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VOICE ONE:
I’m Shirley Griffith.
VOICE TWO:
And I’m Steve Ember with Explorations in VOA Special English. Today, we travel through city streets all over the world to explore street art, a popular and lively art movement.
(MUSIC)
VOICE ONE:
Street art can be found on buildings, sidewalks, street signs and even trashcans from Tokyo to Paris to New York City. This special kind of art can take the form of paintings, sculptures, cloth or even stickers. Its international presence is supported by Web sites, artist communities, books and magazines. Street art has become part of a global visual culture. Now, even art museums and galleries are collecting the work of street artists.
VOICE TWO:
It is not easy to provide an exact history of the street art movement. This kind of art has developed in many kinds of ways in places all over the world. Also, because it is illegal to paint public and private property without permission, street artists usually work secretly. This secretive nature of street art and its countless1 forms make it hard to define2 exactly. And people have different opinions about the movement. Some think street art is a crime and destroys property. But others see this art as a rich form of non-traditional cultural expression.
VOICE ONE:
Many experts say the movement began in New York City in the nineteen sixties. Young adults would use paint in special cans to spray their “tag” on walls and train cars around the city. This tag was a name they created to identify themselves and their artwork. This colorful style of writing is also called graffiti. It is visually exciting and energetic. Some graffiti paintings were signs marking the territories of city gangs or illegal crime groups.
VOICE TWO:
Graffiti also became a separate movement expressing the street culture of young people living in big cities. Graffiti art represented social and political rebellion3. This was art that rejected the accepted rules of culture and power. These artists could travel around areas of the city making creative paintings for everyone to see. The artists could become famous without being officially recognized. Sometimes this street art created a dispute between artists and city officials. Graffiti artists created their images and city officials quickly painted over them.
During the nineteen eighties two New York painters who began as street artists became very famous. Keith Haring and Jean Michel Basquiat started creating their paintings on the streets. But soon they began showing their work in art galleries and museums. This is when street art started to become part of the more general popular culture.
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VOICE ONE:
An example of Swoon's work
Street art today takes many forms. One well known New York City street artist goes by the name of Swoon. Swoon creates detailed4 paper cutouts of people that she observes around her. She places these life-size images on walls in different areas of New York. For example, one of her artworks is of a little boy playing. He is turning his smiling face and seems to be running into the distance. The lines of Swoon’s drawing give energy and movement to the picture. She placed the picture of the boy next to other large graffiti images. It looks like he is running around between the different pieces of artwork.
VOICE TWO:
Swoon did not start her career making street art. She studied fine art at the Pratt Institute in Brooklyn, New York. But she says she lost interest in the official workings of art galleries. She soon started taking her art into the streets.
Swoon likes how her work changes slowly after it is outside for a while. The art slowly disappears because of the effects of time, sun and rain. She also enjoys the freedom of expression which street art permits. And people enjoy Swoon’s strong and imaginative5 pictures. In fact, the Museum of Modern Art in New York City has bought several of her works.
VOICE ONE:
In Houston, Texas you can see a very different kind of street art by Knitta Please. This group of artists is made up of people who like to knit6. Knitting7 is a way of creating clothing by looping together long thin pieces of material such as cotton or wool. Two members of Knitta Please became tired of starting knitting projects and never finishing them. So they decided8 to become street artists. They place their knitted9 projects on door handles, street signs, and cars around town. Many people in Houston collect the colorful creations10 of Knitta Please.
(MUSIC)
VOICE TWO:
One of Space Invader11's works on a building in Barcelona, Spain
Street art is also popular around the world. For example, many street corners in Paris, France show the work of an artist known as Space Invader. Space Invader was the name of a video game that was very popular in the nineteen eighties. This French artist uses small colorful squares of glass to make an image of a space creature. He places these creations on buildings all around Paris. Space Invader has been making this art for about ten years. He has been arrested several times. But this does not stop him from working. He says that he is leaving a gift to the city with his art.
On Space Invader’s Web site, you can see the many other cities where he has placed his art. Space Invader has traveled to places like Dhaka, Bangladesh; Mombasa, Kenya, and Istanbul, Turkey.If you like his work, you can even buy Space Invader clothing, shoes, and pictures.
VOICE ONE:
The streets of Sao Paulo, Brazil are also rich with artwork. For example, you can find the work of two brothers who go by the name Os Gemeos. They paint images of funny flat-faced people with orange-yellow skin. Their imaginative characters have many different forms and expressions. Art galleries all over the world have shown the artwork of Os Gemeos.
