiction tale. "Absolutely. I think there are so many parallels to be drawn18 between what goes on in the film and what goes on in our world today and I think that's exactly how Alfonso intended it ...as a way of drawing attention, albeit19 in a slightly exaggerated form, to the problems that we have today and the things we are doing wrong: highlighting them and putting them in this setting which is really kind of pessimistic and sort of depressing," she says.
Cuaron says he welcomes real world political debate on issues such as unchecked illegal immigration and abridgment20 of rights in the name of security that he includes in the film; but he does not welcome a label often used to describe it. "I refuse to portray21 "Children of Men" as a cautionary tale because there is no time for caution anymore. There is only time for transformation22 now and trying to correct wherever we went wrong," he says.
"Children of Men" also features Julianne Moore as the rebel leader whose history with Theo leads her to recruit him for the dangerous mission. Michael Caine plays an old friend who helps guide Theo back to caring about what happens. "I only worked for two weeks on "Children of Men." I mean it's a very important, very showy part ... which is why I did it. And it's two weeks, which is also why I did it," he says.
The cinematographer is Emmanuel "Chivo" Lubezki, a frequent and close collaborator23 with director Alfonso Cuaron.
1 thriller | |
n.惊险片,恐怖片 | |
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2 inexplicably | |
adv.无法说明地,难以理解地,令人难以理解的是 | |
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3 prospect | |
n.前景,前途;景色,视野 | |
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4 martial | |
adj.战争的,军事的,尚武的,威武的 | |
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5 chaos | |
n.混乱,无秩序 | |
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6 bureaucrat | |
n. 官僚作风的人,官僚,官僚政治论者 | |
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7 guardian | |
n.监护人;守卫者,保护者 | |
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8 embodied | |
v.表现( embody的过去式和过去分词 );象征;包括;包含 | |
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9 tattered | |
adj.破旧的,衣衫破的 | |
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10 swollen | |
adj.肿大的,水涨的;v.使变大,肿胀 | |
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11 belly | |
n.肚子,腹部;(像肚子一样)鼓起的部分,膛 | |
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12 premise | |
n.前提;v.提论,预述 | |
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13 infertility | |
n.不肥沃,不毛;不育 | |
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14 metaphor | |
n.隐喻,暗喻 | |
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15 embodies | |
v.表现( embody的第三人称单数 );象征;包括;包含 | |
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16 fable | |
n.寓言;童话;神话 | |
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17 bleak | |
adj.(天气)阴冷的;凄凉的;暗淡的 | |
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18 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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19 albeit | |
conj.即使;纵使;虽然 | |
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20 abridgment | |
n.删节,节本 | |
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21 portray | |
v.描写,描述;画(人物、景象等) | |
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22 transformation | |
n.变化;改造;转变 | |
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23 collaborator | |
n.合作者,协作者 | |
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