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Muldaur Gifts Fans with Bluesiana Album 'Steady Love'
In 1974, singer Maria Muldaur became an international pop sensation with her hit song “Midnight At The Oasis2.” Since then, she’s recorded nearly 40 albums, weaving between blues1, folk, jazz and gospel. Her latest effort Steady Love falls into a category she calls “bluesiana.”
Muldaur has an encyclopedic knowledge of contemporary music. Her specialty3 is New Orleans rhythm-and-blues, inspired by working with legendary4 piano man Dr. John.
“I became addicted5 to that just wonderful, rolling, syncopated New Orleans piano style that he and Professor Longhair have done so well," she explains. "And I’d come back off a tour with him and I just really missed that sound. So I made it a prerequisite6 that any piano player that played with me had to really bone up on that New Orleans piano sound. That’s about when I coined the phrase “bluesiana.” In the early-‘90s I went down there to record my first album there called Louisiana Love Call. It’s just a very appealing, infectious, soulful kind of music, and it’s just kind of where I live musically.”
Muldaur became an established folk and blues singer with the Jim Kweskin Jug7 Band. She released her debut8 album in 1973, and, the following year, got her first real taste of fame with “Midnight At The Oasis.”
“It did kind of take me by surprise but it was a very happy surprise," she admits. "All it meant to me was I was nominated for Grammys, the album went gold, eventually platinum9 and all that. And it wasn’t just a hit in this country, but it was a big hit worldwide. For some bizarre reason that goofy little song just captured people’s imaginations all over the world, but I went right on doing what I was doing. I thought, ‘Ok, goody, now I can turn even more people on to the music I love.”
While she still performs her signature song on tour, Muldaur is always prepared with new material. It’s obvious her appreciation10 of the blues hasn’t diminished with time.
“New Orleans grooves11 and rhythms are full of lots of percolating12 syncopation. It’s just very deep, lively, greasy13, swampy14 kind of rhythms going on," Maldaur says. "Chicago blues are mostly shuffles15, and Delta16 blues are usually acoustic17 sort of stuff that was the blues when the blues first emerged in the rural South before anyone plugged their guitars in.”
Steady Love was recorded in New Orleans and includes tunes18 by Louisiana natives Percy Mayfield and Bobby Charles, as well as Elvin Bishop19, Greg Brown and Eric Bibb. Rick Vito’s “I Am Not Alone” is one of a handful of gospel songs featured on the album.
Muldaur and her Red Hot Bluesiana Band wind up their current tour in San Francisco with a Christmas concert on December 7.
1 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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2 oasis | |
n.(沙漠中的)绿洲,宜人的地方 | |
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3 specialty | |
n.(speciality)特性,特质;专业,专长 | |
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4 legendary | |
adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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5 addicted | |
adj.沉溺于....的,对...上瘾的 | |
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6 prerequisite | |
n.先决条件;adj.作为前提的,必备的 | |
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7 jug | |
n.(有柄,小口,可盛水等的)大壶,罐,盂 | |
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8 debut | |
n.首次演出,初次露面 | |
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9 platinum | |
n.白金 | |
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10 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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11 grooves | |
n.沟( groove的名词复数 );槽;老一套;(某种)音乐节奏v.沟( groove的第三人称单数 );槽;老一套;(某种)音乐节奏 | |
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12 percolating | |
n.渗透v.滤( percolate的现在分词 );渗透;(思想等)渗透;渗入 | |
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13 greasy | |
adj. 多脂的,油脂的 | |
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14 swampy | |
adj.沼泽的,湿地的 | |
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15 shuffles | |
n.洗(纸牌)( shuffle的名词复数 );拖着脚步走;粗心地做;摆脱尘世的烦恼v.洗(纸牌)( shuffle的第三人称单数 );拖着脚步走;粗心地做;摆脱尘世的烦恼 | |
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16 delta | |
n.(流的)角洲 | |
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17 acoustic | |
adj.听觉的,声音的;(乐器)原声的 | |
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18 tunes | |
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调 | |
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19 bishop | |
n.主教,(国际象棋)象 | |
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