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(单词翻译:双击或拖选)
Margo Price shares the struggles, joy behind new album
Nashville artist Margo Price's fourth album, released earlier this month, began as a psychedelic trip with her husband and musical partner Jeremy Ivey in 2020.
Price and Ivey wrote a total of 20 songs, half of which made it on Strays. The eclectic album takes wild leaps from indie country to honky-tonk, psychedelia and expansive rock and roll. "I didn't want to get stuck in thinking like, is this country, is this Americana, is this rock and roll, is this psychedelic?" the alt-country singer told NPR's Leila Fadel. "Yet everybody wants to label things and put them in a box. I wanted this album to be feral and free."
It's packed with the raw joy and pain of a rags-to-riches story that saw her pawn2 her wedding ring, lose a newborn baby but also find love and win a battle over alcoholism.
It's raw and it's real.
"Used to be a waitress but now I'm a consumer / I've been on food stamps I've been out of my mind / I rolled in dirty dollars stood in the welfare line," she sings in the opener, "Been to the Mountain."
The defiant3 Price then retorts: "This ain't the end!"
Exploring what Price calls "new sonic territory" came from a place of great vulnerability, an "emptiness" she felt when the pandemic hit just as her career was finally getting off the ground.
"It's difficult to be vulnerable. I think this culture doesn't always see that as a strong characteristic. But I've learned that it is one of my best qualities," she said. "If you can find joy after going through something really tragic4 and if you can figure out how to how to channel that and transform it, I think that is the whole meaning of life."
The couple had traveled to South Carolina, where they brought guitars, notebooks and hallucinogenic mushrooms.
"I have had just absolute revelations that I do not think that I would have came to had I not taken psilocybin," Price said, referring to the hallucinogenic chemical. "I really wanted to take away a lot of the stigma5 with that and just be transparent6 about how I've used them and how they have helped me with addiction7 and depression."
Price also chronicled her struggles in a memoir8 published in October, Maybe We'll Make It. "I've struggled with self-image my whole life," Price said in the interview. "The success and the money and the fame, those things don't really make your problems go away. Sometimes they amplify9 them."
But not all the songs on Strays are deeply personal. Some veer10 into storytelling. For the single "Lydia," Price strums chords on an acoustic11 guitar as she describes a woman's visit to an abortion12 clinic. A string band accompanies her on the otherwise spare track.
"It was one of those really mystical songs that kind of came to me after weeks of really being kind of in a manic state," Price said. "That song just kind of poured out of me... None of it rhymed. There wasn't even really a melody. I've always wanted to write a song like that." She wrote the song before the U.S. Supreme13 Court overturned Roe14 v. Wade15. It now doubles as an ode to women's rights.
"I wrote the soundtrack to probably what a lot of a lot of women in this country are thinking and are going through at this point," she added.
For "Lydia," Margo Price tells the story of a woman at an abortion clinic.
The flip16 side is "Light Me Up," which explores women's pleasure. "It starts in a very sweet, loving place. And then it it does escalate17 to basically this big orgasm," Price said. " I thought of all the songs that men have written about their orgasms, that we should explore that."
She describes creating "Hell in the Heartland" as a "cathartic18 experience." Written shortly after Price quit drinking, it's a reckoning of who she had been and who she wanted to be.
"I was thinking about how you just you get lost looking in the mirror. All you see is this reflection of yourself in the past. And it is talking about living in the present and just being able to shed those things," she said. "It's a very dark song, but it was incredibly cathartic to write and and to play."
While she has engaged in deep self-reflection, Price has not dwelled in it. She's experienced a new burst of creativity — songwriting, but also painting and poetry. "I can go back to those places, but it's just a lot more enjoyable to live my life in the present," she said.
1 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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2 pawn | |
n.典当,抵押,小人物,走卒;v.典当,抵押 | |
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3 defiant | |
adj.无礼的,挑战的 | |
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4 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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5 stigma | |
n.耻辱,污名;(花的)柱头 | |
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6 transparent | |
adj.明显的,无疑的;透明的 | |
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7 addiction | |
n.上瘾入迷,嗜好 | |
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8 memoir | |
n.[pl.]回忆录,自传;记事录 | |
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9 amplify | |
vt.放大,增强;详述,详加解说 | |
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10 veer | |
vt.转向,顺时针转,改变;n.转向 | |
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11 acoustic | |
adj.听觉的,声音的;(乐器)原声的 | |
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12 abortion | |
n.流产,堕胎 | |
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13 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
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14 roe | |
n.鱼卵;獐鹿 | |
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15 wade | |
v.跋涉,涉水;n.跋涉 | |
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16 flip | |
vt.快速翻动;轻抛;轻拍;n.轻抛;adj.轻浮的 | |
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17 escalate | |
v.(使)逐步增长(或发展),(使)逐步升级 | |
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18 cathartic | |
adj.宣泄情绪的;n.泻剂 | |
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