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VOICE TWO:
Street artists have different reasons for choosing this special kind of creative act. Some artists do not approve of the profit-making business of galleries and museums. They think that these organizations disconnect art from every day life. They also like the fact that street art stays part of the city environment.
Other artists express their political beliefs with their art. Some see street art as protesting the culture of big business and corporations. They do not like city walls covered with advertisements that sell products. These artists see these advertisements as examples of corporate12 aggression13. They think that if an advertisement can be on a wall, so can their art. Still other artists like the excitement of working in the streets and trying not to get caught.
VOICE ONE:
A detail of Shepard Fairey's original image of Obama. This collage14 is now part of the Smithsonian's collection.
But some people pay a price for making street art. Shepard Fairey is a street artist who has become very famous for his image of Barack Obama that became popular during the presidential campaign. In February, Fairey was arrested as he arrived at a party to celebrate an exhibit of his work at The Institute of Contemporary Art, Boston. Police accused him on several counts of graffiti charges. Fairey says he is not guilty. He says he is being punished for suggesting that public space should be filled with more than just advertising15 for companies.
Shepard Fairey is also involved in legal action with the Associated Press. The AP accuses him of using one of its photographs of Barack Obama for his famous poster. Fairey says he used the AP photograph as a reference16, but then changed it greatly for his own idealized and colorful picture of Barack Obama.
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VOICE TWO:
Street art has become a popular kind of design for advertising companies because it gives an image of youth, boldness and energy. For example, the American department store Saks Fifth Avenue recently chose Shepard Fairey’s design company to create window displays and shopping bags. His bold black and white designs are influenced by Russian Constructivist art of the nineteen twenties. This Russian art was used as a propaganda17 tool to represent the goals of the socialist18 state. Fairey’s designs change the meaning of the Russian propagandist style by applying it to the costly19 shopping goods of capitalism20.
VOICE ONE:
The Internet has had a big influence on street art. For example, artists can show their work to people all over the world.
Web sites like WoosterCollective.com have thousands of pictures of street art from all over the world. Also, artists and fans can communicate with each other and exchange ideas.
However, people say the Internet is not a replacement21 for the experience of seeing street art live. To really understand this art you have to see it in its environment. The street art movement depends on the energy and life of the city. And like cities, this imaginative and exciting art will continue to change and grow.
(MUSIC)
VOICE TWO:
This program was written and produced by Dana Demange. You can see examples of street art at voaspecialenglish.com. I’m Steve Ember.
VOICE ONE:
And I’m Shirley Griffith. Join us again next week for EXPLORATIONS in VOA Special English.
1 countless | |
adj.无数的,多得不计其数的 | |
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2 define | |
vt.解释,下定义,阐述,限定,规定 | |
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3 rebellion | |
n.造反,叛乱,反抗 | |
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4 detailed | |
adj.详细的,详尽的,极注意细节的,完全的 | |
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5 imaginative | |
adj.富有想象力的,爱想象的 | |
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6 knit | |
vt.编织,密接,结合,皱眉;vi.编织,变得紧凑,愈合;n.编织 | |
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7 knitting | |
n.编结物;接合,联合;[外科]骨愈合v.(使)愈合( knit的现在分词);编结,编织;(使)紧密地结合;织平针 | |
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8 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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9 knitted | |
v.(使)愈合( knit的过去式和过去分词 );编结;(使)紧密地结合;织平针 | |
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10 creations | |
创造( creation的名词复数 ); 创造物; (尤指所述由上帝)创造天地; 宇宙 | |
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11 invader | |
n.侵略者,侵犯者,入侵者 | |
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12 corporate | |
adj.共同的,全体的;公司的,企业的 | |
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13 aggression | |
n.进攻,侵略,侵犯,侵害 | |
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14 collage | |
n.拼贴画;v.拼贴;把……创作成拼贴画 | |
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15 advertising | |
n.广告业;广告活动 a.广告的;广告业务的 | |
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16 reference | |
n.提到,说到,暗示,查看,查阅 | |
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17 propaganda | |
n.宣传,宣传机构 | |
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18 socialist | |
n.社会主义者;adj.社会主义的 | |
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19 costly | |
adj.昂贵的,价值高的,豪华的 | |
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20 capitalism | |
n.资本主义 | |
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21 replacement | |
n.取代,替换,交换;替代品,代用品 | |
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