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(单词翻译:双击或拖选)
MELISSA BLOCK, HOST:
Now step into the way-back machine onto the dance floors of the 1980s.
(SOUNDBITE OF SONG, "WALK THE DINOSAUR1")
SWEET PEA ATKINSON: (Singing) The sun was spitting fire. The sky was blue as ice. I felt a little tired, so I watched "Miami Vice2."
HARRY3 BOWENS: (Singing) I walked the dinosaur.
BLOCK: This campy hit by the group Was (Not Was) features the distinctive4 growl5 of Detroit singer Sweet Pea Atkinson, dapper on the video with his wide lapels and trademark6 fedora. It's been 35 years since Atkinson's last solo album. And now at age 72, he is back with an album of cover songs, funk blues7 and soul.
(SOUNDBITE OF SONG, "ARE YOU LONLEY FOR ME")
ATKINSON: (Singing) I'm lonely, baby. Yeah, I'm lonely for you. Oh, yeah. Yes, I am.
BLOCK: The album was co-produced by Atkinson's former bandmate, Don Was. Sweet Pea Atkinson and Don Was join us now from NPR West. Thanks to you both for being with us.
DON WAS: Good to be here.
ATKINSON: Good morning.
BLOCK: And we're listening to the first song on the album, "Are You Lonely For Me Baby," a hit back in 1967 for Freddie Scott.
ATKINSON: I didn't like it at first.
WAS: I'll tell you something. We've had a fundamental disagreement for about 35, 40 years, Sweet Pea and I. I've always loved the way he was like a blues shouter, you know, like a Wilson Pickett. But Sweet Pea sees himself as a lover and a crooner.
BLOCK: Well, Sweet Pea, where are we hearing your crooning voice, which song?
ATKINSON: "Slow Down."
BLOCK: "Slow Down."
ATKINSON: (Singing) When I was a young boy, they tried to tell me that I was moving, moving way too fast.
(SOUNDBITE OF SONG, "SLOW DOWN")
ATKINSON: (Singing) But I knew everything about everything.
BLOCK: Don Was, think back to the first time you heard Sweet Pea Atkinson sing. When was it?
WAS: Oh, I'll never forget it, man. We were all in a recording8 studio in Detroit called The Sound Suite9 in the late '70s. And I was working on some records in one room. And Sweet Pea was rehearsing with his band High Energy next door. And they used to play the UAW Hall. I think he was still working on the assembly line at the time. And what I remember, it was about 4 o'clock in the morning. And I came out in the hallway which had, as you can imagine in Detroit in 1970 - it had orange shag carpeting on the floor and going up all the walls, right? So it was bright to come out of a dark control room. And there standing10 by the coffee machine in the midst of all this orange carpet...
ATKINSON: (Laughter).
WAS: ...Is Sweet Pea wearing like an orange suit. And everything matched from his hat to shoes to socks, all the same shade orange.
BLOCK: Oh, wow.
WAS: And it just looked like there was a fire in the studio.
(LAUGHTER)
WAS: And he was all charged up because they'd been rehearsing and singing. And he had a million stories. And then I went next door and heard the band play. And it was the voice I always wished I had. And the voice we wanted to write songs for.
BLOCK: You do a version on the album of a Temptations' hit from 1965, "Just Another Lonely Night."
ATKINSON: Paul Williams, it was.
BLOCK: Paul Williams, singer of The Temptations, yeah?
ATKINSON: He was my favorite.
BLOCK: Let's take a listen to a little bit of "Just Another Lonely Night."
(SOUNDBITE OF SONG, "JUST ANOTHER LONELY NIGHT")
ATKINSON: (Singing) Darling, that's the reason why that even in a crowd, laughing out loud, I'm lonely.
BLOCK: Sweet Pea, were you always singing?
ATKINSON: Mm-hm.
BLOCK: Yeah.
ATKINSON: I had a group called the Exquisite12 Singing Group. We used to work at Chrysler Corporation.
BLOCK: What were you making?
ATKINSON: Building rear ends for Chrysler cars.
BLOCK: Building rear ends for Chrysler cars - wow. And you'd be singing on the job or after work?
ATKINSON: Yeah. We'd rehearse it in the union hall, singing our butts13 off.
(SOUNDBITE OF SONG, "YOU CAN HAVE WATERGATE")
ATKINSON: (Singing) You can have Watergate. Just give me some bucks14, and I'll be straight.
BLOCK: There's a song in here that is really sending us back to another time. It's called "You Can Have Watergate."
