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VOICE ONE:
I'm Barbara Klein.
VOICE TWO:
And I'm Steve Ember with EXPLORATIONS in VOA Special English. Today we tell about hip-hop music with a message.
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VOICE ONE:
Hip-hop music started in the South Bronx area of New York City in the early nineteen seventies among young African Americans and Latino Americans. People would gather in the streets singing and dancing to hip-hop. It was a place for people to sing about social injustices1 as well as what was happening on the streets.
Some of the world's greatest hip-hop singers started this way. Now, hip-hop is popular worldwide. It is often used to express social and political issues. Some people call these musicians socially conscious hip-hop artists.
VOICE TWO:
Dancer perform at a hip-hop competition in El Alto, Bolivia
There are four main parts of hip-hop: MCing is singing words or what is called rapping3. DJing is using records to produce special sounds. Graffiti is writing messages on outdoor surfaces. And breakdancing is a special kind of dance.
Today we will tell about how performers in several countries use rapping to spread messages. Rapping could be described as speaking or singing words at a fast speed over music with quick beats. Some reports say rapping came from the West African tradition of Griots. These storytellers would quickly tell a story while someone played music.
VOICE ONE:
Hip-hop beats were made when a DJ used two records to create a special measured sound. Sometimes the DJ would move one record while holding the other one down. Other times he would move both records at the same time producing a quick measured beat. This is called scratching. DJs do this using a turntable. Today the turntable may be replaced by music that is produced on computers. Here is part of the song "Beat Street" by the famous scratcher and DJ Grand Master Flash.
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VOICE TWO:
The Sugarhill Gang4 was one of the first groups to perform hip-hop. In the late nineteen seventies, music producer Sylvia Robinson realized that hip-hop was becoming a popular part of street celebrations. She decided5 to find three MCs in her neighborhood in Englewood, New Jersey6, and have them sing together. The men called themselves Wonder Mike, Big Bank Hank, and Master Gee7. They went on to sing one of America's favorite songs of nineteen seventy-nine, "Rapper's Delight."
"Rapper's Delight" was not one of hip-hop's first songs. But it made hip-hop popular in the United States and around the world.
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VOICE ONE:
Eric B & Rakim
Eric B & Rakim was another American group that changed the sound of hip-hop. In nineteen eighty-six, sixteen year old Rakim started to work with the New York City music producer, Eric B. Rakim added different beats to the music and began using poetic8 words to spread his message.
The two musicians produced four CDs together. As an individual musician, Rakim created four other CDs. One song that made the two famous is "Eric B is President". Many international socially conscious hip-hop artists say they became interested in hip-hop when they heard Rakim.
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VOICE TWO:
Immortal9 Technique
There are a huge number of hip-hop artists and rappers in the United States. Immortal Technique is a popular artist who has ignored requests to sign up with large companies to produce his music. Immortal Technique was born in Lima, Peru. But his family moved to the Harlem area of New York City to escape conflicts in their country.
Immortal Technique is considered a political activist10. Many of of his songs are about politics, poverty, religion, social class and racism11. One song that became popular among young people around the world is "The Fourth Branch."
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VOICE ONE:
Didier Awadi
Hip-hop has influenced artists around the world. For example, Didier Awadi is considered the father of African hip-hop. Awadi is a Senegalese musician who created the band called Positive Black Soul in nineteen eighty-nine. He started a music center called Studio Sankara. Awadi's songs are about politics, social rights and fair elections12 in Senegal and other African countries.
In two thousand seven he produced an album that mixes the speeches of African leaders with African MCs. The album is called "African Presidents." The album aims to bring young MCs from Africa together to explore their history and unite for a better future. Awadi also has an album called "Another World is Possible." In the song "J'accuse," he accuses all the powers and forces that have interfered13 with the development of Africa.
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VOICE TWO:
Emmanuel Jal
Emmanuel Jal is an African hip-hop artist who has become a well known activist and musician around the world. Jal believes he survived violence to spread a message of peace and forgiveness.
At the age of six or seven years old, Emmanuel became a soldier for the Sudan People's Liberation14 Army. He was made to carry a gun that was taller than he was. For almost five years he fought in wars in Ethiopia and Sudan. A British aid worker, Emma McCune, rescued him and took him to Nairobi, Kenya. She legally made him her son. But Mizz McCune died soon after in an automobile15 accident.
To help him recover from what he experienced16 as a child, Emmanuel Jal began singing. When he was in school in Kenya, he fell in love with hip-hop.
He believed the music was an easy and effective way to spread his message. His first CD was "Gua," which means "peace" in the Nuer language of Sudan. The CD made him famous. His second album, "War Child," is about his experiences as a child soldier in Sudan, how he changed and how he wants to make a difference. Emmanuel Jal started an aid organization called Gua Africa. He performs around the world to raise money for the organization. Here is part of the song "War Child."
(MUSIC)
VOICE ONE:
Hip-hop has no borders. In the Philippines, people started listening to it in the early nineteen eighties. One hip-hop artist, Francis Durango Magalona, also known as FrancisM, made this music even more popular in the Philippines. Many of the songs in his first two albums were about political and cultural problems during the nineteen nineties. For example, in his second CD, "Rap2 Is FrancisM," the song "Halalan" is about political insecurity in the Philippines. Other songs were about the illegal drug problem.
FrancisM became known as the leading socially conscious artist in the Philippines. But in March of two thousand nine he died from the disease17 leukemia. Other artists around the world are spreading their own messages through hip-hop music.
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VOICE TWO:
This program was written by Kim Varzi and produced by Mario Ritter. I'm Steve Ember.
VOICE ONE:
And I'm Barbara Klein. Join us again next week for EXPLORATIONS in VOA Special English.
1 injustices | |
不公平( injustice的名词复数 ); 非正义; 待…不公正; 冤枉 | |
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2 rap | |
n.轻敲,拍击,责骂,厉声说出,说唱音乐,谈话,最少量;vi.轻敲,敲门,表演说唱音乐,畅谈;vt.抓,抢,拍击 | |
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3 rapping | |
n.轻击修光(锻造中)v.突然说出( rap的现在分词 );(公开地)严厉批评;突然大声说出;连续敲叩 | |
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4 gang | |
n.一伙,一帮;结伴的朋友 | |
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5 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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6 jersey | |
n.运动衫 | |
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7 gee | |
n.马;int.向右!前进!,惊讶时所发声音;v.向右转 | |
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8 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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9 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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10 activist | |
n.活动分子,积极分子 | |
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11 racism | |
n.民族主义;种族歧视(意识) | |
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12 elections | |
n.选举,当选,推举( election的名词复数 ) | |
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13 interfered | |
v.干预( interfere的过去式和过去分词 );调停;妨碍;干涉 | |
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14 liberation | |
n.解放,解放运动(为获得平等权利和地位的行为) | |
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15 automobile | |
n.汽车,机动车 | |
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16 experienced | |
adj.有经验的;经验丰富的,熟练的 | |
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17 disease | |
n.疾病,弊端 | |
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