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(单词翻译:双击或拖选)
NOEL KING, HOST:
There is a new star on Broadway. He's 20 feet tall, weighs 1.2 tons, and his name is King Kong. He's a puppet, and he's the centerpiece of a $35 million musical based on the original film that opens tonight on Broadway. Reporter Jeff Lunden met with the team that brings the big gorilla1 to life.
JEFF LUNDEN, BYLINE2: Sure, in some ways, "King Kong" resembles a typical Broadway musical. There are songs...
(SOUNDBITE OF SONG, "QUEEN OF NEW YORK")
CHRISTIANI PITTS: (As Ann Darrow, singing) There ain’t no queens on the Midwest farm.
LUNDEN: ...And dances and dialogue. But really, what the audience wants to see is...
(SOUNDBITE OF ROARING)
LUNDEN: ...That giant ape. And he is very big. When he gets up on his legs, snorting and sniffing3 and roaring, he's two stories tall. And he feels alive. While all the people who operate Kong call him a puppet, the creature designed by Sonny Tilders is a sophisticated hybrid4, says Jacob Williams, whose job title is Kong captain.
JACOB WILLIAMS: There's a combined old-school and new-school puppetry.
LUNDEN: Let's start with the old school. Ten puppeteers5 are onstage moving the beast.
WILLIAMS: They've got ropes down there, which are connected to the wrist and the elbows so they can move it. It's basically the oldest style of puppet - a marionette6.
LUNDEN: To see that huge marionette in action and to find out how he works, I went to a technical rehearsal7 at the Broadway theater.
UNIDENTIFIED PERSON: All right, everybody, stand by. Please, stand by.
LUNDEN: Khadija Tariyan is one of the puppeteers who operate Kong's legs, arms and torso on the stage.
KHADIJA TARIYAN: To be Kong, we are one with Kong. We wear these black hoodies, and we're all in black outfits8. And we're, for the most part, quite hidden. And we're in a crouch9 position, so you don't necessarily always see us. We're almost like his shadows. And then there are also moments in the show where we are able to come out and almost express his feelings. Like, when he's curious about something, we do have a little appearance.
LUNDEN: The stylized puppet is made of steel, Styrofoam and bags of air that look like muscles when he moves - all held up by a 17-ton crane above the stage. And since Kong is really heavy, the petite Khadija Tariyan says...
TARIYAN: I do a launch off of his shoulder. The taller men can lift his hand up to a certain level; however, it takes our whole body weight to lift his 200-pound arm. So we climb up to his shoulder, and then we have different ways of grabbing onto a rope, and we launch off of it, which will then bring it higher than his head.
(SOUNDBITE OF MUSIC)
LUNDEN: Part of what makes Kong feel so lifelike is his facial expressions. He can be curious, sad, ferocious10, and that's where the new-school puppetry comes in. High up in the balcony, three operators and a technician sit in a booth, watching the stage through a window and infrared11 monitor. They control Kong's face, head, neck and shoulders remotely. Each of them sits behind joysticks and foot pedals.
JON HOCHE: Hi, I'm Jon Hoche. I'm the head and neck operator and also the voice of Kong.
(SOUNDBITE OF ROARING)
HOCHE: Well, Kong - he's an actor in our show, so he has lines, you know, grunts12, grumbles13, roars. They are set in the script, and my voice is modulated14 through a processor to make it kind of go from a 6'1" person to a 20-foot tall gorilla. You know, we try to keep Kong alive whenever he's on stage, so even if he's sitting, there's still a little bit of motion. So the puppet is never just inanimate onstage. There's always a breath of life in him.
(SOUNDBITE OF ROARING)
LUNDEN: Like the original movie, there are set pieces - the first time Kong comes out of the jungle, when he wrestles15 with a giant cobra, the sad ape in chains before he's put on display, the rampaging beast running through Times Square, then climbing the Empire State Building. At some point, the audience starts to forget they're watching a big puppet, says Jacob Williams, the Kong captain, who's in charge of the shoulders.
WILLIAMS: You tap into your imagination, and you place a lot of the emotion on the puppet as much as the puppeteers do. And it's this sort of connection and relationship that the puppeteers have to the puppet, then the puppet has to the audience, so it's this beautiful sort of dialogue which happens. And when it happens correctly, it makes a really special experience.
LUNDEN: At the end of every performance, the last bow is taken not by the lead actors in the show but the star - all 1.2 tons of him - and the puppeteers who bring him to life. "King Kong" opens on Broadway tonight. For NPR News, I'm Jeff Lunden in New York.
收听单词发音 |
1
gorilla
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| n.大猩猩，暴徒，打手 | |
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2
byline
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| n.署名；v.署名 | |
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3
sniffing
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| n.探查法v.以鼻吸气，嗅，闻( sniff的现在分词 )；抽鼻子（尤指哭泣、患感冒等时出声地用鼻子吸气）；抱怨，不以为然地说 | |
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4
hybrid
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| n.(动，植）杂种，混合物 | |
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puppeteers
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| n.操纵木偶的人，操纵傀儡( puppeteer的名词复数 ) | |
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marionette
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| n.木偶 | |
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7
rehearsal
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| n.排练，排演；练习 | |
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8
outfits
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| n.全套装备( outfit的名词复数 )；一套服装；集体；组织v.装备，配置设备，供给服装( outfit的第三人称单数 ) | |
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9
crouch
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| v.蹲伏，蜷缩，低头弯腰；n.蹲伏 | |
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10
ferocious
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| adj.凶猛的，残暴的，极度的，十分强烈的 | |
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11
infrared
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| adj./n.红外线(的) | |
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12
grunts
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| （猪等）作呼噜声( grunt的第三人称单数 )； （指人）发出类似的哼声； 咕哝着说； 石鲈 | |
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13
grumbles
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| 抱怨( grumble的第三人称单数 )； 发牢骚； 咕哝； 发哼声 | |
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14
modulated
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| 已调整[制]的，被调的 | |
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15
wrestles
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| v.（与某人）搏斗( wrestle的第三人称单数 )；扭成一团；扭打；（与…）摔跤 | |
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