散文:The role of science fiction

Science fiction is definitely not pure science, but neither is it pure fiction. This literary genre¹, argues science fiction writer Ben Bova, stands as a bridge between science and fiction, between reason and emotion. Moreover, science fiction is not mere² entertainment, but has a more important role to play. Believe it or not, it can help us to understand the ways in which our world may change and assist us in shaping the future in the manner that we wish.

THE ROLE OF SCIENCE FICTION

Ben Bova

The year 1972 was marked by publication of a controversial book, The Limits to Growth, This study of the world's future, done by a team of MIT scientists with the aid of computer "models" of the future of our society, forecast a planet wide disaster unless humankind sharply limits its population growth and consumption of natural resources.

Most people were caught by surprise when the book came out. Many refused to believe that disaster is possible, probable, inevitable³ -- if we don't change our mode of running Spaceship Earth. But science fiction people were neither surprised nor outraged⁴. The study was really old news to them. They'd been making their own "models" of tomorrow and testing them all them all their lives.

For what the scientists attempted with their computer model is very much like the thing that science fiction writers and readers have been doing for decades. Instead of using a computer to "model" a future world society, science fiction writers have used their human imaginations. This gives the writers some enormous advantages.

One of the advantages is flexibility⁵.

Science fiction writers are not in the business of predicting the future. They do something much more important. They try to show the many possible future that lie open to us.

For there is not simply a future, a time to come that's inevitable. Our future is built, bit by bit, minute by minute, by the actions of human beings. One vital role of science fiction is to show what kinds of future might result from certain kinds of human actions.

To communicate the ideas, the fears and hopes, the shape and feel of all the infinite possible futures⁶, science fiction writers lean heavily on another of their advantages: the art of fiction.

For while a scientist's job has largely ended when he's reduced his data to tabular or graph from, the work of a science fiction writer is just beginning. His task is to convey the human story: the scientific basis for the possible future of his story is merely the background. Perhaps "merely" is too limiting a word. Much of science fiction consists of precious little except the background, the basic idea, the gimmick⁷. But the best of science fiction, the stories that make a lasting⁸ impact on generations of readers, are stories about people. The people may be nonhuman. They may be robots or other types of machines. But they will be people, in the sense that human readers can feel for them, share their joys and sorrows, their dangers and their ultimate successes.

The art of fiction has not changed much since prehistoric⁹ times. The formula for telling a powerful story has remained the same: create a strong character, a person of great strengths, capable of deep emotions and decisive action. Give him a weakness. Set him in conflict with another powerful character -- or perhaps with nature. Let his exterior¹⁰ conflict be the mirror of the protagonist's own interior conflict, the clash of his desires, his own strength against his own weakness. And there you have a story. Whether it's Abraham offering his only son to God, or Paris bringing ruin to Troy over a woman, or Hamlet and Claudius playing their deadly game, Faust seeking the world's knowledge and power -- the stories that stand out in the minds of the reader are those whose characters are unforgettable.

To show other worlds, to describe possible future societies and the problems lurking¹¹ ahead, is not enough. The writer of science fiction must show how these worlds and these futures affect human beings. And something much more important: he must show how human beings can and do literally¹² create these future worlds. For our future is largely in our own hands. It doesn't come blindly rolling out of the heavens; it is the joint¹³ product of the actions of billions of human beings. This is a point that's easily forgotten in the rush of headlines and the hectic¹⁴ badgering of everyday life. But it's a point that science fiction makes constantly: the future belongs to us -- whatever it is. We make it, our actions shape tomorrow. We have the brains and guts¹⁵ to build paradise (or at least try). Tragedy is when we fail, and the greatest crime of all is when we fail even to try.

Thus science fiction stands as a bridge between science and art, between the engineers of technology and the poets of humanity. Never has such a bridge been more desperately¹⁶ needed.

