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(单词翻译:双击或拖选)
Civil War Songs Reset1 for 21st Century
The U.S. Civil War may be a century and a half behind us, but American emotions about the conflict can still be raw. Director Peter Sellars has taken music by Pulitzer-prize winning composer George Crumb2 and updated it to present day. Crumb's "Winds of Destiny" recasts familiar Civil War-era songs in a jagged, haunting style.
Sellars was attracted to Crumb's score after realizing that the situation in the United States today mirrors that of the Civil War 150 years ago.
"The kind of virulence3 and anger and fury of one part of the country towards another part of the country is bitter, and the same loneliness, bitterness, sourness, that these songs reflect from the Civil War period - "The Battle Hymn4 of the Republic," "When Johnny Comes Marching Home," but also the songs of longing5 - "Shenandoah." These were American songs from a time when the country was torn apart, and they reflect the kind of emotional intensity6 of the divide and also the longing to come together."
Crumb first set these songs in 2004. He remembered hearing Dawn Upshaw perform one of them years before. He decided7 to incorporate her interpretation8 into his music.
"Dawn Upshaw performed some folk songs, including "When Johnny Comes Marching Home," and she repeated the first verse in a kind of funereal9 way, very sad, like the words were there, "We'll shout," and "The girls will applaud," and all that, and yet she gave it an ironic10 twist."
In the new Sellars staging, Upshaw sings "Winds of Destiny" including that song about a soldier returning home after the war. She says it's one of the most astonishing moments in the song cycle.
"There's fear and there's danger, and there's even anger in the singer, because the singer yells at the ends of many phrases," Upshaw says. "That's a really extreme and serious moment in the whole piece, one of several, but because it is taking this tune11 that we all kind of know from our past as being filled with a fair amount of pride or something, but it kind of turns it inside on itself, in this painful introspection."
Sellars has created a character and a narrative12 out of the original song cycle. A female U.S. soldier is returning home from the war in Afghanistan.
"And so the intensity with which women return and the harrowing experiences, both on the battlefield - things they've been asked to do that they cannot live with the rest of their lives - in addition to things that have happened to them that still can't be talked about or acknowledged. It's very, very intense," says Sellars.
Pianist Gilbert Kalish and the Red Fish Blue Fish percussion13 quartet accompany Upshaw on stage, and all the performers are dressed in camouflage14.
Kalish says that Sellars' direction is subtle.
"And he's very clever. He knows I'm not an actor. And so he has me doing very simple things, very slow walking and going over to Dawn, the soldier, and in some very quiet way, trying to comfort her. I say nothing. I almost do nothing.....The music is so powerful and what he asks us to do was so connected to the music that it felt right. It felt as if I was really involved in this drama."
The drama of war and its aftermath were very much a part of Crumb's initial inspiration. But there's also reverence15 for the songs themselves. Crumb calls "Shenandoah" one of the most beautiful folk songs of any country.
Sellars says its poetry and ambiguity16 allow the audience to make its own interpretation.
"The song is so haunting and it resonates on so many levels, it remains17 poetic18. I hope what we're making is the same, that it's extremely evocative and at the same time poetic and open. And every audience member puts their own images there and their own experiences, and it stimulates19 your own imagination."
1 reset | |
v.重新安排,复位;n.重新放置;重放之物 | |
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2 crumb | |
n.饼屑,面包屑,小量 | |
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3 virulence | |
n.毒力,毒性;病毒性;致病力 | |
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4 hymn | |
n.赞美诗,圣歌,颂歌 | |
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5 longing | |
n.(for)渴望 | |
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6 intensity | |
n.强烈,剧烈;强度;烈度 | |
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7 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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8 interpretation | |
n.解释,说明,描述;艺术处理 | |
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9 funereal | |
adj.悲哀的;送葬的 | |
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10 ironic | |
adj.讽刺的,有讽刺意味的,出乎意料的 | |
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11 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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12 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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13 percussion | |
n.打击乐器;冲突,撞击;震动,音响 | |
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14 camouflage | |
n./v.掩饰,伪装 | |
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15 reverence | |
n.敬畏,尊敬,尊严;Reverence:对某些基督教神职人员的尊称;v.尊敬,敬畏,崇敬 | |
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16 ambiguity | |
n.模棱两可;意义不明确 | |
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17 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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18 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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19 stimulates | |
v.刺激( stimulate的第三人称单数 );激励;使兴奋;起兴奋作用,起刺激作用,起促进作用 | |
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