-
(单词翻译:双击或拖选)
The son of a Wall Street financier and a housewife, Balog grew up in the 1950s wandering about the forests of western New Jersey1 with his friends.
"We'd stay out there for weeks in a little lean-to that we built," he says.
Adam LeWinter
James Balog, pictured here in Greenland, has designed, programmed and installed time-lapse cameras on glaciers2 to record the impact of a warming climate.
Bold move
While a geology student at Boston College, Balog became an avid3 adventurer, honing his wilderness4 skills on America's rugged5 mountains, wild rivers and back country trails. After graduation he continued his education at the University of Colorado in geomorphology, the study of how the land surface evolves over time. When it came time to find a job, he made a bold move.
"I had been dabbling6 in photography as a serious amateur and just this one day decided7, okay, that will be a better way for me to express my enthusiasms for nature," he says.
Balog worked hard to learn the profession, read a lot and talked to people in the field, "then refining my eye through trial and error practice and getting criticism from whatever editors I could get to meet."
A big break in the early 1980s with an article for a major magazine about avalanches8 gave him his start. That led to dozens of environment-related news stories and established his reputation as a top-notch nature photographer. "I've had more adventure than I ever could have hoped for or ever could have imagined," he says.
James Balog
For his book 'Tree: A New Vision of the America Forest,' James Balog snapped this picture of a Giant Sequoia9 while rappelling down from the canopy10.
Pursuing his vision
Success has given Balog the freedom to pursue his own ideas in a half-dozen photography books. In "Survivors," he focuses on endangered species in captivity11, portraying12 them against sterile13 white backgrounds. He poses a mandrill on a stool, an Atlantic Green Sea Turtle belly14 up on a white cushion and shoots a close-up of a rhino's hind15 end. Balog says the white backgrounds underscore the animals' endangered status. "Instead of putting them in the habitats that look romantic and beautiful as if Nature's going to go on forever, it actually symbolized16 the fact that animals are becoming ever more rare because habitat is being destroyed."
"Tree: A New Vision of the American Forest" is also a book of portraits. Balog says it was the closest he could come to reassembling the country's primeval forests. Roped among these giants, he took pictures while rappelling down from the forest canopy.
James Balog
James Balog photographs a rhinoceroses17 in a stark18 white background to underscore its endangered status.
"I would stop at a given place, and I would try to photograph what the tree looked like at that level. And sometimes it would be 10, sometimes 15, 20 shots across that level." Balog then digitally edited them into dramatic panoramas19 of trees in profile.
Moving picture of climate change
In his latest project, Balog focuses on melting glaciers. In 2006 he founded the Extreme Ice Survey and serves as its executive director. The nonprofit has deployed20 39 cameras on 17 glaciers in Alaska, Greenland, Iceland and the Rocky Mountains that take pictures hourly during daylight hours. What's emerged from the approximately 4,500 photos from every camera each year is a moving picture of climate change.
James Balog
The glaciers feeding these icebergs21 in southeast Iceland have steadily22 pulled back since the 1930s, leaving an 8-kilometer wide lagoon23.
"It's not an abstraction. It's not about a computer model. It's not about statistics. It's not about what might happen in the future," says Balog. "It's right here right now, and you get it when you look at these pictures."
EIS supplements this record with annual repeat photography in these locations and in the Alps, British Columbia, Canada, Bolivia and the Himalaya.
Balog's lifetime of achievements was honored recently with the 2010 Heinz Award, a prestigious24 environmental prize. His latest adventure on ice has given him a sense of the fragility of the global environment and why it is urgent to protect it.
"At some deep elemental level humans understand what it means when ice goes away," Balog says. "And that's what we're recording25 here. So I want people to take that to heart and understand that climate change is real and they can do something about it."
1 jersey | |
n.运动衫 | |
参考例句: |
|
|
2 glaciers | |
冰河,冰川( glacier的名词复数 ) | |
参考例句: |
|
|
3 avid | |
adj.热心的;贪婪的;渴望的;劲头十足的 | |
参考例句: |
|
|
4 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
参考例句: |
|
|
5 rugged | |
adj.高低不平的,粗糙的,粗壮的,强健的 | |
参考例句: |
|
|
6 dabbling | |
v.涉猎( dabble的现在分词 );涉足;浅尝;少量投资 | |
参考例句: |
|
|
7 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
参考例句: |
|
|
8 avalanches | |
n.雪崩( avalanche的名词复数 ) | |
参考例句: |
|
|
9 sequoia | |
n.红杉 | |
参考例句: |
|
|
10 canopy | |
n.天篷,遮篷 | |
参考例句: |
|
|
11 captivity | |
n.囚禁;被俘;束缚 | |
参考例句: |
|
|
12 portraying | |
v.画像( portray的现在分词 );描述;描绘;描画 | |
参考例句: |
|
|
13 sterile | |
adj.不毛的,不孕的,无菌的,枯燥的,贫瘠的 | |
参考例句: |
|
|
14 belly | |
n.肚子,腹部;(像肚子一样)鼓起的部分,膛 | |
参考例句: |
|
|
15 hind | |
adj.后面的,后部的 | |
参考例句: |
|
|
16 symbolized | |
v.象征,作为…的象征( symbolize的过去式和过去分词 ) | |
参考例句: |
|
|
17 rhinoceroses | |
n.钱,钞票( rhino的名词复数 );犀牛(=rhinoceros);犀牛( rhinoceros的名词复数 );脸皮和犀牛皮一样厚 | |
参考例句: |
|
|
18 stark | |
adj.荒凉的;严酷的;完全的;adv.完全地 | |
参考例句: |
|
|
19 panoramas | |
全景画( panorama的名词复数 ); 全景照片; 一连串景象或事 | |
参考例句: |
|
|
20 deployed | |
(尤指军事行动)使展开( deploy的过去式和过去分词 ); 施展; 部署; 有效地利用 | |
参考例句: |
|
|
21 icebergs | |
n.冰山,流冰( iceberg的名词复数 ) | |
参考例句: |
|
|
22 steadily | |
adv.稳定地;不变地;持续地 | |
参考例句: |
|
|
23 lagoon | |
n.泻湖,咸水湖 | |
参考例句: |
|
|
24 prestigious | |
adj.有威望的,有声望的,受尊敬的 | |
参考例句: |
|
|
25 recording | |
n.录音,记录 | |
参考例句: |
|
|