Writing in the British journal New Scientist, the famed poet and historian Robert Graves said in 1972, "Technology is now warring openly against the crafts, and science covertly¹⁷ against poetry."

What Graves is expressing is the fear that many people have: technology has already allowed machines to replace human muscle power; now it seems that machines such as electronic computers might replace human brainpower. And he goes even further, criticizing science on the grounds that truly human endeavours such as poetry have a power that scientists can't recognize.

Apparently¹⁸ Graves sees scientists as a sober, plodding¹⁹ phalanx of soulless thinking machines, never making a step that hasn't been carefully thought out in advance.

But as a historian, Graves should be aware that James Clerk Maxwell's brilliant insight about electromagnetism -- the guess that visible light is only one small slice of the spectrum²⁰ of electromagnetic energy, a guess that forms the basis for electronics technology -- was an intuitive leap into the unknown. Maxwell had precious little evidence to back up his guess. The evidence came later. The list of wild jumps of intuition made by these supposedly stolid²¹, humorless scientists is long indeed.

Scientists are human beings! They are just as human, intuitive, and emotional as anyone else. But most people don't realize this. They don't know scientists, any more than they know much about science.

Today most people still tend to hold scientists in awe²². After all, scientists have brought us nuclear weapons, modern medicines, space flight, and underarm deodorants²³. Yet at the same time, we see scientists derided²⁴ as fuzzy-brained eggheads or as coldly ruthless, emotionless makers²⁵ of monsters. Scientists are minority group, and like most minorities they're largely hidden from the public's sight, tucked away in ghettos -- laboratories, campuses, field sites out in the desert or on Pacific atolls.

Before the public can understand and appreciate what science can and cannot do, the people must get to see and understand the scientists themselves. Get to know their work, their aims, their dreams, and their fears.

Science fiction can help to explain what science and scientists are all about to the non-scientists. It is no accident that several hundred universities and public schools are now offering science fiction courses and discovering that these classes are a meeting ground for the scientist-engineers and the humanists. Science and fiction. Reason and emotion.

The essence of the scientific attitude is that the human mind can succeed in understanding the universe. By taking thought, men can move mountains -- and have. In this sense, science is an utterly²⁶ humanistic pursuit, the glorification²⁷ of human intellect over the puzzling, chaotic²⁸, and often frightening darkness of ignorance.

Much of science fiction celebrates this spirit. Very few science fiction stories picture humanity as a passive species, allowing the tidal forces of nature to flow unperturbed. The heroes of science fiction stories -- the gods of the new mythology²⁹ -- struggle manfully against the darkness, whether it's geological doom³⁰ for the whole planet or the evil of grasping politicians. They may not always win. But they always try.

Perhaps, however, the most important aspect of science fiction's role in the modern world is best summed up in a single word: change.

After all, science fiction is the literature of change. Each and every story preaches from the same gospel: tomorrow will be different from today, violently different perhaps.

Science fiction very clearly shows that changes -- whether good or bad -- are an inherent part of the universe. Resistance to change is an archaic³¹, and nowadays dangerous, habit of thought. The world will change. It is changing constantly. Humanity's most fruitful course of action is to determine how to shape these changes, how to influence them and produce an environment where the changes that occur are those we want.

Perhaps this is the ultimate role of science fiction: to act as an interpreter of science to humanity. This is a two-edged weapon, of course. It is necessary to warn as well as evangelize. Science can kill as well as create; technology can deaden the human spirit or life it to the farthermost corners of our imaginations. Only knowledgeable³² people can wisely decide how to use science and technology for humankind's benefit. In the end, this is the ultimate role of all art: to show ourselves to ourselves, to help us to understand our own humanity.

