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Nominated Movie Scores Feature Sophistication, Cultural Diversity
Movie music has come a long way since the early days of film, when all it did was set a mood for the story.
Daniel Carlin chairs the Scoring for Motion Pictures and Television department at the University of Southern California’s Thornton School of Music. He says this year’s nominees1 for Best Original Score are notable for their sophistication and their cultural diversity.
“The cultural influences range from contemporary India [to] Turkey [to] Iran and then the Far East and then you are back in 19th century Russia. All of those scores are extremely successful and worthy2 of consideration," explained Carlin.
Consider the score for Life of Pi, about an Indian boy and a tiger adrift on the ocean, directed by Ang Lee.
Carlin admires the South Asian instrumentation that veteran composer Mychael Danna brought to the project.
“But I also appreciated the way he incorporates Indian lead instruments into a more traditional film score model," said Carlin. "So we get the feeling of India, but we don’t have to leave our comfort zone in terms of how we usually feel U.S. film music in a movie."
Carlin says Eastern and Western motifs3 were also combined in Alexandre Desplat's score for Argo. The film is based on a true story and takes place in Iran during the hostage crisis in 1979.
A blend of musical genres4 was also featured in Skyfall, scored by Thomas Newman. Carlin says Newman combined the feel of James Bond’s high tech world with the Bond character, who is more melancholy5 than in previous Bond films. “I think he gives us some additional humanity rather just this macho comic book figure [typical of Bond],” he noted6.
Newman has been nominated for an Oscar 11 times, although he has yet to win. Some say that’s a reason he might win this time.
Dario Marianelli’s score for Anna Karenina, based on Leo Tolstoy’s Russian masterpiece, was also nominated.
In Carlin’s view, Marianelli managed to seemlessly weave together different kinds of music according to the changing action in a scene. "It’s almost choreographed7. And you can tell the thought that has gone on behind it," he said. "Marianelli is very good at doing this, and I really appreciate that professionalism and care."
Composer John Williams received his 48th Oscar nomination8 for Lincoln. Williams’s score features melodies in the style of 19th century American hymns9 and folk ballads10.
A film’s score must never compete with the dialogue. Carlin notes that this posed a challenge for Williams because Lincoln is heavy on conversation. “So the adept11 composer -- and John certainly is that -- support the drama and the emotion but how to use the correct instruments and sonority12 ranges so you don’t compete in the same frequency range as the dialogue. It’s very tricky13 stuff," Carlin added. "And he is just great at it. Given his stature14 and the score is magnificent, John is probably the odds15 on favorite.”
The Academy Awards are on Sunday February 24. To find out who will win the Oscar for Best Original Score, just wait for “the envelope please.”
1 nominees | |
n.被提名者,被任命者( nominee的名词复数 ) | |
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2 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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3 motifs | |
n. (文艺作品等的)主题( motif的名词复数 );中心思想;基本模式;基本图案 | |
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4 genres | |
(文学、艺术等的)类型,体裁,风格( genre的名词复数 ) | |
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5 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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6 noted | |
adj.著名的,知名的 | |
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7 choreographed | |
v.设计舞蹈动作( choreograph的过去式和过去分词 ) | |
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8 nomination | |
n.提名,任命,提名权 | |
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9 hymns | |
n.赞美诗,圣歌,颂歌( hymn的名词复数 ) | |
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10 ballads | |
民歌,民谣,特别指叙述故事的歌( ballad的名词复数 ); 讴 | |
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11 adept | |
adj.老练的,精通的 | |
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12 sonority | |
n.响亮,宏亮 | |
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13 tricky | |
adj.狡猾的,奸诈的;(工作等)棘手的,微妙的 | |
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14 stature | |
n.(高度)水平,(高度)境界,身高,身材 | |
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15 odds | |
n.让步,机率,可能性,比率;胜败优劣之别 | |
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