-
(单词翻译:双击或拖选)
In 1937 a 24-year-old actor and director became the toast of New York's Broadway with the first production of his "Mercury Theatre" company. Worldwide fame and a fabled1 Hollywood career would follow.
Alan Silverman | Hollywood 15 December 2009
Me And Orson Welles by writer/director Richard Linklater recreates the drama and excitement of Orson Welles' early days as seen through the eyes of a stage-struck teenager played by Zac Efron.
"This is the story of one week in my life. It was the week I fell in love, the week I would make my Broadway debut2 …and the week I would meet Orson Welles."
The fledgling Mercury Theatre troupe3 is struggling to put the finishing touches on an innovative4 production of Shakespeare's Julius Caesar. As storm clouds of war rumble5 across the Atlantic, Welles puts the play not in ancient Rome, but in contemporary Europe with Caesar as a fascist6 dictator. Into this creative whirlwind … enter young Richard:
Warner Brothers
Zac Efron as Richard Samuels in 'Me And Orson Welles'
Zac Efron, well known for the romantic comedy of the High School Musical series, takes on a different kind of role as the teenaged participant in Welles' great experiment.
"It was exactly what I was looking for - a great opportunity - and I loved the script," Efron says. "I thought I could relate to the character; this whole adventure, this week in the theater, resembled my life experience growing up in the theater. It was all of the best moments in one movie, I think, and it was different [and] something I didn't necessarily know I could pull off. It wasn't a predictable next move and that for me was all the right signs.
Warner Brothers
Christian7 McKay as Orson Welles in 'Me And Orson Welles'
English-born actor Christian McKay co-stars as Welles, a character he first explored in a one-man play that spanned the lifetime of the acclaimed8 genius; but in Me and Orson Welles McKay says the challenge was to rediscover the brash young man who would become the stage and screen icon9:
"I felt a tremendous responsibility toward him, especially because of his own mythology10 …his own myth making," McKay says. "He created all the legends about himself. He used to say 'never let the truth get in the way of a good story.' But when you're playing him you have to take away all of those [and] just peel him back to try and find the truth."
"I am Orson Welles! And every single one of you stands here as an adjunct to my vision. You want a career in the Mercury Theatre and in everything else I plan to do, then remember one simple rule: I own the store. If you don't like the way I work here, there's the door. Find somebody else to star you on Broadway."
"The wonderful thing about this character is that everybody has their own take on him; and so any actor playing him, you've got the people going 'he doesn't look like him'," McKay adds, "he doesn't sound like him …' So that was entirely11 personal [and] something I had to satisfy for myself to answer certain personal questions. Take him off the pedestal and look him in the eye as a human being. That's the only way I could have played him. Otherwise I would have been totally intimidated12 all the time."
Warner Brothers
Director Richard Linklater on the set of the movie
Writer-director Richard Linklater believes any moviemaker would be daunted13 by the challenge of telling the story of the man behind the great American film Citizen Kane; and Linklater found the real Welles within those iconic characters
"He is an enigma14. He is Charles Foster Kane. I don't think you can ever pin Welles down," notes Linklater. "For every opinion there is a counter-opinion. Someone says 'oh, he was a blowhard15;' someone else says 'he was a charming, sweet guy.' I think the truth is in between; but that is ultimately the Welles theme, isn't it? The unknowable-ness of an individual. What does it matter what you say about somebody? It comes up all through his work that you never can pin anyone down. I think he was aware of those contradictions in himself: you could be a great man and a mediocre16 individual. You could be all these things at once and that's the Welles we're trying to portray17 in this."
Warner Brothers
Zac Efron and Claire Danes in scene from 'Me And Orson Welles'
Me and Orson Welles is adapted from a best-selling book by high school teacher and novelist Robert Kaplow. The cast includes Claire Danes as the ambitious young production assistant in the Mercury Theatre office; and, in a bit of 'movie magic,' the film re-creates 1937 New York in and around a vintage theater on the Isle18 Of Man in the Irish Sea.
1 fabled | |
adj.寓言中的,虚构的 | |
参考例句: |
|
|
2 debut | |
n.首次演出,初次露面 | |
参考例句: |
|
|
3 troupe | |
n.剧团,戏班;杂技团;马戏团 | |
参考例句: |
|
|
4 innovative | |
adj.革新的,新颖的,富有革新精神的 | |
参考例句: |
|
|
5 rumble | |
n.隆隆声;吵嚷;v.隆隆响;低沉地说 | |
参考例句: |
|
|
6 fascist | |
adj.法西斯主义的;法西斯党的;n.法西斯主义者,法西斯分子 | |
参考例句: |
|
|
7 Christian | |
adj.基督教徒的;n.基督教徒 | |
参考例句: |
|
|
8 acclaimed | |
adj.受人欢迎的 | |
参考例句: |
|
|
9 icon | |
n.偶像,崇拜的对象,画像 | |
参考例句: |
|
|
10 mythology | |
n.神话,神话学,神话集 | |
参考例句: |
|
|
11 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
参考例句: |
|
|
12 intimidated | |
v.恐吓;威胁adj.害怕的;受到威胁的 | |
参考例句: |
|
|
13 daunted | |
使(某人)气馁,威吓( daunt的过去式和过去分词 ) | |
参考例句: |
|
|
14 enigma | |
n.谜,谜一样的人或事 | |
参考例句: |
|
|
15 blowhard | |
n.自吹自擂者 | |
参考例句: |
|
|
16 mediocre | |
adj.平常的,普通的 | |
参考例句: |
|
|
17 portray | |
v.描写,描述;画(人物、景象等) | |
参考例句: |
|
|
18 isle | |
n.小岛,岛 | |
参考例句: |
|
|