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(单词翻译:双击或拖选)
Holywood
13 January 2007
A child's fairy tale fantasy provides her refuge from the ravages1 of war in a vividly2 imaginative film by Mexican-born writer-director Guillermo del Toro. Alan Silverman has a look at "Pan's Labyrinth3."
Ivana Baquero and Doug Jones in Picturehouse's Pan's Labyrinth |
"Mother, wake up ... there is something in the room." But her mother is too sound asleep to see the tiny fairy that alights on Ofelia's shoulder. It beckons8 and she follows ...into the labyrinth where a stone staircase has appeared. She tiptoes down as it spirals into a deep chamber9 where, to her amazement10, she finds herself face to face with a creature - half man, half goat:
"Who are you?" she asks. "I have been known by many names," he answers in an ancient, forgotten accent ... "names that are remembered only by the trees." He is a faun, he explains, and declares that she is not the mortal Ofelia, but actually Princess Moanna, the long-lost daughter of the King of the Underworld. And so begins her perilous11 adventure, stealing away every moment she can to learn if her destiny is truly at the end of the dark staircase.
It all comes from the imagination of writer-director Guillermo del Toro, who hedges his answer to the question of whether the world within the labyrinth is simply Ofelia's fantasy. "I think it exists myself. I think it's real ...but that's me. It doesn't need to be the 'official playbook' for the film. I believe the girl does not escape to it because it is almost as uncomfortable a place as reality. If I made it a happy 'singing chipmunk12, bluebird singing' kind of place then, yes, you could say she escapes to that; but she's actually finding a place where she can deal with the realities outside and within herself," he says.
"Of course there are two worlds. You can see the toughness of the civil war and the fantasy, which are two separate worlds," says young Spanish actress Ivana Baquero, who plays 11-year-old Ofelia. "One of the pretty aspects of this story is that you can choose whether you want to believe she really sees that or she imagines it. As Ivana, I think she really sees it. She's creating this world, not only to escape herself, but to make other people happy and for war to finish."
Ofelia reads from the magical book that the faun gave her: "use the chalk to draw a doorway13 on the wall of your room." Beyond that doorway is one of the three dangerous tasks he has set for her to prove that she is worthy14 to re-join her father at the throne of the underworld.
"You must complete three tasks before the moon is full," the faun Pan intones. He is portrayed15 by American Doug Jones, beneath elaborate makeup16 that took five hours each day to apply. Jones, a gifted physical actor, has brought a variety of other-worldly creatures to life on film: The thing about 'El Fauno' or 'Pan' was that we have the goat image to go with on that, so (director) Guillermo del Toro said it would be a good thing if I had a look at farm animals to see how their hind17 quarters move, how they shake off flies and things like that. There are a couple of times in the movie where you can see I do a kind of shudder18 that works its way up my back ... and there's the way the hooves stomp19 around and kick up dust," he says.
Jones also plays the 'pale man' who menaces Ofelia on one of her fantastic adventures. As writer-director del Toro points out, there is danger for the child within "Pan's Labyrinth;" so even with its fairy tale elements he says the film is really about the impact of war on people of every age. "It is beyond children in a chronological20 sense. I think we are killing21 a lot of the innocents. It is the 'wild west' all of a sudden and I think there is a lot of innocence22 being lost. I think this is a very intimate moment of humanity where we need to concern ourselves with this sort of spiritual questions. I think they go beyond the political," he says.
The cast of "Pan's Labyrinth" includes Spanish screen stars Ariadna Gil, Maribel Verdu and Sergi Lopez. The cinematographer is Mexican-born Guillermo Navarro, a frequent collaborator23 with director del Toro; the musical score is by Spanish composer Javier Navarette.
1 ravages | |
劫掠后的残迹,破坏的结果,毁坏后的残迹 | |
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2 vividly | |
adv.清楚地,鲜明地,生动地 | |
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3 labyrinth | |
n.迷宫;难解的事物;迷路 | |
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4 housekeeper | |
n.管理家务的主妇,女管家 | |
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5 brutal | |
adj.残忍的,野蛮的,不讲理的 | |
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6 fables | |
n.寓言( fable的名词复数 );神话,传说 | |
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7 awakened | |
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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8 beckons | |
v.(用头或手的动作)示意,召唤( beckon的第三人称单数 ) | |
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9 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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10 amazement | |
n.惊奇,惊讶 | |
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11 perilous | |
adj.危险的,冒险的 | |
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12 chipmunk | |
n.花栗鼠 | |
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13 doorway | |
n.门口,(喻)入门;门路,途径 | |
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14 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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15 portrayed | |
v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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16 makeup | |
n.组织;性格;化装品 | |
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17 hind | |
adj.后面的,后部的 | |
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18 shudder | |
v.战粟,震动,剧烈地摇晃;n.战粟,抖动 | |
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19 stomp | |
v.跺(脚),重踩,重踏 | |
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20 chronological | |
adj.按年月顺序排列的,年代学的 | |
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21 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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22 innocence | |
n.无罪;天真;无害 | |
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23 collaborator | |
n.合作者,协作者 | |
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