THIS IS AMERICA - National Museum of the American Indian

（单词翻译）

THIS IS AMERICA - National Museum of the American Indian
By Shelley Gollust

Broadcast: Monday, September 20, 2004

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VOICE ONE:

Welcome to THIS IS AMERICA in VOA Special English. I'm Steve Ember.

VOICE TWO:

And I'm Faith Lapidus. Today we tell about the National Museum of the American Indian which opens this week in Washington, D.C.

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VOICE ONE:

 
National Museum of the American Indian
The National Museum of the American Indian is opening with six days of events celebrating Indian culture. The events begin on Tuesday with a Native Nations Procession. About fifteen thousand people from North, Central and South America are expected to walk along the National Mall and gather for the museum's opening ceremony. Many will be wearing traditional Native clothing. During the week, more than three hundred performers and artists will present music, dance and storytelling as part of the First Americans Festival.

The new National Museum of the American Indian is part of the Smithsonian Institution, a group of museums operated by the government. It was built on the last open space on the Mall, between the Air and Space Museum and the United States Capitol.

But the National Museum of the American Indian is more than another museum in Washington. It is a gathering¹ place for living cultures. Its goal is to save, study and show the life, languages, history and arts of the Native people of North, Central and South America. One thousand Native communities are represented.

VOICE TWO:

The most important words in the museum's goal are "living cultures." This museum shows American Indian objects from the past and also from the present. Native people provide the explanations about the meaning and importance of the objects. Members of these living cultures played an important part in creating the new museum. They also decided² which objects to show to the public and how they should be shown.

Visitors can see more than seven thousand objects in the new museum. Some of them are more than ten thousand years old.

VOICE ONE:

 
'Apache' by American Indian sculptor³ Allan Houser
These are some of the objects visitors can see in the new Museum of the American Indian: Wood and stone carvings⁴ and face coverings from the northwest coast of North America. Clothing and head coverings made of animal skins and feathers from the North American plains. Clay pots, woven baskets and silver jewelry⁵ from the southwestern United States.

The collection also includes ancient objects from the Native peoples of the Caribbean, Mexico, Central America and South America.

These include ceramic⁶ containers from Costa Rica, Mexico and Peru. Beautifully carved jade⁷ objects from the Olmec and Maya peoples. Woven cloths and gold objects from the Andean cultures.

VOICE TWO:

The objects are shown in three permanent exhibits. Through these objects, twenty-four Native communities tell their own stories of who they are. The exhibits are called "Our Universes," "Our Peoples" and "Our Lives." "Our Universes" explores Native peoples' theories about the world around them and their spiritual worlds. It contains objects and stories that tell about the values and beliefs of different Native cultures.

In "Our Peoples," several Native communities present their tribal⁸ histories. They have chosen the objects, pictures, songs and other materials to tell about their past and their present.

"Our Lives" examines the modern history of several Native communities through their cultural, social and political beliefs.

VOICE ONE:

 
Rick West 
Richard West has been the director of the Museum of the American Indian since nineteen ninety. He is a member of the Southern Cheyenne tribe⁹. Mister West says the museum will show the success of Native people in keeping their way of life and overcoming pressures against them. He says it "will be a place to show and tell the world who we are and to use our own voices in the telling."

Mister West said the museum would not avoid addressing the troubles in American Indian communities since the arrival of colonial¹⁰ powers five hundred years ago. These include broken treaties with Indian tribes¹¹, the capture of Native lands and the killing¹² of Native Americans. They also include the poor living conditions on reservations where many Native Americans live today.

Experts say building the museum in the very heart of the nation's capital represents a kind of cultural justice. It is a sign of a long-delayed cooperation between the people whose ancestors came to this country and the people who were already here.

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VOICE TWO:

 
George Gustav Heye
The National Museum of the American Indian owns about eight hundred thousand objects. They are from the collection of one man, American businessman George Gustav Heye. He spent the first fifty years of the last century gathering American Indian objects. He created one of the largest collections in the world. He collected objects from the far northern Arctic¹³ Circle to the southern tip of South America. These objects have great artistic¹⁴, historic¹⁵ and cultural meaning.

In nineteen twenty-two, the Heye Foundation opened a private museum in New York City to show the collection. However, the museum had space to show the public only a small part of the collection. The foundation did not have enough money to expand the museum or to correctly care for the huge number of objects being stored.

After years of negotiations¹⁶, an agreement was reached to make the Heye Foundation Museum of the American Indian part of the Smithsonian Institution. Congress approved the action in nineteen eighty-nine.

In nineteen ninety-four, the George Gustav Heye Center of the National Museum of the American Indian opened in the old Custom House in New York City. It is one of the most visited museums in New York. It will continue to offer major exhibits and public programs.

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VOICE ONE:

Thomas Sweeney is the head of public relations for the new National Museum of the American Indian. He says tribal representatives from the United States, Canada, Mexico, and Central and South America were asked for their ideas about the design of the new building. They said the building needed roundness, light and open space, natural materials, water and plants.

The finished design of the museum includes all this. It is beautiful and unusual. It looks like no other building in Washington. The museum covers only about twenty-five percent of the two hectares of land that surrounds it. It fits into the setting on the Mall, yet it shows traditional American Indian values.

The outside wall is made of different size blocks of sand-colored limestone¹⁷. It looks like waves of stone. The wall seems to flow as if formed by wind and water. Glass window areas provide light and a connection between inside and out.

VOICE TWO:

The main entrance to the museum faces east and the rising sun, like the doorway¹⁸ in a traditional American Indian home. About thirty thousand trees and plants native to the area surround the building. The grounds recreate four traditional environments of Native peoples: A hardwood forest. Lowland freshwater wetlands. Eastern grassy¹⁹ meadows²⁰. And traditional croplands where beans, corn and squash²¹ will be grown.

Water is very much a part of the building's surroundings. It flows over and around rocks. There are more than forty huge rocks from Canada called Grandfather Rocks. They show the respect of Native Americans for ancient things that existed in the area long before people arrived.

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VOICE ONE:

Visitors to the National Museum of the American Indian enter a large central circular space. It has a rounded top more than thirty-three meters high that is similar to the dome²² of the nearby Capitol building. This area is called Potomac, which in the Native local language means "where the goods are brought in."

Live demonstrations²³ like boatbuilding, storytelling, music, and dance will take place here. The public will experience the living traditions and skills of Native people.

VOICE TWO:

One of the most important parts of the new National Museum of the American Indian is called the Fourth Museum. This is not a physical structure. It is the Community Services office, a link between the museum and Native communities throughout the Americas.

Native people have been employed to work with individuals, communities and organizations to develop museum programs. They have created traveling exhibits, educational materials and an Internet Web site. The address is americanindian.si.edu. The National Museum of the American Indian will use these to inform people around the world about the living Native cultures of the Americas.

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VOICE ONE:

Our program was written by Marilyn Christiano and Shelley Gollust. It was produced by Caty Weaver²⁴. I'm Steve Ember.

VOICE TWO:

And I'm Faith Lapidus. Join us again next week for THIS IS AMERICA in VOA Special English. We leave you now with a Lakota Sioux Indian song, "Heart is Sad, The Morning Song."