(SOUNDBITE OF SONG, "YOU CAN HAVE WATERGATE")
ATKINSON: (Singing) You can have Watergate. Just give me some bucks, and I'll be straight.
BLOCK: And this is a song written by James Brown. And I'm guessing this was a whole lot of fun to record in the studio.
ATKINSON: It was.
(LAUGHTER)
BLOCK: Tell me about that, Sweet Pea.
ATKINSON: I never heard before. And man, the horn section - but I like the song. I should be a single somewhere.
BLOCK: Paint a picture of the scene in the studio, Don Was, when you're doing this.
WAS: We went into the oldest studio in L.A. It's called Vox Studios - been there since 1939. And there's no gear in there that that's newer than mid11 '60s. And we really tried to do some of the things that gave those old soul records their character. For example, once we recorded all the basic tracks, we bounced them over to one mono-track because that's what they did in those days. And you pick up a certain character that's on those older records.
BLOCK: What kind of character?
WAS: I would say - the best analogy I could give you would be looking at high-res video and then looking at a great - a foreign movie from the '60s, black and white with a lot of grain and high contrast. And one's got mood and texture15 even though it's kind of a distorted picture. The high-res version's got clarity but maybe it's not as evocative. So we were going for, not just an arrangement that complemented16 Sweet Pea's vocals17, but we were trying to get a sonic texture that matched. And I think we did.
(SOUNDBITE OF SONG, "AM I GROOVING18 YOU")
UNIDENTFIED SINGERS: (Singing) You know, you make me want to shout. Baby, you really knock me out.
BLOCK: It's fun to think about how long you guys go back and how long you've been working together.
WAS: Oh, man, yes.
ATKINSON: He's like family to me.
BLOCK: Yeah.
WAS: Well, it's the same thing. Everyone can relate if you have old friends that you grew up with. As you get older, you can make other friends. But there's nothing like the people who you've known for 40, 50, 60 years, you know? We've been playing music together for over 40 years.
BLOCK: Let me ask you, Sweet Pea. You - we mentioned you haven't had a solo record for 35 years. But who's counting? You've been really busy all these years as a background singer, everybody from from Brian Wilson to Bonnie Raitt. What's it like for you now to be back in the limelight as a solo singer?
ATKINSON: It feels great. I'm ready to go to work.
BLOCK: Yeah.
ATKINSON: I'm old as dirt, but I can still sing.
WAS: (Laughter) He's as old as dirt (laughter).
ATKINSON: I'm as old as dirt, but I can still sing.
BLOCK: No question about that - well, Sweet Pea Atkinson and producer Don Was, thanks so much for talking to us. The new album is called "Get What You Deserve." Thanks again.
WAS: Thank you so much.
ATKINSON: Thank you, dear.
WAS: Thanks for having us.
ATKINSON: Thank you.
(SOUNDBITE OF SONG, "GET WHAT YOU DESERVE")
SWEET PEA ATKINSON AND UNIDENTIFIED SINGER: (Singing) You're gonna get, get what you deserve. You're gonna get, get what you deserve.
1 dinosaur | |
n.恐龙 | |
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2 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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3 harry | |
vt.掠夺,蹂躏,使苦恼 | |
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4 distinctive | |
adj.特别的,有特色的,与众不同的 | |
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5 growl | |
v.(狗等)嗥叫,(炮等)轰鸣;n.嗥叫,轰鸣 | |
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6 trademark | |
n.商标;特征;vt.注册的…商标 | |
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7 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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8 recording | |
n.录音,记录 | |
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9 suite | |
n.一套(家具);套房;随从人员 | |
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10 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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11 mid | |
adj.中央的,中间的 | |
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12 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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13 butts | |
笑柄( butt的名词复数 ); (武器或工具的)粗大的一端; 屁股; 烟蒂 | |
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14 bucks | |
n.雄鹿( buck的名词复数 );钱;(英国十九世纪初的)花花公子;(用于某些表达方式)责任v.(马等)猛然弓背跃起( buck的第三人称单数 );抵制;猛然震荡;马等尥起后蹄跳跃 | |
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15 texture | |
n.(织物)质地;(材料)构造;结构;肌理 | |
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16 complemented | |
有补助物的,有余格的 | |
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17 vocals | |
(乐曲中的)歌唱部份,声乐部份( vocal的名词复数 ) | |
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18 grooving | |
n.(轧辊)孔型设计v.沟( groove的现在分词 );槽;老一套;(某种)音乐节奏 | |
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