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(单词翻译:双击或拖选)
By Breshna Omarkhel/Penelope Poulou
Washington
27 October 2009
Cavalia
A show that has charmed millions of people in other parts of the world is now playing in the United States. What makes Cavalia special is that the stars are horses, riders and acrobats1 who combine to create a visual extravaganza.
Getting up to speed is no problem for the human and equine performers in Cavalia. The show is staged in the largest tent in North America, a space big enough to allow the horses to gallop2 and the acrobats to fly through the air. They are so graceful3, it seems like a dream.
Normand LaTourelle
Normand LaTourelle, a Canadian who helped form the world-renowned Cirque du Soleil acrobatic team, is the artistic4 director.
"I was inspired by the history of the horse, which is almost the history of the world," he said. "Everywhere you see a hoofprint of a horse on the sand, you see a step of man on the side. We have been with these animals for so long. I wanted to do a tribute for what they have done for us. The tent holds 2,000 people and we're doing amazing numbers [business] everywhere. We have sold so far 2.5 million tickets. Because we work with horses, we get more intimate - you feel [closer to] the performers."
The equestrian5 and acrobatic performances reflect strength and beauty working together.
The Cavalia troupe6, shown here performing in Washington, was formed several years ago. It comes from Quebec in Canada and brings together dozens of acrobats, riders and musicians from many countries.
The horses are all stallions or geldings, mainly European breeds bred for obedience7 and strength. It can take six months to 10 years to train individual animals. The riders face special challenges. Performer Jessy Lucavo explains.
Jessy Lucavo
"Most of our artists are, of course, our horses, and they have minds of their own," he said. "We try to make everything look like everything is under control here, but there are times when these horses take over and our job is to make it look as beautiful as possible and work with the animal. We have to work with what they are willing to give us."
Some of the show's acts happen in a blur8. There is even a kind of horse ballet showing off their graceful and fluid natural movement when they move completely at freedom, with only discreet9 cues from their human handler. Rider Landon Spencer says no two performances are exactly alike.
"They are not machines. They are live animals. They respond differently every day. They have moods, just like we have moods, and so it is a constant challenge to relate to them," he said.
The show is now in Atlanta.
1 acrobats | |
n.杂技演员( acrobat的名词复数 );立场观点善变的人,主张、政见等变化无常的人 | |
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2 gallop | |
v./n.(马或骑马等)飞奔;飞速发展 | |
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3 graceful | |
adj.优美的,优雅的;得体的 | |
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4 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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5 equestrian | |
adj.骑马的;n.马术 | |
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6 troupe | |
n.剧团,戏班;杂技团;马戏团 | |
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7 obedience | |
n.服从,顺从 | |
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8 blur | |
n.模糊不清的事物;vt.使模糊,使看不清楚 | |
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9 discreet | |
adj.(言行)谨慎的;慎重的;有判断力的 | |
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