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American Folk Legend Doc Watson Dies
For more than five decades, Watson entertained audiences around the world with an eclectic repertoire1 that included elements of folk, blues2, Country, bluegrass, rockabilly, and even jazz. A master of the contemporary flat-pick guitar style, the eight-time Grammy Award winner influenced generations of musicians in rock, country and folk.
Born Arthel Lane Watson in Deep Gap, North Carolina, his first love was the traditional music of the Blue Ridge3 Mountain region. In his early childhood, he contracted an illness which caused permanent blindness, a handicap that directed his interests toward music. Watson was also inspired by his father, a multi-instrumentalist, who bought his first harmonica and taught him to play the banjo. He got his first lessons on the guitar while attending the School For The Blind in Raleigh, North Carolina. Watson loved to tell the story of how that experience earned him his own guitar.
"My father was sitting at the breakfast table drinking his last cup of coffee before he went to work and I was fooling with a borrowed guitar that one of my brothers had there," Watson recalled. "And he said, 'Son, if you learn a song on that by the time I get back this evening from work, we'll buy you one on Saturday.' Well, what he didn't know was a friend of mine at the school I was going to over in Raleigh had taught me a few chords and I could pick and sing that thing when he got back. And he said, 'I guess I'll have to keep my word.'"
At age 17, Doc Watson made his performing debut4 at a fiddler's convention in Boone, North Carolina. That led to appearances at other local functions and on various radio programs. Doc's concerts were often called "short courses in the history of American music." His popularity grew in the early 1960's, and in 1964, reached a national level following a performance at the Newport Folk Festival in Rhode Island. That same year, he was signed to Vanguard Records. He once said his ultimate goal was to be a recording5 artist.
"I always wanted to be professional enough to do some records," he explained. " I never thought about having any sort of countrywide or worldwide recognition in the music world. My dad put me to work when I was 13 instead of letting me sit in the corner on the other end of the saw and that started me. And my sweet little wife Rosalee took my hand and helped me with enough courage to get out and make a living."
In 1965, Doc Watson added his 15-year-old son Merle to his act. For the next two decades, Merle's slide and acoustic6 guitar accompaniment were featured on several albums and at nearly all of his live shows. At age 36, Merle died in a farming accident, a tragedy that led to his semi-retirement in the late-1980's. In 1988, Watson honored his son’s memory by founding the annual roots music festival MerleFest.
Although he chose to spend less time on the road, Doc continued to record in the 1990's. The bond he felt with his audience transcended7 into the recording studio.
"You think about 'Well, if I do this well, a lot of people of going to buy this record and they're going to listen to it.' You've got an audience there though you don't see them and you can't reach out and shake hands with them. They're there in the future as you will. You know if you do the record well, once people begin to hear it, they'll buy it and that's your audience," he said.
In 1995, Doc returned to his musical roots with the album, Docabilly. Some of the artists he influenced, including Marty Stuart, Duane Eddy8 and guit-steel player Junior Brown, were featured on the critically-acclaimed collection of 1950's rockabilly tunes9. Two of Doc’s albums crossed over to the Billboard10 200 chart, including his 2003 Grammy-nominated release, The Three Pickers. The album also featured Earl Scruggs and Ricky Skaggs.
Doc Watson was awarded the National Medal of Arts from President Bill Clinton in 1997. In 2004, he received a Grammy Lifetime Achievement Award.
1 repertoire | |
n.(准备好演出的)节目,保留剧目;(计算机的)指令表,指令系统, <美>(某个人的)全部技能;清单,指令表 | |
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2 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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3 ridge | |
n.山脊;鼻梁;分水岭 | |
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4 debut | |
n.首次演出,初次露面 | |
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5 recording | |
n.录音,记录 | |
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6 acoustic | |
adj.听觉的,声音的;(乐器)原声的 | |
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7 transcended | |
超出或超越(经验、信念、描写能力等)的范围( transcend的过去式和过去分词 ); 优于或胜过… | |
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8 eddy | |
n.漩涡,涡流 | |
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9 tunes | |
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调 | |
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10 billboard | |
n.布告板,揭示栏,广告牌 | |
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