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(单词翻译:双击或拖选)
ROBERT SIEGEL, HOST:
A little advertising1 history now. Decades ago, products had jingles3, songs or fragments of songs whose music and lyrics5 were composed to sell just one thing.
(SOUNDBITE OF ARCHIVED RECORDING)
UNIDENTIFIED MAN: (Singing) Mr. Clean gets rid of dirt and grime and grease in just a minute.
UNIDENTIFIED WOMAN #1: (Singing) Mr. Clean will clean your whole house and everything's that in it.
(SOUNDBITE OF ARCHIVED RECORDING)
UNIDENTIFIED SINGERS #1: (Singing) Rice-A-Roni, the San Francisco treat.
(SOUNDBITE OF ARCHIVED RECORDING)
DINAH SHORE: (Singing) See the USA in your Chevrolet. America's asking you to call. Drive your Chevrolet...
SIEGEL: You used to hear jingles over and over on radio and television. For better or worse, they were as unforgettable as Mr. Clean's bald head. The last few decades have seen the decline of the jingle2 in favor of popular music that is repurposed and licensed6 by the advertiser. That shift left some people in the ad business behind, people like Steve Karmen, who lives outside New York City. He is a past master of jingle composition.
STEVE KARMEN: Unfortunately, jingle is an unacceptable word today. Jingle implies old. Jingle implies stodgy7. Jingle implies not with it.
SIEGEL: Or jingle implies frivolous8 not as weighty as a song, not real music.
KARMEN: Jingle is something that's memorable9. And nobody wants anything memorable today. They don't care.
SIEGEL: (Laughter).
Eighty-year-old Steve Karmen left the jingle game behind. But he's proud of his contribution. Tunes10 that he wrote and recorded sold cars, chewing gum, beer. And they were memorable.
(SOUNDBITE OF ARCHIVED RECORDING)
UNIDENTIFIED WOMAN #2: (Singing) You can take Salem out of the country, but you can't take the country out of Salem.
SIEGEL: Karmen created that one to flog Salem cigarettes.
KARMEN: In that case, I just wrote the music. (Imitating melody) - and then the ping was my idea. I remember the man who presented it to me, one of the guys at the agency. His name was Gordon Bushell (ph). I don't know if he's still around. But he always used to say, you can take Salem out of the country. But - and he would have this big exclamation11 point after but. So that gave me the idea to put a space in there.
SIEGEL: Yeah. There's an extra rest in there.
KARMEN: Absolutely.
SIEGEL: There's an extra pause - your idea.
KARMEN: Hey, I know musical terms too, you know?
SIEGEL: Yeah (laughter).
KARMEN: Rest - I know rest. Staff is a good one. Note.
SIEGEL: Steve Karmen informally crowned himself the king of jingles. Although, there are other pretenders to that throne. He was a childhood pal12 of singer Bobby Darin. In the 1950s, he played with Darin in a band. Both attended The Bronx High School of Science. Karmen played saxophone and guitar. And then he was lured13 into the jingle business. And he had some very big clients.
KARMEN: The advertising agency in St. Louis that represented Budweiser had a line. When you say Budweiser, you've said it all. And here's $1,500. And come back with a song.
SIEGEL: Which he did - heavy on the drums.
(SOUNDBITE OF ARCHIVED RECORDING)
VALERIE SIMPSON: (Singing) When you say Bud, you've said a lot of things nobody else can say. When you say Bud, you've gone as far as you can go to get to the very best. When you say Bud, you've said the word that means you like to do it all.
KARMEN: The lead singer is Valerie Simpson of Ashford & Simpson.
SIEGEL: Really?
KARMEN: Valerie wrote "Ain't No Mountain High Enough," "Let's Go Get Stoned," "Solid As A Rock." I mean, Valerie is a most prolific14 songwriter. But this was - you know, this is how she made a living before she did that.
SIEGEL: And all the music and the whole lyric4?
KARMEN: Everything. I wrote the entire lyric. I did the orchestration. I'm, you know, a composer. I do my own productions, my own orchestrations. And that went on the air. And it ran for eight years with that lyric. (Singing) When you say Budweiser, you've said it all. And then the agency rewrote the lyric. (Singing) For all you do, this Bud's for you. And that has been on the air, basically, ever since in various different forms.
SIEGEL: How do you feel about that? I mean, this is your creation. This is your song. It's also a beer commercial. Do you feel as protective of it as if it were an aria15 in an opera that you did?
KARMEN: I do. I do. You know, the difference between a symphony and a jingle is symphony writers use more paper.
SIEGEL: (Laughter).
