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The 'Great Animal Orchestra' brings the wild rumpus of nature to art museums
Audiences at The Great Animal Orchestra at the current exhibit in Salem, Mass.
Kathy Tarantola/? 2021 Peabody Essex Museum
Your imagination does the work at The Great Animal Orchestra – you just sit in a dark room and listen.
Currently at the Peabody Essex museum in Salem, Mass., through May 22, the exhibition immerses visitors into soundscapes from remote parts of the planet: seven of them, from the tropics to the tundra2. No wildlife footage accompanies this symphony of wild animals. It's audio first, in a visually overstimulating world.
"The basic message is that the soundscapes of the natural world are the voices that we need to hear in order to moderate our behavior," says the show's creator, Bernie Krause. He's spent decades traversing the globe and collecting thousands of hours of animal habitat recordings3 as a soundscape ecologist.
His 2012 book, The Great Animal Orchestra, helped germinate5 this traveling museum show. Before this iteration of his career, Krause was a pioneering musician in multiple genres6. Born in Detroit in 1938, he started playing the violin at age five. By the time he was an undergraduate at the University of Michigan, he had already performed professionally with the Detroit Symphony Orchestra.
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"I worked my way through school playing guitar as a backup musician at Motown," Krause tells NPR. "After I graduated, I came out to Boston and The Weavers7 were performing and giving concerts around the Boston area."
The seminal8 folk group was looking for a replacement9 for the seat of Pete Seeger; Krause auditioned10 and got the job. He sang and played banjo and guitar with The Weavers until the group disbanded in 1964. Then, enchanted11 by new frontiers of musical possibility, he headed west.
At Mills College in Oakland, Calif., Krause studied with the acclaimed12 avant-garde composers Pauline Oliveros and Karlheinz Stockhausen and became a force in the burgeoning13 field of electronic music. With musician Paul Beaver14, he helped introduce Moog synthesizers to popular music and film.
"We did a lot of work with major groups — with The Doors, the Byrds, The Monkees. We did work with George Harrison, Frank Zappa," Krause recalls. Krause's film work includes classics such as Rosemary's Baby and Apocalypse Now. He programmed much of the latter's score and worked on its memorable15 "Ride of the Valkyries" scene. "Shirley Walker actually played the keyboard. I'm not a great keyboardist," he says.
Before Paul Beaver died in 1975 of a brain hemorrhages while giving a concert in Los Angeles, he worked with Krause on a pioneering album called In A Wild Sanctuary16, an early example of ambient music.
"Paul refused to go outside to record, which left that task to me," Krause says. "And I was terrified of animals. I grew up in a home in the Midwest that didn't allow dogs or cats or a goldfish. That was dangerous to my mom. Germs and all of that. I wanted to get over that fear."
So one autumn afternoon, Krause toted a still-new portable analog17 recorders to a heavily wooded public park north of San Francisco. His life was forever altered when he slipped on his headphones, took a breath and focused on the sounds of nature. "It wasn't noise," he explains. "It was a collection of sounds that felt so good that I just relaxed immediately."
Krause felt affirmed, soothed18, awakened19. In the late 1970s, he earned a Ph.D. in marine20 bioacoustics at the experimental Union Institute and University in Cincinnati, Ohio and started recording4 what he calls biophonies – the collective sounds of living organisms in their biomes - in such far flung locales ranging from the boreal forests of Algonquin Provincial21 Park in Ontario, Canada to the savannas22 and shrublands of Zimbabwe's Gonarezhou National Park.
"This is really cool because you're gonna hear the baboons23 barking at a granite24 wall that creates an echo," whispers Jane Winchell, in the shadowed room of The Great Animal Orchestra at the Peabody Essex. Winchell, who directs the museum's Art & Nature Center, brought the show here after seeing it in 2017 at the Fondation Cartier in Paris where, she says, it transfixed audiences.
"It's just this miraculous25 composition. It really is like a piece of music with different movements," she enthuses.
Bernie Krause calls these soundscapes "yoga for the ears." Listening to animals he says, connects us to something ancient and vital about being human.
"These sounds are part of our DNA," he explains. "What we are hearing resonates with that atavistic moment in our lives when our ancestors heard these sounds and lived by them. In that way, it reconnects us to the natural, to the living world around us. But let me tell you, the further we draw away from that source of our lives, the more pathological we become as a culture. You don't believe that? Watch the news."
Or listen to it, he says. Never before have we been more connected to constant sound – in our cars, our earbuds, our phones. "And disconnected at the same time," Krause says. "Basically, we have to learn to be quiet."
So, if you cannot go to Salem, Mass., and experience The Great Animal Orchestra yourself, try something right now. Take off your headset. Turn off your radio or streaming device. Go outside, and listen.
Even if you're in the middle of a city, you can hear it. It may be far away, but the Great Animal Orchestra is there.
1 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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2 tundra | |
n.苔原,冻土地带 | |
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3 recordings | |
n.记录( recording的名词复数 );录音;录像;唱片 | |
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4 recording | |
n.录音,记录 | |
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5 germinate | |
v.发芽;发生;发展 | |
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6 genres | |
(文学、艺术等的)类型,体裁,风格( genre的名词复数 ) | |
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7 weavers | |
织工,编织者( weaver的名词复数 ) | |
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8 seminal | |
adj.影响深远的;种子的 | |
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9 replacement | |
n.取代,替换,交换;替代品,代用品 | |
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10 auditioned | |
vi.试听(audition的过去式与过去分词形式) | |
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11 enchanted | |
adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词 | |
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12 acclaimed | |
adj.受人欢迎的 | |
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13 burgeoning | |
adj.迅速成长的,迅速发展的v.发芽,抽枝( burgeon的现在分词 );迅速发展;发(芽),抽(枝) | |
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14 beaver | |
n.海狸,河狸 | |
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15 memorable | |
adj.值得回忆的,难忘的,特别的,显著的 | |
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16 sanctuary | |
n.圣所,圣堂,寺庙;禁猎区,保护区 | |
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17 analog | |
n.类似物,模拟 | |
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18 soothed | |
v.安慰( soothe的过去式和过去分词 );抚慰;使舒服;减轻痛苦 | |
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19 awakened | |
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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20 marine | |
adj.海的;海生的;航海的;海事的;n.水兵 | |
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21 provincial | |
adj.省的,地方的;n.外省人,乡下人 | |
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22 savannas | |
n.(美国东南部的)无树平原( savanna的名词复数 );(亚)热带的稀树大草原 | |
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23 baboons | |
n.狒狒( baboon的名词复数 ) | |
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24 granite | |
adj.花岗岩,花岗石 | |
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25 miraculous | |
adj.像奇迹一样的,不可思议的 | |
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