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(单词翻译:双击或拖选)
The Latino experience is a common theme for Mexican-American artist Tony Ortega. His work often examines the overlooked contributions of people - especially immigrants - who do manual labor1.
An exhibit of of Ortega's work in Boulder2, Colorado, is prompting conversations about the U.S. Mexico border, and those who cross it.
Life in the shadows
When Ortega talks about his art with museum visitors, he sometimes asks them to choose their favorite. Especially when those visitors are young.
The boys in one group all have parents who are immigrants from Mexico. In Ortega's exhibit at the Boulder Museum of Contemporary Art, they see plenty of familiar images. Ortega - who works in charcoal3, silkscreen and colored etchings - has drawn4 a maid tidying a hotel bed, a carpenter hammering a roof. Ortega asks the boys what kind of work their parents do.
Tony Ortega, The Maid, 2007
Tony Ortega's work often examines the overlooked contributions of people, especially immigrants, who do manual labor.
"The same thing of the painting," says one. "My dad makes bread and my mom cleans houses."
"Yeah," adds his companion. "My grandmother who raised me cleaned houses also."
Ortega's grandmother encouraged him to go to college, the first in his family to do so. Her efforts to support the family helped him view laborers5 - especially immigrant workers - with a sympathetic eye.
"What I'm trying to do with the work is to try to make an invisible part of the population, people who take care of our kids, who clean our streets and our houses, who pick our crops, more visible," says Ortega. "I think they make major contributions, but they're in the shadows."
Shedding light
Art can help bring them out of the shadows, says Rich Lopez, a Denver attorney touring the exhibit.
"I've been a fan of Tony Ortega for many years. He's captured the essence of the Chicano Mexican American experience in his art for years and years, and his colors and images are quite memorable7. The mechanic looks like my cousin."
Boulder Museum of Contemporary Art
Tony Ortega takes part in visiting artist programs and recently enlisted8 children to help him create a wall-sized mural about their neighborhood.
Images like that mechanic have earned Ortega a showing in galleries and museums throughout the United States. He's also become a sought-after teacher, at Denver's Regis University and through visiting artist programs. For a recent project, Ortega enlisted children to help him create a wall-sized mural about their neighborhood.
"One little boy, at the end of the week, he says, 'Have we learned all the techniques that you can learn about painting?' I says, 'Well, there's not enough time in a week.' And he says 'Well, I want to learn all of those."
Tony Ortega, Speedy Gonzales Helps the Underdog, detail, 2005
The ghostly outline of Speedy is superimposed over Tony Ortega's image of a laborer6 as a martyr9.
Exploring the immigrant experience
At the museum exhibit, Ortega asks the boys which picture to talk about next. They choose one full of electric-bright, scribbled10 images. Superimposed on those is the outline of a famous cartoon mouse. Not Mickey. It's Speedy Gonzales, a Mexican-American mouse, who always saves other mice from Sylvester the Cat.
"To me, Speedy's always helping11 the Mexicans. He's always saving his buddies12 against the gringo gato because Sylvester wants to eat him," Ortega tells the laughing boys.
Then he points out that - behind his ghostly outline of Speedy - is a man who carries water buckets, suspended from a wooden yoke13 across his shoulders. The man's legs look long and narrow while his arms, draped over the yoke, stretch wide.
Courtesy Boulder Museum of Contemporary Art
Mexican-American artist Tony Ortega's work often explores the Latino immigrant experience.
"What is this guy doing? Is he like a Christ figure?" Ortega asks the boys.
The boys study Ortega's image of a laborer as a martyr, and discuss how hard work and sacrifice do not necessarily guarantee a warm welcome in America. There is more religious imagery in another piece on display.
It's an image of the Statue of Liberty. But not the green-robed Liberty with her proud, green face. Ortega's Liberty wears the blue robes of Mexico's beloved Virgin14 of Guadalupe, and her brown face looks kind.
The boys praise Ortega's exhibit. For some, this is a first ever visit to an art museum.
"People, Mexican people in the paintings that he does," says one. "They're all awesome15."
His friend agrees. "He showed me how life could be for Mexicans, and that sometimes it could be sad, but sometimes it could have a great life."
Ortega was honored with the Colorado Governor's Award for Excellence16 in the Arts for his work inspiring people to see the beauty and challenges of hidden lives.
His exhibit at the Boulder Museum of Contemporary Art is called, "Mi Frontera es Su Frontera," which means, "My Border is Your Border."
1 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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2 boulder | |
n.巨砾;卵石,圆石 | |
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3 charcoal | |
n.炭,木炭,生物炭 | |
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4 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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5 laborers | |
n.体力劳动者,工人( laborer的名词复数 );(熟练工人的)辅助工 | |
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6 laborer | |
n.劳动者,劳工 | |
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7 memorable | |
adj.值得回忆的,难忘的,特别的,显著的 | |
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8 enlisted | |
adj.应募入伍的v.(使)入伍, (使)参军( enlist的过去式和过去分词 );获得(帮助或支持) | |
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9 martyr | |
n.烈士,殉难者;vt.杀害,折磨,牺牲 | |
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10 scribbled | |
v.潦草的书写( scribble的过去式和过去分词 );乱画;草草地写;匆匆记下 | |
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11 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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12 buddies | |
n.密友( buddy的名词复数 );同伴;弟兄;(用于称呼男子,常带怒气)家伙v.(如密友、战友、伙伴、弟兄般)交往( buddy的第三人称单数 );做朋友;亲近(…);伴护艾滋病人 | |
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13 yoke | |
n.轭;支配;v.给...上轭,连接,使成配偶 | |
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14 virgin | |
n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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15 awesome | |
adj.令人惊叹的,难得吓人的,很好的 | |
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16 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
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