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KELLY MCEVERS, HOST:
A new exhibition at the New-York Historical Society tells the story behind the "Eloise" children's books. For one, author Kay Thompson was not a fan of children. Thompson died in 1998. The illustrator of the books, Hilary Knight1, is 90 years old. Jeff Lunden talked to Knight, the curator of the exhibit and a very dedicated2 fan.
JEFF LUNDEN, BYLINE3: For generations of children, Eloise is a favorite.
ANNIE CLARK: I'm Eloise. I'm 6. I'm a city child. I live in the Plaza4.
LUNDEN: I met 10-year-old Annie Clark at the Plaza Hotel. She was dressed like Eloise.
ANNIE: I think that I do kind of relate to her because I can be mischievous5 sometimes, but not always like her.
LUNDEN: Eloise was the brainchild of the multi-talented Kay Thompson, who at various points in her career was a radio personality, a vocal6 arranger at MGM and a popular cabaret performer.
(SOUNDBITE OF SONG, "HELLO, HELLO")
KAY THOMPSON: (Singing) Hello, hello. Hello...
LUNDEN: Thompson liked to amuse her friends with the voice of a little girl called Eloise. One of those friends thought the character might make a good children's book and introduced Thompson to a young artist named Hilary Knight. They hit it off.
HILARY KNIGHT: We would get our ideas and we would collectively paste them together. You know, she would talk to me and I would draw them.
LUNDEN: Eloise has an absent mother, a close relationship with her nanny, her dog Wienie, her turtle Skipperdee and the staff of the Plaza Hotel, where she skibbles (ph) about and makes a lot of mischief7. Jane Curley, the exhibition's curator, says Eloise became part of the cultural zeitgeist.
JANE CURLEY: She landed at the Plaza in 1955 in the midst of the staid Eisenhower era, when role models for women were June Cleaver8 and Donna Reed. And all of a sudden, here's this wild, irrepressible 6-year-old rushing around, barging into things, getting into trouble. And she struck a chord.
LUNDEN: The exhibition features drawings and drafts, as well as ephemera to illustrate9 what a popular phenomenon Eloise became - toys, dolls, even a song Kay Thompson wrote and performed.
(SOUNDBITE OF SONG, "ELOISE")
UNIDENTIFIED SINGERS: (Singing) Who is the little girl who lives at the Plaza in New York?
THOMPSON: That's me, Eloise. I'm 6. I live on the top floor.
UNIDENTIFIED SINGERS: (Singing) Who is the little girl...
LUNDEN: Kay Thompson never thought of Eloise as a children's book. Hilary Knight points out its subtitle10 is "A Book For Precocious11 Grownups, About A Little Girl Who Lives At The Plaza Hotel."
KNIGHT: To her dying day she said it was not a child's book. It offended her.
CURLEY: She didn't like children very much. And she would waltz into Doubleday's and pick up stacks of her books out of the juvenile12 section and plunk them down in the grown-up section and then walk out.
LUNDEN: The exhibition's centerpiece is a large portrait of Eloise that Hilary Knight painted for Kay Thompson's birthday.
CURLEY: There's Eloise standing13 there, looking like English royalty14.
LUNDEN: Curator Jane Curley says the painting hasn't been displayed for 57 years. Thompson had donated it to the Plaza where it hung in the lobby, but it was stolen on the night of the Junior League ball in 1960.
CURLEY: Walter Cronkite announced on national TV, Eloise kidnapped from the Plaza Hotel. Kay offered a reward. There was a great amount of excitement. But the portrait failed to show up.
LUNDEN: Two years later, Hilary Knight got an anonymous15 phone call telling him the portrait was in a dumpster on the East Side. He picked up the damaged painting and put it in storage, but the mystery remains16. Who took it?
CURLEY: I strongly suspect that this was Kay Thompson's best stunt17 ever. She was tired of Eloise. It was 1960. She'd taken the three books out of publication and only left the original book in publication. So to have the portrait disappear was a great exit.
LUNDEN: Kay Thompson was difficult and controlling. She grew addicted18 to drugs and was supported by her goddaughter, Liza Minnelli, for the last 20 years of her life. But Hilary Knight says she never lost her brilliant wit. At the end of the exhibition is a picture Knight drew of Kay Thompson shortly before her death. It says, I am Eloise, with Thompson knocking the little girl off a chair.
KNIGHT: She did feel that way. And she did knock her off the chair.
LUNDEN: "Eloise At The Museum" will be on display through October. For NPR News, I'm Jeff Lunden in New York.
(SOUNDBITE OF DEEP EAST MUSIC'S "COTTON WOOL")
1 knight | |
n.骑士,武士;爵士 | |
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2 dedicated | |
adj.一心一意的;献身的;热诚的 | |
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3 byline | |
n.署名;v.署名 | |
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4 plaza | |
n.广场,市场 | |
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5 mischievous | |
adj.调皮的,恶作剧的,有害的,伤人的 | |
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6 vocal | |
adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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7 mischief | |
n.损害,伤害,危害;恶作剧,捣蛋,胡闹 | |
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8 cleaver | |
n.切肉刀 | |
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9 illustrate | |
v.举例说明,阐明;图解,加插图 | |
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10 subtitle | |
n.副题(书本中的),说明对白的字幕 | |
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11 precocious | |
adj.早熟的;较早显出的 | |
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12 juvenile | |
n.青少年,少年读物;adj.青少年的,幼稚的 | |
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13 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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14 royalty | |
n.皇家,皇族 | |
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15 anonymous | |
adj.无名的;匿名的;无特色的 | |
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16 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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17 stunt | |
n.惊人表演,绝技,特技;vt.阻碍...发育,妨碍...生长 | |
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18 addicted | |
adj.沉溺于....的,对...上瘾的 | |
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