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(单词翻译:双击或拖选)
Los Angeles
12 December 2007
Music is said to be the universal language, and jazz, in particular, travels well from one culture to the next. A recent conference in Los Angeles looked at the ties forged by jazz between France and the United States. Mike O'Sullivan spoke1 with noted2 French pianist Rene Urtreger about the influence of jazz in his country.
The American singer Josephine Baker3, escaping racial prejudice at home, became a sensation in France in the 1920s and 1930s.
Other jazz musicians would follow, including tenor4 saxophonist Coleman Hawkins in the 1930s.
Rene Urtreger, a noted jazz musician in Paris, says the French embraced the American music in the 1930s, but the jazz clubs were silent under the German occupation of World War II.
"Of course, during the occupation by the Nazis5, jazz was forbidden because it was supposed to be a music, let's say, 'decadent,'" Urtreger said.
But after the hardships of the war, he says the French welcomed jazz and other imports.
"When the war was finished, the French people were ready for American influence of movies and food and jazz," he said. "There were many young people who loved jazz and were very eager to go to the concerts."
Among the Americans who came to Paris was jazz coronetist and trumpeter Sidney Bechet.
Urtreger was also part of the vibrant6 cultural scene in the St. Germain section of Paris, where philosophers, writers and artists met to talk in cafes and listen to jazz. He played with visiting jazz greats Lester Young and Miles Davis.
Urtreger came to Los Angeles for a conference on jazz and art in California and France, sponsored by the Getty Research Institute. California had a spirited music and art scene in the 1950s, when San Francisco and Venice Beach became the West Coast centers of the Beat movement, which celebrated7 jazz, modern art and free-form poetry.
Urtreger says musicians share a common culture, but absorb new influences as they play. He says that as a young pianist in the clubs of Paris, he never dreamed this music would be the subject of conferences. But he enjoyed meeting with scholars and other musicians, and playing some jazz.
Urtreger says he loves jazz because it is unpredictable, and he complains about musicians who follow the score too closely, including a few big names who have played in Paris.
"Jazz is supposed to be a music of improvisation8, of madness," said Utreger. "We don't know exactly what's going on in the next five minutes. But with those people coming, they were playing a perfect show. For instance, I had to play one week with a saxophone player, very well known, and the third day or the fourth day, I knew exactly what he was going to do. And this - I cannot accept this."
Jazz great Louis Armstrong told musicians to "never play a thing the same way twice." Rene Urtreger follows the advice. He says jazz is an adventure inspired by the moment, and each song is an exploration, for musicians and audiences, wherever they are.
1 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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2 noted | |
adj.著名的,知名的 | |
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3 baker | |
n.面包师 | |
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4 tenor | |
n.男高音(歌手),次中音(乐器),要旨,大意 | |
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5 Nazis | |
n.(德国的)纳粹党员( Nazi的名词复数 );纳粹主义 | |
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6 vibrant | |
adj.震颤的,响亮的,充满活力的,精力充沛的,(色彩)鲜明的 | |
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7 celebrated | |
adj.有名的,声誉卓著的 | |
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8 improvisation | |
n.即席演奏(或演唱);即兴创作 | |
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