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Writer, actor and activist1 Eve Ensler has spent her adult life working to support women and women’s causes around the world.
For years, Ensler has visited war zones -- areas of extreme violence. In 2007, she was invited to the Democratic Republic of Congo. She developed an especially close connection with victims of rape2 and torture there.
“I think what really struck me about the Congo was the kind of synergistic cauldron of colonialism, capitalism3, racism4, insane misogyny. You know all of those violences kind of being enacted5 on the bodies of women.”
She worked with Congolese activists6 to create a women’s leadership community for survivors7 of gender8 violence. The shelter, called City of Joy, opened in Bukavu in 2011.
“And it's almost impossible building something in the middle of a war zone. You don't have roads, you don’t have electricity, you don't have...It was madness."
Then, her own life was upset with frightening news. Doctors discovered she had uterine cancer.
“The alchemy of it all was just: you know, change or die.”
Ensler turned months of difficult treatment -- and years of painful memories -- into a book called In the Body of the World: A Memoir of Cancer and Connection.
Tony Award-winning director Diane Paulus read the book and wanted to make it a one-woman show.
“I thought it was some of her best writing because it was signature Eve. Philosophy, politics, feminism, all told through humor and her point of view, which she does not shy away from. But it was so deeply personal.”
So,the director met with Ensler and they soon began an intense process to make a play from the book.
In the Body of the World moves between Ensler’s fight with cancer, her painful family history, and her connection to women and nature in the outside world.
Ensler says her own experiences with rape and abuse caused her to mentally disconnect from her body.
“I think my whole life, not only have I been trying to get back into my body, but I've been really working to find ways to support women coming back into their bodies. And cancer did the trick, as well as building City of Joy because those two things together … you know, we were building a place where women could come back into their bodies.”
The show, which recently opened in New York City, has received critical praise. But it is a difficult performance series. Ensler says the play will not travel, unlike her most famous work, The Vagina Monologues10.
A play that launched a movement
Ensler wrote The Vagina Monologues in 1994 as a celebration of women. But she says the purpose changed over time, becoming a movement to stop violence against women.
Twenty years ago, on February 14, or Valentine’s Day, the first “V-Day” was held. That day, productions of the play in theaters, colleges, and even living rooms, raised millions of dollars toward women’s causes.
Words in This Story
capitalism – n. an economic system characterized by private or corporate12 ownership of capital goods, by investments that are determined13 by private decision, and by prices, production, and the distribution of goods that are determined mainly by competition in a free market
misogyny – n. a hatred14 of women
gender – n. the state of being male or female?
madness – n. behavior or thinking that is wild, foolish or dangerous?
alchemy – n. a power or process that changes or transforms something in a mysterious or impressive way?
signature – adj. closely associated with someone or something: making a person or thing easy to recognize
1 activist | |
n.活动分子,积极分子 | |
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2 rape | |
n.抢夺,掠夺,强奸;vt.掠夺,抢夺,强奸 | |
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3 capitalism | |
n.资本主义 | |
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4 racism | |
n.民族主义;种族歧视(意识) | |
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5 enacted | |
制定(法律),通过(法案)( enact的过去式和过去分词 ) | |
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6 activists | |
n.(政治活动的)积极分子,活动家( activist的名词复数 ) | |
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7 survivors | |
幸存者,残存者,生还者( survivor的名词复数 ) | |
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8 gender | |
n.(生理上的)性,(名词、代词等的)性 | |
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9 memoir | |
n.[pl.]回忆录,自传;记事录 | |
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10 monologues | |
n.(戏剧)长篇独白( monologue的名词复数 );滔滔不绝的讲话;独角戏 | |
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11 weaver | |
n.织布工;编织者 | |
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12 corporate | |
adj.共同的,全体的;公司的,企业的 | |
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13 determined | |
adj.坚定的;有决心的 | |
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14 hatred | |
n.憎恶,憎恨,仇恨 | |
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