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Rock and roll evolved in the United States and gained popularity in the post World War II era. However, a new book by Christopher Knowles proposes that this genre1 of music is part of the wider human story, dating back to ancient cultures, 2,000, 4,000 even 10,000 years ago.
Rock 'n' roll, says Knowles, has its roots in the mystery cults3 of the ancient world.
In his new book, 'The Secret History of Rock 'n' Roll,' author Christopher Knowles says this genre of American music is part of the wider human story and dates back to ancient cultures.
"The mystery cults were really a reaction to the coldness and almost the inhumane nature of the official state cults," Knowles says. "In Greece, of course, it was Zeus. In Rome, we had Jupiter, and in Egypt, we had Amon-Ra. These official state cults were sort of alienating4 to the general public because the official state cults had become formalized, and so rigid5. So the mystery cults started around, usually, a god of fertility and it all stems around the idea of fertility, and the seasons and the cycles of life. People really felt a very strong need to connect with something greater than themselves."
The music played during the rituals and ceremonies of these cults was fast, loud, and wild - very similar to rock and roll.
"The ancient Egyptians, they had temples where they had pop divas who became the pop stars of their time," he explains. "They would have these festivals where they would get together. They would drink beer and they would have music. They would have their own heavy metal bands. They had these guys who would come out dressed on leather armor and would bang time with their swords and shields and scream at the top of their lungs."
And just like modern rock and roll, Knowles says, ancient cult2 music provided a much needed escape for people.
"Human beings need excitement," he says. "They need relief. They need a sense of catharsis. We see this all around the world. It's not only rock and roll; it's not only the ancient mystery cults. We see this in cultures everywhere. It is really necessary and very badly needed part of human existence, to break the rules for a while, to break out of our ordinary consensus7 reality. So culture might change on the surface, but there are all these lines of continuity that stretch over time because they speak to basic human needs."
In both ancient and modern times, he adds, new trends started as a counter to mainstream8 culture.
"At first, it was not very well received," Knowles says. "The mystery cults were seen as counter-culture at best, and a challenge to authority at worst, particularly in Rome. So people met in secret, often out of necessity because they were not approved officially. So this is a process where it starts off being counter-cultural and rebellious9, but over time it becomes more acceptable. The greatest parallel, of course, is rock and roll. When rock and roll starts off, we have record burnings, we have all sorts of controversies10 in the media, but eventually it's accepted. So I think it is an interesting process that repeats itself throughout history."
In his book, "The Secret History of Rock 'n' Roll," Knowles also follows the evolution of rock 'n' roll from an expression of youthful rebellion to a symbol of American culture.
"It's really an amazing process because it all starts off as rhythm and blues," he adds. "R&B is combined with country swing and then it becomes rock-a-billy, which becomes rock and roll. Then, we see soul music. We see psychedelic rock in the 1960. That sort of opens this Pandora's box where things began to multiply. We see heavy metal. We see punk. We see art rock. We see progressive rock, and we see glam rock.And the interesting thing is that when you look back in the ancient world, they had their own glam rockers. They had their own heavy metal bands. They had their own punk rock bands."
But are modern rock stars aware of the resemblance between themselves and ancient rockers?
"We've got to start with Elvis and the interesting thing about Elvis is that he really was very conscious of this process," knowles explains. "He presented himself looking like Apollo, dressing11 like a superhero with the cape6. The Beatles have become gods into themselves. John Lennon is sort of a rock and roll martyr12. Every religion sort of needs a martyr. Elvis Presley died young. That first wave of rock and roll, we had lots of martyrs13. We had Buddy14 Holly15, Jim Morrison, Eddie Cochran, all sorts of these 'live fast, die young' kind of martyrs to rock and roll. Jim Morrison knew all about these cults and talked about them. But I don't think most people involved in hard-core punk today really have that cultural understanding."
In fact, Knowles asserts, rock and roll today is not what it once was.
"The golden age of rock 'n' roll, I sort of identify it starting in 1965 with the Beatles' album Rubber Soul, in which rock 'n' roll really became an art form, not just another form of dance music," he says. "It sort of unfolds on MTV in the 1980s. Rock 'n' roll was really everywhere you went in the 1980s. you would hear music, you would see music videos. Today, certainly music is everywhere. Rock 'n' roll is everywhere. It's on every commercial you hear, on every kid's TV show, but it's not as important to listeners, especially young listeners."
But the author of "The Secret History of Rock 'n' Roll" stresses that music is a process, and there will be a new golden age of rock and roll. The music, he says, has always been with us and always will be
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genre
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| n.(文学、艺术等的)类型，体裁，风格 | |
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cult
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| n.异教，邪教；时尚，狂热的崇拜 | |
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cults
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| n.迷信( cult的名词复数 )；狂热的崇拜；（有极端宗教信仰的）异教团体 | |
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alienating
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| v.使疏远( alienate的现在分词 )；使不友好；转让；让渡（财产等） | |
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rigid
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| adj.严格的，死板的；刚硬的，僵硬的 | |
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cape
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| n.海角，岬；披肩，短披风 | |
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consensus
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| n.(意见等的)一致，一致同意，共识 | |
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mainstream
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| n.（思想或行为的）主流；adj.主流的 | |
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rebellious
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| adj.造反的，反抗的，难控制的 | |
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controversies
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| 争论 | |
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dressing
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| n.(食物)调料；包扎伤口的用品，敷料 | |
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martyr
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| n.烈士，殉难者；vt.杀害，折磨，牺牲 | |
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martyrs
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| n.martyr的复数形式；烈士( martyr的名词复数 )；殉道者；殉教者；乞怜者（向人诉苦以博取同情） | |
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buddy
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| n.（美口）密友，伙伴 | |
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holly
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| n.[植]冬青属灌木 | |
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