KARMEN: It's just as hard to write a jingle.
SIEGEL: You wrote a jingle - I'd like to play this for people now - that I recently heard a version of. I saw it on television.
KARMEN: OK.
SIEGEL: Newly orchestrated, I think.
KARMEN: Yep.
SIEGEL: I hadn't seen this in a long time. You wrote it years ago. Let's listen. This is for an insurance company.
(SOUNDBITE OF ARCHIVED RECORDING)
UNIDENTIFIED WOMAN #3: (Singing) Who can you call on for better insurance? Who can you call - Nationwide. Who can you count on for blanket protection and know that you'll find peace of mind? Call Nationwide 'cause Nationwide is on your side.
KARMEN: Yes.
SIEGEL: When we hear that music...
KARMEN: Right.
SIEGEL: When we see a commercial on television with that music, every time, you make how much money?
KARMEN: I make zip - otherwise known as zero - otherwise known as zilch - otherwise known as gornisht - nothing. And I was just starting in business then. And they give me a contract, their, quote, "standard form contract." Six pages of, we own. And you have nothing. And I signed it. And what that meant was they have the right to do anything in the world with that piece of music. I am not entitled to any payment whatsoever16 - not for the uses of the song, not for asset performance rights, not for anything. They own it. But I say to you in all sincerity17, I learned a lot of lessons from Nationwide.
SIEGEL: Steve Karmen says he learned not to sign a standard contract but a different kind of contract. He kept the copyright. And he licensed his jingles. He kept composing them, including one little spot to generate tourism to his home state.
(SOUNDBITE OF SONG, "I LOVE NEW YORK")
UNIDENTIFIED SINGERS #2: (Singing) And to say, I love New York. You can climb a mountain. I love New York. And there's such great sailing. I love New York. We can all go camping.
KARMEN: What happened was Governor Hugh Carey knew somebody at an agency called Wells, Rich and Greene. And he said, will you develop a campaign? And they called me and asked me to write a song. And they had I love New York. That was their line. And I wrote the rest of the lyric. Two years later, it became the state song of New York. You don't have to stand up.
SIEGEL: I had no idea until I was at your...
KARMEN: I know. I would like to be treated with a bit more respect, please.
SIEGEL: (Laughter). Well, you didn't set out, at first, dreaming to be a great writer of jingles.
KARMEN: No.
SIEGEL: But you did awfully18 well at it. Any regrets?
KARMEN: No. You know why? Because it felt that I had the opportunity - you know, I used to tell my clients, I want an unlimited19 budget. And I expect to exceed it. I would go into a studio. And I say, you know, I need - I want 16 strings20 over here on this. And I need a special whatever. I used to fly singers in from Chicago or from wherever to sing it. And I had the opportunity to hear my music played by the best possible people you could imagine. People say, well, it was only advertising. Wasn't to me.
SIEGEL: Well, Steve Karmen, thanks for talking with us.
KARMEN: Thank you. It's a pleasure.
SIEGEL: Steve Karmen wrote a book about his life and litigation in the advertising business. It's called "Who Killed The Jingle? How A Unique American Artform Disappeared."
1 advertising | |
n.广告业;广告活动 a.广告的;广告业务的 | |
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2 jingle | |
n.叮当声,韵律简单的诗句;v.使叮当作响,叮当响,押韵 | |
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3 jingles | |
叮当声( jingle的名词复数 ); 节拍十分规则的简单诗歌 | |
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4 lyric | |
n.抒情诗,歌词;adj.抒情的 | |
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5 lyrics | |
n.歌词 | |
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6 licensed | |
adj.得到许可的v.许可,颁发执照(license的过去式和过去分词) | |
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7 stodgy | |
adj.易饱的;笨重的;滞涩的;古板的 | |
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8 frivolous | |
adj.轻薄的;轻率的 | |
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9 memorable | |
adj.值得回忆的,难忘的,特别的,显著的 | |
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10 tunes | |
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调 | |
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11 exclamation | |
n.感叹号,惊呼,惊叹词 | |
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12 pal | |
n.朋友,伙伴,同志;vi.结为友 | |
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13 lured | |
吸引,引诱(lure的过去式与过去分词形式) | |
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14 prolific | |
adj.丰富的,大量的;多产的,富有创造力的 | |
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15 aria | |
n.独唱曲,咏叹调 | |
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16 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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17 sincerity | |
n.真诚,诚意;真实 | |
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18 awfully | |
adv.可怕地,非常地,极端地 | |
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19 unlimited | |
adj.无限的,不受控制的,无条件的 | |
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20 strings | |
n.弦 | |
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