VOA标准英语2012--Remembering Earl Scruggs

Remembering Earl Scruggs

Before Earl Scruggs, most banjo players used a two- fingered picking style. But all that changed after the 21-year-old North Carolina native joined Bill Monroe’s Bluegrass Boys in 1945, and brought his three- fingered rolls to Nashville. 

“I used to play with just the finger and thumb, which they call two-fingered style. Then I started playing a tune¹ when I was about 10 or 11 and this third finger started working, which filled in some spaces. And that excited me because I could play some other tunes² that I couldn’t play with the two finger style. So I just kept working with what I had.”

Before Earl Scruggs, the banjo was often considered a novelty item in a band. It was usually played by a comic character, not a serious musician. As fellow banjo player Bela Fleck³ explains, Earl Scruggs changed all that. 

“I think it was a combination of an incredible rhythmic⁴ approach with a very simple and beautiful harmonic language," he said. "He plays the banjo and it grabs you just like the lead vocal⁵ would. An amazing technique. They called him ‘the Paganini of the banjo’ in the New York Times when he played at Carnegie Hall. And I think he was just a beautiful, beautiful player. I think the lessons that you learn from someone like that transcend⁶ bluegrass and are just about music.”

In 1948, Earl Scruggs and guitarist Lester Flatt shocked the country music community by quitting Bill Monroe’s band and setting out on their own. In retrospect⁷, it was a brilliant move, as Flatt and Scruggs and The Foggy Mountain Boys soon became just as famous as their ex-boss. Their first hit, “Foggy Mountain Breakdown,” arguably became the most famous banjo instrumental in the world. The song was a favorite of a then- teenaged bluegrass fan named Warren Beatty, who later used it as the theme to his movie “Bonnie and Clyde.” 

By the time Warren Beatty used their music in “Bonnie and Clyde,” Flatt and Scruggs had outgrown⁸ the smallish world of bluegrass and had entered the mainstream⁹. They played everywhere: New York’s famed Carnegie Hall, college campuses, and even headlined the famous Newport Folk Festival in 1962. The next year, Earl Scruggs’ banjo was heard on the number one country song in the U.S., “The Ballad¹⁰ of Jed Clampett,” known to fans around the world as the theme to the “Beverly Hillbillies” television program. 

Throughout the 1960s Earl Scruggs’ sound continued to evolve. He discovered new songs through his sons Randy and Gary, along with musicians like Bob Dylan and Ravi Shankar, who came to Nashville and wanted to meet and pick tunes with the legendary¹¹ banjo master. In turn, Earl wanted to incorporate songs by Bob Dylan and other folk rockers into the Flatt and Scruggs sound, a move that didn’t please Lester Flatt. Nor did he agree with Scruggs’ liberal politics. These differences led to the breakup of Flatt & Scruggs in 1969. 

The end of that legendary pairing was not, however, the end of Earl Scruggs. He teamed with his sons Steve, Gary and Randy to form the Earl Scruggs Revue, a mainly acoustic¹² rock band that went on to record several albums and influence many groups. Among them was the Nitty Gritty Dirt Band, who credited Earl and his sons for inspiring the groundbreaking project “Will The Circle Be Unbroken.”

Earl Scruggs continued to record and perform with the Revue through the 1970s and 1980s. Son Steve’s death in 1992 deeply affected¹³ him. The loss, along with a serious heart attack four years later, forced him into an early retirement¹⁴.

The new century, however, brought more music: Fans the world over were thrilled when he released “Earl Scruggs And Friends.” The Grammy-winning album featured collaborations with his sons along with Sting, Dwight Yoakam and others.

A member of just about every musical Hall of Fame and a recipient¹⁵ of numerous honors, Earl Scruggs continued to tour until soon before his death. He played in theatres, clubs and major festivals such as Bonnaroo, Stagecoach¹⁶ and last October’s Hardly Strictly¹⁷ Bluegrass. 

Few musicians have changed the way an instrument is played and heard the way Earl Scruggs has. Today, most everyone who picks a banjo does it “Scruggs style.” As the country singer Porter Wagoner said at Scruggs’ 80th birthday party, “Earl was to the five-string banjo what Babe Ruth was to baseball.”