1 genre   

n.(文学、艺术等的)类型，体裁，风格

参考例句：

• My favorite music genre is blues.我最喜欢的音乐种类是布鲁斯音乐。
• Superficially,this Shakespeare's work seems to fit into the same genre.从表面上看， 莎士比亚的这个剧本似乎属于同一类型。

2 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

3 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。

4 outraged   

a.震惊的，义愤填膺的

参考例句：

• Members of Parliament were outraged by the news of the assassination. 议会议员们被这暗杀的消息激怒了。
• He was outraged by their behavior. 他们的行为使他感到愤慨。

5 flexibility   

n.柔韧性，弹性，（光的）折射性，灵活性

参考例句：

• Her great strength lies in her flexibility.她的优势在于她灵活变通。
• The flexibility of a man's muscles will lessen as he becomes old.人老了肌肉的柔韧性将降低。

6 futures   

n.期货，期货交易

参考例句：

• He continued his operations in cotton futures.他继续进行棉花期货交易。
• Cotton futures are selling at high prices.棉花期货交易的卖价是很高的。

7 gimmick   

n.(为引人注意而搞的)小革新，小发明

参考例句：

• He dismissed the event as just a publicity gimmick.他不理会这件事，只当它是一种宣传手法。
• It is just a public relations gimmick.这只不过是一种公关伎俩。

8 lasting   

adj.永久的，永恒的；vbl.持续，维持

参考例句：

• The lasting war debased the value of the dollar.持久的战争使美元贬值。
• We hope for a lasting settlement of all these troubles.我们希望这些纠纷能获得永久的解决。

9 prehistoric   

adj.（有记载的）历史以前的，史前的，古老的

参考例句：

• They have found prehistoric remains.他们发现了史前遗迹。
• It was rather like an exhibition of prehistoric electronic equipment.这儿倒像是在展览古老的电子设备。

10 exterior   

adj.外部的，外在的；表面的

参考例句：

• The seed has a hard exterior covering.这种子外壳很硬。
• We are painting the exterior wall of the house.我们正在给房子的外墙涂漆。

11 lurking   

潜在

参考例句：

• Why are you lurking around outside my house? 你在我房子外面鬼鬼祟祟的，想干什么？
• There is a suspicious man lurking in the shadows. 有一可疑的人躲在阴暗中。 来自《现代英汉综合大词典》

12 literally   

adv.照字面意义，逐字地；确实

参考例句：

• He translated the passage literally.他逐字逐句地翻译这段文字。
• Sometimes she would not sit down till she was literally faint.有时候，她不走到真正要昏厥了，决不肯坐下来。

13 joint   

adj.联合的，共同的；n.关节，接合处；v.连接，贴合

参考例句：

• I had a bad fall,which put my shoulder out of joint.我重重地摔了一跤，肩膀脫臼了。
• We wrote a letter in joint names.我们联名写了封信。

14 hectic   

adj.肺病的；消耗热的；发热的；闹哄哄的

参考例句：

• I spent a very hectic Sunday.我度过了一个忙乱的星期天。
• The two days we spent there were enjoyable but hectic.我们在那里度过的两天愉快但闹哄哄的。

15 guts   

v.狼吞虎咽，贪婪地吃，飞碟游戏（比赛双方每组5人，相距15码，互相掷接飞碟）；毁坏（建筑物等）的内部( gut的第三人称单数 )；取出…的内脏n.勇气( gut的名词复数 )；内脏；消化道的下段；肠

参考例句：

• I'll only cook fish if the guts have been removed. 鱼若已收拾干净，我只需烧一下即可。
• Barbara hasn't got the guts to leave her mother. 巴巴拉没有勇气离开她妈妈。 来自《简明英汉词典》

16 desperately   

adv.极度渴望地，绝望地，孤注一掷地

参考例句：

• He was desperately seeking a way to see her again.他正拼命想办法再见她一面。
• He longed desperately to be back at home.他非常渴望回家。

17 covertly   

adv.偷偷摸摸地

参考例句：

• Naval organizations were covertly incorporated into civil ministries. 各种海军组织秘密地混合在各民政机关之中。 来自辞典例句
• Modern terrorism is noteworthy today in that it is being done covertly. 现代的恐怖活动在今天是值得注意的，由于它是秘密进行的。 来自互联网

