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(单词翻译:双击或拖选)
From cannibalism1 to cover-up, David Grann sees his new shipwreck2 mystery as a parable3
David Grann's latest book, The Wager5, is set to be released on April 18.
The latest book from journalist and bestselling author David Grann is a deeply involved history of a 1741 shipwreck that he calls "a parable for our own turbulent modern times."
"I always liked the line from Sherlock Holmes [about] 'truth being stranger than fiction,'" Grann told Morning Edition.
The Wager: A Tale of Shipwreck, Mutiny and Murder will be released on Tuesday and is already being adapted into a movie by Leonardo DiCaprio and Martin Scorsese. The same team is also bringing another of Grann's historical mysteries to the screen, Killers6 of the Flower Moon: The Osage Murders and the Birth of the FBI.
For his latest book, Grann tells NPR's Steve Inskeep he turned to the time of the British Empire and the tale of the HMS Wager, which was wrecked7 off the coast of Chile. The crew took refuge on an island that Grann's book describes as "swampy8, barren in storms, wet with scrubby woodlands and mountains rising into the gloomy mist."
An 18th-century tale with modern themes
"It was just one of the more extraordinary sagas10 of survival and adventure I'd ever come across....from typhoons and tidal waves and dead reckoning and shipwreck," Grann says. "And then when they're on this island, they begin to descend11 into a real life 'Lord of the Flies' with warring factions12 and mutinies and murders, and a few even succumb13 to cannibalism."
Grann was even more intrigued14, he says, by the court martial15 that followed, when the castaways had to "wage a war over the truth."
This interview has been lightly edited for length and clarity.
It was just one of the more extraordinary sagas of survival and adventure I'd ever come across. It had just virtually every element you could imagine, again, from typhoons and tidal waves and dead reckoning and shipwreck. And then when they're on this island, they begin to descend into a real life 'Lord of the Flies' with warring factions and mutinies and murders, and a few even succumb to cannibalism.
On the court martial for surviving castaways
What intrigued me even more about the story was not only what had happened on the island, but what happened after some of these castaways incredibly make it back to England. And after everything they've been through, they are summoned to face a court martial for their alleged16 crimes on the island, and they're suddenly trying to save their lives. They could be hanged after everything. And after waging this war against the elements, they begin to wage a war over the truth.
On the resemblance to contemporary events
There is information and disinformation. There's even allegations of fake news. And there's also war over who would get to tell the history and efforts by those in power to cover up the scandalous truth and the sins of the nation's past. And so I had for me the story that took place in the 18th century. It felt like a parable for our own turbulent modern times.
On storytelling as a tool of national manipulation
Not only were each individual of the survivors17 trying to shape their stories and tell their stories to serve their own self-interest. What this story really shows is how nations also shape and manipulate and edit their stories to serve their own self-interest. And what happened on Wager Island makes the British Empire look scandalous. It makes their officers look more like brutes18 and like gentlemen. And so there are those in power who have a vested interest in preferring this all to go away.
On how a shipwreck and trial challenged the British Empire
Sometimes mutinies can be so threatening to the state because what it may show about the system and in this case, this very mutiny held up a light, shined a light on the evil of imperialism19 and the lie that lay at the heart of the British Empire's justification20 for somehow conquering other people. It liked to claim that its civilization was somehow superior to others. But here, these men had gotten on the island, the supposed apostles of Western civilization, and they had descended21 into this Hobbesian state of depravity.
1 cannibalism | |
n.同类相食;吃人肉 | |
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2 shipwreck | |
n.船舶失事,海难 | |
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3 parable | |
n.寓言,比喻 | |
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4 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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5 wager | |
n.赌注;vt.押注,打赌 | |
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6 killers | |
凶手( killer的名词复数 ); 消灭…者; 致命物; 极难的事 | |
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7 wrecked | |
adj.失事的,遇难的 | |
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8 swampy | |
adj.沼泽的,湿地的 | |
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9 excerpt | |
n.摘录,选录,节录 | |
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10 sagas | |
n.萨迦(尤指古代挪威或冰岛讲述冒险经历和英雄业绩的长篇故事)( saga的名词复数 );(讲述许多年间发生的事情的)长篇故事;一连串的事件(或经历);一连串经历的讲述(或记述) | |
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11 descend | |
vt./vi.传下来,下来,下降 | |
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12 factions | |
组织中的小派别,派系( faction的名词复数 ) | |
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13 succumb | |
v.屈服,屈从;死 | |
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14 intrigued | |
adj.好奇的,被迷住了的v.搞阴谋诡计(intrigue的过去式);激起…的兴趣或好奇心;“intrigue”的过去式和过去分词 | |
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15 martial | |
adj.战争的,军事的,尚武的,威武的 | |
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16 alleged | |
a.被指控的,嫌疑的 | |
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17 survivors | |
幸存者,残存者,生还者( survivor的名词复数 ) | |
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18 brutes | |
兽( brute的名词复数 ); 畜生; 残酷无情的人; 兽性 | |
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19 imperialism | |
n.帝国主义,帝国主义政策 | |
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20 justification | |
n.正当的理由;辩解的理由 | |
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21 descended | |
a.为...后裔的,出身于...的 | |
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