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Native Americans Pick Art to Display in Traveling Exhibition
Art institutions in the United States are increasingly looking to Native American communities to organize public showings, or exhibitions, of ancestral art and artifacts.
Native American voices and artistry are at the center of one new traveling exhibition. Grounded in Clay opened on July 31 at the Museum of Indian Arts and Culture in Santa Fe. It travels next year to the Metropolitan1 Museum of Art in New York, before taking more stops at the Museum of Fine Arts in Houston and the Saint Louis Art Museum.
Grounded in Clay explores pottery2 from the Pueblo3 Indian area of the American Southwest.
In Pueblo pottery traditions, artists use their hands to form clay into many shapes and sizes. Then they fire it inside a very hot stove called a kiln4. The process permanently5 hardens the clay.
60 Native American artists, museum professionals, storytellers and political leaders worked together to develop the public showing. Each picked a few of their favorite pieces from collections in New Mexico and New York. Personal statements and sometimes poetry appear with the clay works.
Tara Gatewood — a broadcaster from the daily talk radio show "Native American Calling" — was among the organizers of the exhibition.
Gatewood discussed the mystery around the works, pointing to one ancestral jar from around 1,000 years ago. Its maker6 is unknown.
"Is your blood mine?" she said. "Where else beyond the surface of this vessel7 do your fingerprints8 appear on the blueprint9 of my own life?"
The exhibit includes about 110 pottery works. The Indian Arts Research Center at the School of Advanced Research in Santa Fe loaned most of the pieces.
The center has long worked to change how Native American art and artifacts are cared for, shown and understood.
The organizers of Grounded in Clay come from the 19 Native American communities of New Mexico, the West Texas community of Ysleta del Sur and the Hopi tribe of Arizona.
Brian Vallo, governor of Acoma Pueblo from 2019-21, chose two pieces for the new traveling exhibition. Both of the pieces have ties to Acoma, known as a "sky city" for its position on high ground.
Vallo found the pieces in the New York-based Vilcek Foundation
He says something beautiful and new awaits experienced museum-goers and other curious visitors.
"It's Native voices, and it's even the items that are selected by Native people themselves, not the institutions," he said.
Vallo added that people who go to the showing will "appreciate that these cultures survived and are thriving, and the creative spirit of our people is very much alive."
Words in This Story
artifact – n. an object (such as a tool or weapon) that was made by people in the past
clay – n. a heavy, sticky material from the earth that is made into different shapes and that becomes hard when it is baked or dried
pottery – n. objects (such as bowls, plates, etc.) that are made out of clay usually by hand and then baked at high temperatures so that they become hard
vessel – n. somewhat old-fashioned : a hollow container for holding liquids
thrive – v. to grow or develop successfully : to flourish or succeed
1 metropolitan | |
adj.大城市的,大都会的 | |
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2 pottery | |
n.陶器,陶器场 | |
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3 pueblo | |
n.(美国西南部或墨西哥等)印第安人的村庄 | |
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4 kiln | |
n.(砖、石灰等)窑,炉;v.烧窑 | |
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5 permanently | |
adv.永恒地,永久地,固定不变地 | |
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6 maker | |
n.制造者,制造商 | |
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7 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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8 fingerprints | |
n.指纹( fingerprint的名词复数 )v.指纹( fingerprint的第三人称单数 ) | |
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9 blueprint | |
n.蓝图,设计图,计划;vt.制成蓝图,计划 | |
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