18 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

19 plodding   

a.proceeding in a slow or dull way

参考例句：

• They're still plodding along with their investigation. 他们仍然在不厌其烦地进行调查。
• He is plodding on with negotiations. 他正缓慢艰难地进行着谈判。

20 spectrum   

n.谱，光谱，频谱；范围，幅度，系列

参考例句：

• This is a kind of atomic spectrum.这是一种原子光谱。
• We have known much of the constitution of the solar spectrum.关于太阳光谱的构成，我们已了解不少。

21 stolid   

adj.无动于衷的，感情麻木的

参考例句：

• Her face showed nothing but stolid indifference.她的脸上毫无表情，只有麻木的无动于衷。
• He conceals his feelings behind a rather stolid manner.他装作无动于衷的样子以掩盖自己的感情。

22 awe   

n.敬畏，惊惧；vt.使敬畏，使惊惧

参考例句：

• The sight filled us with awe.这景色使我们大为惊叹。
• The approaching tornado struck awe in our hearts.正在逼近的龙卷风使我们惊恐万分。

23 deodorants   

n.（尤指去除体臭的）除臭剂( deodorant的名词复数 )

参考例句：

• The U.S. is already a mature market for its razors and deodorants. 美国已经是使它的刀片和除臭剂得到充分发展的市场了。 来自辞典例句
• Deodorants are available as aerosols or roll-ons. 除臭剂有喷雾装或滚抹装。 来自辞典例句

24 derided   

v.取笑，嘲笑( deride的过去式和过去分词 )

参考例句：

• His views were derided as old-fashioned. 他的观点被当作旧思想受到嘲弄。
• Gazing up to the darkness I saw myself as a creature driven and derided by vanity. 我抬头疑视着黑暗，感到自己是一个被虚荣心驱使和拨弄的可怜虫。 来自辞典例句

25 makers   

n.制造者，制造商（maker的复数形式）

参考例句：

• The makers of the product assured us that there had been no sacrifice of quality. 这一产品的制造商向我们保证说他们没有牺牲质量。
• The makers are about to launch out a new product. 制造商们马上要生产一种新产品。 来自《简明英汉词典》

26 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

27 glorification   

n.赞颂

参考例句：

• Militant devotion to and glorification of one's country; fanatical patriotism. 对国家的军事效忠以及美化；狂热的爱国主义。
• Glorification-A change of place, a new condition with God. 得荣─在神面前新处境，改变了我们的结局。

28 chaotic   

adj.混沌的，一片混乱的，一团糟的

参考例句：

• Things have been getting chaotic in the office recently.最近办公室的情况越来越乱了。
• The traffic in the city was chaotic.这城市的交通糟透了。

29 mythology   

n.神话，神话学，神话集

参考例句：

• In Greek mythology,Zeus was the ruler of Gods and men.在希腊神话中，宙斯是众神和人类的统治者。
• He is the hero of Greek mythology.他是希腊民间传说中的英雄。

30 doom   

n.厄运，劫数；v.注定，命定

参考例句：

• The report on our economic situation is full of doom and gloom.这份关于我们经济状况的报告充满了令人绝望和沮丧的调子。
• The dictator met his doom after ten years of rule.独裁者统治了十年终于完蛋了。

31 archaic   

adj.(语言、词汇等)古代的，已不通用的

参考例句：

• The company does some things in archaic ways,such as not using computers for bookkeeping.这个公司有些做法陈旧，如记账不使用电脑。
• Shaanxi is one of the Chinese archaic civilized origins which has a long history.陕西省是中国古代文明发祥之一，有悠久的历史。

32 knowledgeable   

adj.知识渊博的；有见识的

参考例句：

• He's quite knowledgeable about the theatre.他对戏剧很有心得。
• He made some knowledgeable remarks at the meeting.他在会上的发言颇有见地。