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(单词翻译:双击或拖选)
KELLY MCEVERS, HOST:
To cross from Mexico into the U.S. without legal permission can mean days of walking through rivers, deserts and mountains and through places where dangerous criminals prey1 on migrants. Jason de Leon thinks the paths that migrants choose will one day be seen as a kind of Ellis Island.
He's an anthropologist2 with a past in archaeology3, and he uses the techniques of these disciplines to preserve the stuff that migrants leave behind. De Leon is the founder4 of the Undocumented Migration5 Project, and he has just won a MacArthur Genius Grant for his work. Jason de Leon, congratulations and welcome to the show.
JASON DE LEON: Thank you so much.
MCEVERS: Once someone crosses the border, oftentimes their stories sort of disappear and so does the stuff that they brought with them for the journey - backpacks and toothbrushes and tarps. And that is the stuff that you preserve, right?
DE LEON: Yeah. A big part of this project is trying to demonstrate that archaeology as a tool to understand the human condition does not have to be sequestered6 in the distant past.
MCEVERS: So how do you do it? Yeah, talk about your process.
DE LEON: So we hike in the desert. We survey vast parts of the Sonoran desert, looking for the things that migrants have left behind. When we find those things, we will stop and map them, photograph them, take GPS coordinates7, collect artifacts. They get put into a database and then get stored at the University of Michigan, where we analyze8 them and we use them in various ways.
MCEVERS: What kinds of things have surprised you that you found?
DE LEON: You know, in the beginning when we started this project almost 10 years ago, you saw a pretty wide range of stuff - so a set of hair curlers, cocktail9 dresses, high heels, you know, footballs, things that people were taking with them because they thought the journey wasn't going to be very long.
And over the 10 years that we've been doing this, what we've seen is they're much more aware of the dangers of places like the Arizona desert. And so the actual material culture that folks bring with them has evolved now to focus really just on alleviating10 suffering and surviving.
MCEVERS: Wow. What other stories are these things telling you right now? Like, what are some of the stories that are kind of emerging from what you're finding?
DE LEON: I think that the backpacks and the broken shoes and the bloody11 socks, those tell one part of this physical experience people are having. And what we've really tried to do is to say these artifacts are very important, but they need to be brought into conversation with the voices of migrants themselves.
MCEVERS: Right. Because we could all look back on this moment and say, whoa, what? That - you know, it's like it could be this moment in history when this massive migration of people - where we all say, how did that work? What did that feel like?
DE LEON: Yeah. The worry is that it's going to get whitewashed12, you know, in 50 years. I mean, people reminisce about Ellis Island as if it was, you know, a vacation spot. Ellis Island was a horrible place if you were Italian, if you were Eastern European. The human rights abuses that were happening when folks were migrating here have largely been forgotten with some historical distance.
MCEVERS: This Genius Grant, of course, comes with money. That's part of the deal. What are your plans?
DE LEON: Pay off my student loans, number one.
MCEVERS: (Laughter) A very good use of the money (laughter).
DE LEON: Yeah. I might try to get some Jason Isbell tickets.
MCEVERS: (Laughter).
DE LEON: Treat myself a little bit. But, you know, really we see this grant as a way to facilitate the work that we're doing even more and to push it in new directions. It's really exciting to think about all these projects that me and my - many of my collaborators have been workshopping for years now, we're going to have resources to do these things. And so we're looking forward - I mean, I haven't been able to tell anyone this, so that's what kind of sucks, is...
MCEVERS: Right. Because you don't know exactly what the plans are until you get to tell everyone, yeah (laughter).
DE LEON: Yeah. So for the last five weeks, I've been running through these conversations in my head with my collaborators. And finally, today I'll get to tell them that, you know, those ideas that we had, I think we can finally do a lot of them.
MCEVERS: Oh, well, I hope you enjoy that. That sounds like a good day. Jason de Leon is an associate professor of anthropology13 at the University of Michigan. He is founder of the Undocumented Migration Project and a new recipient14 of a MacArthur Genius Grant. Thanks a lot.
DE LEON: Thank you, Kelly.
MCEVERS: And just a note here, the John D. and Catherine T. MacArthur Foundation is among NPR's financial supporters.
(SOUNDBITE OF RATATAT'S "CHERRY")
1 prey | |
n.被掠食者,牺牲者,掠食;v.捕食,掠夺,折磨 | |
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2 anthropologist | |
n.人类学家,人类学者 | |
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3 archaeology | |
n.考古学 | |
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4 Founder | |
n.创始者,缔造者 | |
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5 migration | |
n.迁移,移居,(鸟类等的)迁徙 | |
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6 sequestered | |
adj.扣押的;隐退的;幽静的;偏僻的v.使隔绝,使隔离( sequester的过去式和过去分词 );扣押 | |
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7 coordinates | |
n.相配之衣物;坐标( coordinate的名词复数 );(颜色协调的)配套服装;[复数]女套服;同等重要的人(或物)v.使协调,使调和( coordinate的第三人称单数 );协调;协同;成为同等 | |
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8 analyze | |
vt.分析,解析 (=analyse) | |
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9 cocktail | |
n.鸡尾酒;餐前开胃小吃;混合物 | |
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10 alleviating | |
减轻,缓解,缓和( alleviate的现在分词 ) | |
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11 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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12 whitewashed | |
粉饰,美化,掩饰( whitewash的过去式和过去分词 ) | |
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13 anthropology | |
n.人类学 | |
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14 recipient | |
a.接受的,感受性强的 n.接受者,感受者,容器 | |
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