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(单词翻译:双击或拖选)
12 Years a Slave Seen as Turning Point in Films on Slavery 《为奴十二载》揭露奴隶制
WASHINGTON, D.C. — Steve McQueen’s acclaimed1 new film, 12 Years a Slave, is a Hollywood watershed2. The movie offers an unflinching portrayal3 of slavery in the United States and sets a new standard for narrating4 such stories on the silver screen.
Video transcript5:
“And that servant who doesn’t obey his Lord shall be beaten with many stripes! That’s scripture6."\
Like many slavery films before it, 12 Years a Slave unfolds in the sweltering heat of southern plantations8. But unlike its predecessors9, Steve McQueen’s film focuses on a free man from the north who was kidnapped and sold into slavery.
"My name is not Platt. My name is..."
"Your name is Platt."
His name was Solomon Northup. And it's a true account.
“The reason I took this angle is I wanted that person to be everyone in the audience. Someone who can take you, the audience, in this unfortunate conveyor belt of slavery.”
“Days ago, I was with my family in my home. Now you tell me all is lost?"
Chiwetel Ejiofor offers a tour de force performance as Northup.
“This is a story about one of the harshest structures that’s ever been created in the history of the world. And it is somebody trying to survive that with their mind intact, and they do! ”
Film historian Dexter Gabriel says the movie breaks new ground.
“The movie does a very good job in exposing slavery, almost, in a sense, exposing the old films on slavery, the old plantation7 epics10, exposing them for frauds."
He says movies like Gone with the Wind, in 1939, did a disservice because they painted a portrait of slaves living in harmony with their owners.
Nostalgic tributes faded after the Civil Rights movement.
In 1977, the TV miniseries Roots became the first attempt to reveal the brutality11 of slavery. But Gabriel says slavery was a small part of the story that looked at the African American experience as a whole.
"In its attempt to create slavery as an immigrant story, it attempts to make slavery under this heading in order to make African Americans like everyone else.”
Steven Spielberg’s Amistad, in 1997, was about a slave mutiny aboard the slave ship Amistad. Gabriel calls it a missed opportunity.
“Rather than privilege the slave mutiny, Spielberg makes it about this courtroom drama starring founding fathers and interesting abolitionist lawyers.”
Fifteen years later, Quentin Tarantino’s Django Unchained empowered the black slave in a tongue in cheek vigilante story. But Gabriel calls it an unrealistic tale of one black man against plantation masters.
“It is in the end a wonderful absurdist fairytale of slavery.”
"My back is thick with scars."
In 12 Years a Slave, the mood darkens. Many say its portrayal of slavery is too harsh.
“Slavery has been a part of this country longer than it hasn’t been. I think everyone, in some way, has to come to terms with.”
After almost a century of slavery in movies, 12 Years a Slave offers an opportunity for reflection.
1 acclaimed | |
adj.受人欢迎的 | |
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2 watershed | |
n.转折点,分水岭,分界线 | |
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3 portrayal | |
n.饰演;描画 | |
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4 narrating | |
v.故事( narrate的现在分词 ) | |
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5 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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6 scripture | |
n.经文,圣书,手稿;Scripture:(常用复数)《圣经》,《圣经》中的一段 | |
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7 plantation | |
n.种植园,大农场 | |
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8 plantations | |
n.种植园,大农场( plantation的名词复数 ) | |
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9 predecessors | |
n.前任( predecessor的名词复数 );前辈;(被取代的)原有事物;前身 | |
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10 epics | |
n.叙事诗( epic的名词复数 );壮举;惊人之举;史诗般的电影(或书籍) | |
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11 brutality | |
n.野蛮的行为,残忍,野蛮 | |
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