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He reached the shallow well named Ain Dua. He removed all of his clothes and soaked them in the well, put his head and then his thin body into the blue water. His limbs exhausted1 from the four nights of walking. He left his clothes spread on the rocks and climbed up higher into the boulders2, climbed out of the desert, which was now, in 1942, a vast battlefield, and went naked into the darkness of the cave. He was among the familiar paintings he had found years earlier. Giraffes. Cattle. (The man with his arms raised, in a plumed3 headdress. )
Several figures in the unmistakable posture4 of swimmers.( Bermann had been right about the presence of an ancient lake.) He walked farther into the coldness, into the Cave of Swimmers, where he had left her. She was still there. She had dragged herself into a corner, had wrapped herself tight in the parachute material. He had promised to return for her. He himself would have been happier to die in a cave, with its privacy, the swimmers caught in the rock around them.( Hermann had told him that in Asian gardens you could look at rock and imagine water, you could gaze at a still pool and believe it had the hardness of rock.) But she was a woman who had grown up within gardens, among moistness, (with words like trellis and hedgehog.) Her passion for the desert was temporary.
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1 exhausted | |
adj.极其疲惫的,精疲力尽的 | |
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2 boulders | |
n.卵石( boulder的名词复数 );巨砾;(受水或天气侵蚀而成的)巨石;漂砾 | |
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3 plumed | |
饰有羽毛的 | |
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4 posture | |
n.姿势,姿态,心态,态度;v.作出某种姿势 | |
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