1 tune   

n.调子；和谐，协调；v.调音，调节，调整

参考例句：

• He'd written a tune,and played it to us on the piano.他写了一段曲子，并在钢琴上弹给我们听。
• The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。

2 tunes   

n.曲调，曲子( tune的名词复数 )v.调音( tune的第三人称单数 )；调整；（给收音机、电视等）调谐；使协调

参考例句：

• a potpourri of tunes 乐曲集锦
• When things get a bit too much, she simply tunes out temporarily. 碰到事情太棘手时，她干脆暂时撒手不管。 来自《简明英汉词典》

3 fleck   

n.斑点，微粒 vt.使有斑点，使成斑驳

参考例句：

• The garlic moss has no the yellow fleck and other virus. 蒜苔无黄斑点及其它病毒。
• His coat is blue with a grey fleck.他的上衣是蓝色的，上面带有灰色的斑点。

4 rhythmic   

adj.有节奏的，有韵律的

参考例句：

• Her breathing became more rhythmic.她的呼吸变得更有规律了。
• Good breathing is slow,rhythmic and deep.健康的呼吸方式缓慢深沉而有节奏。

5 vocal   

adj.直言不讳的；嗓音的；n.[pl.]声乐节目

参考例句：

• The tongue is a vocal organ.舌头是一个发音器官。
• Public opinion at last became vocal.终于舆论哗然。

6 transcend   

vt.超出，超越(理性等)的范围

参考例句：

• We can't transcend the limitations of the ego.我们无法超越自我的局限性。
• Everyone knows that the speed of airplanes transcend that of ships.人人都知道飞机的速度快于轮船的速度。

7 retrospect   

n.回顾，追溯；v.回顾，回想，追溯

参考例句：

• One's school life seems happier in retrospect than in reality.学校生活回忆起来显得比实际上要快乐。
• In retrospect,it's easy to see why we were wrong.回顾过去就很容易明白我们的错处了。

8 outgrown   

长[发展] 得超过（某物）的范围( outgrow的过去分词 )； 长[发展]得不能再要（某物）； 长得比…快； 生长速度超过

参考例句：

• She's already outgrown her school uniform. 她已经长得连校服都不能穿了。
• The boy has outgrown his clothes. 这男孩已长得穿不下他的衣服了。

9 mainstream   

n.（思想或行为的）主流；adj.主流的

参考例句：

• Their views lie outside the mainstream of current medical opinion.他们的观点不属于当今医学界观点的主流。
• Polls are still largely reflects the mainstream sentiment.民调还在很大程度上反映了社会主流情绪。

10 ballad   

n.歌谣，民谣，流行爱情歌曲

参考例句：

• This poem has the distinctive flavour of a ballad.这首诗有民歌风味。
• This is a romantic ballad that is pure corn.这是一首极为伤感的浪漫小曲。

11 legendary   

adj.传奇（中）的，闻名遐迩的；n.传奇（文学）

参考例句：

• Legendary stories are passed down from parents to children.传奇故事是由父母传给孩子们的。
• Odysseus was a legendary Greek hero.奥狄修斯是传说中的希腊英雄。

12 acoustic   

adj.听觉的，声音的；(乐器)原声的

参考例句：

• The hall has a fine acoustic.这个大厅的传音效果很好。
• Animals use a whole rang of acoustic, visual,and chemical signals in their systems of communication.动物利用各种各样的听觉、视觉和化学信号来进行交流。

13 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

14 retirement   

n.退休，退职

参考例句：

• She wanted to enjoy her retirement without being beset by financial worries.她想享受退休生活而不必为金钱担忧。
• I have to put everything away for my retirement.我必须把一切都积蓄起来以便退休后用。

15 recipient   

a.接受的,感受性强的 n.接受者,感受者,容器

参考例句：

• Please check that you have a valid email certificate for each recipient. 请检查是否对每个接收者都有有效的电子邮件证书。
• Colombia is the biggest U . S aid recipient in Latin America. 哥伦比亚是美国在拉丁美洲最大的援助对象。

16 stagecoach   

n.公共马车

参考例句：

• She's getting off the stagecoach.她正在下马车。
• The stagecoach driver cracked the whip.驿站马车的车夫抽响了鞭子。

17 strictly   

adv.严厉地，严格地；严密地

参考例句：

• His doctor is dieting him strictly.他的医生严格规定他的饮食。
• The guests were seated strictly in order of precedence.客人严格按照地位高低就座。